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Snowpiercer (2013)
Snowpiercer (2013)
2013 | Sci-Fi
Interesting premise (2 more)
Fantastic visuals
Compelling
Director Joon-ho Bong brings us his vision of a post-apocalyptic world where most of humanity has been destroyed and the remaining humans are left to circle the globe in a relentless train called the Snowpiercer.

The cast is led by Chris Evans, but also features Kang-ho Song, Ed Harris, John Hurt, Tilda Swinton, Octavia Spencer and Jamie Bell.


Humanity has evolved similar to what I have read about the Titanic, meaning, the lower classes at the back of the train suffering to survive and the upper classes more forward living in luxury.


There is an uprising within the squalor and the inhabitants attempt to ascertain their situation by taking the cars ahead one-by-one. The story is very interesting and the people and situations the rebels meet along their way to the engine keep you surprised.


The engine also contains an interesting character who is eluded to within the beginning of the film.


The ending was somewhat controversial when the movie was first released; however, I find it more than satisfactory to tie up the story.


Check it out for yourself.


  
Contagion (2011)
Contagion (2011)
2011 | Drama
One Flu Over - The Cooker's Next
Steven Soderbergh's crack at the all-star disaster movie genre starts well but is eventually tripped up by its own insistence on naturalism and scientific rigour. Gwyneth Paltrow comes back from a business trip with mutant pig-bat flu, drops dead, gets cremated (see review title), authorities struggle to contain the spread of the virus. Gwynnie's widower Matt Damon wanders about looking mournful wondering how well he really knew his wife.

More a collection of subplots than an actual narrative, but there are plenty of good moments and strong performances to begin with (maybe not Jude Law's Australian accent, come to think of it). The problem is that Soderbergh sets out to do this seriously, which means that he struggles to build the thing to a proper climax with any real sense of closure: a real pandemic would be horrible, but not apocalyptic in the way it's usually presented in movies and TV shows. Soderbergh can't help but be effortlessly watchable and stylish though. Not sure what the point of the film is, except to traumatise germophobes and hypochondriacs, but it's good at that and engaging for everyone else.
  
40x40

Kyera (8 KP) rated Legend in Books

Jan 31, 2018  
Legend
Legend
Marie Lu | 2011 | Fiction & Poetry, Young Adult (YA)
8
7.8 (12 Ratings)
Book Rating
While the idea of Legend is in no way unique, with the recent influx of post-apocalyptic/dystopian storylines in YA fiction, it is still an enjoyable read. It was nice to have the two varied perspectives - the boy from the street and the girl of means. Their story is full of highs and lows, deception, hurt, betrayal and death. Each deals with events in their own way and comes out of the series as a very different person. (Series-wise) <spoiler>I was not entirely satisfied with the ending. It left the reader with the temptation of promise and a what-if, but felt like an afterthought. The epilogue didn't seem as pulled together as the rest of the novel. It felt more like the readers raged against the conclusion of the book and the author tacked this story on at the end to appease them. Remember what tragic things, what relationships, what changes happened at the end that you didn't like? Just kidding, I take it back. Here's a glimpse of the storyline you actually wanted. </spoiler> Other than that I really enjoyed the series and would recommend it.
  
The Night House
The Night House
J.C. McKenzie | 2019 | Romance, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
THE NIGHT HOUSE is a standalone post-apocalyptic fantasy romance that seamlessly blends medieval knights and sword-play from a different planet with current day earth.

This was a fantastic read, ticking most of my boxes. Thane and Taya have sparks flying aplenty when they are meet and these continue throughout the book. I loved not only Thane though, but his whole team. They were all strong characters with a strong sense of duty and loyalty. Once Taya was part of their team, that was it. No stupidity or senseless behaviour, just helping the newbie out where possible.

If I could give out half stars, this would be a four and a half! The reason for that half star being knocked off would be the ending. It felt very quick to me, almost as if the author was running out of available words in her word count. Big build-up followed by events happening very quickly and not taking up much page space. Still, I loved this book anyway, so perhaps that's why it seemed to end too quickly!

If you like fantasy and contemporary genres merged together, then I would definitely recommend this book!
  
Kin-dza-dza! (1986)
Kin-dza-dza! (1986)
1986 | Comedy, Sci-Fi
Soviet-era comedy-SF resembles a high-speed collision between Mad Max and The Hitch-Hiker's Guide to the Galaxy as directed by Terry Gilliam. Earthling Everymen are accidentally teleported to the post-apocalyptic dystopia of Pluk, where lower-caste citizens must wear bells in their noses, social status is determined by the colour of your trousers, and most of the local language translates as 'koo!' Can they persuade a couple of dodgy locals to help them get home?

Possibly a little bit slow and overlong, and many of the jokes are probably too understated, but the desolate alien world is well-realised on a low budget (special effects are sparingly used, but look good when they are) and the intricately ridiculous society of Pluk has been worked out in impressive detail. Hard to tell whether the satire is aimed at capitalist society or communist, but perhaps this is the point: life on Pluk may be unfair, arbitrary, and often unintelligible, but then isn't that true everywhere? Well-played, solidly scripted for the most part (end comes unravelled a bit), very watchable and entertaining.