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What feels like a gimmick or stunt casting (what if the Kelvin timeline encountered Q far earlier than they should) becomes a well put together adventure, anchored by the start in the Prime Universe. Q initially approaches Captain Picard, (now Ambassador) to console him over the death of Spock. He drops the bombshell that Spock didn't die, but set the alternate time line events in motion. Q of course, can't help but meddle, and challenges Kevlin Kirk to solve a true no win scenario by flinging the Enterprise and crew far into the future, where the events of the Dominion War ended far differently (and catastrophically) for the Federation.

This "post-apocalyptic" style story works incredibly well, and the cameos by established characters from down the line are met with great amounts of fun and just the right bit of timing. My one complaint is Kirk, who seems reactionary throughout the tale, and never manages to proactively become the hero (in fact, it is Spock and Q who solve the problem). But small potatoes, as they say. This was actually the first arc that convinced me to give IDWs Trek comics a chance, and while I disagree with their story telling choices on most of the run, the stories themselves are still entertainingly told. This one is no exception.
  
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Ross (3284 KP) rated Blackwing in Books

May 7, 2018  
Blackwing
Blackwing
Ed McDonald | 2017 | Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
Gritty narrative (1 more)
Twisting turning plot
Fantastic dystopian fantasy
This book came highly rated by people on the fantasy faction facebook group and goodreads, so I had high expectations when I started reading. The reader is thrown straight into the thick of this strange post-apocalyptic magical world and the terms and creatures therein.
The story follows Ryhalt Galharrow, a captain in the Blackwing, a group of soldiers and enforcers working for the supreme magician Crowfoot. They are charged with keeping order along the Range and tracking down dissenters and run-aways.
Galharrow quickly finds himself embroiled in a plot and a battle to save the republic from itself and the evil Deep Kings and their hordes of mutated zombies.
The narrative is extremely gritty and at times you can almost smell the filth and second-hand brandy.
While you are thrown into it without warning and without preamble, this is to McDonald's credit, as the reader pieces things together quite quickly, or can make up their own mind about how things look and work.
To sum this up, I would say it was like Mark Lawrence or Joe Abercrombie ghost-writing a Brandon Sanderson plot - with the best aspects of both sides (the gritty dialogue from the grimdark authors with the intricately designed magic system and urban landscape of the plotter).
A superbly crafted story with excellent flowing prose.
  
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Awix (3310 KP) rated Gamera: Revenge of Iris (1999) in Movies

Mar 15, 2019 (Updated Mar 15, 2019)  
Gamera: Revenge of Iris (1999)
Gamera: Revenge of Iris (1999)
1999 | Fantasy, International
9
8.2 (5 Ratings)
Movie Rating
Apocalyptic final instalment in Kaneko's trilogy takes the Japanese monster movie to places it has never been before or since. Amid signs of the man-eating Gyaos creatures reappearing in vast numbers, an embittered girl bonds with the life-draining Iris creature to seek revenge on Gamera after her parents were killed in his battle with the first Gyaos some years earlier.

Incomplete Struggle (a much better title to my mind) is much more of a fantasy film than the previous chapter in the story, once again playing cleverly with various tropes of Japanese monster stories. The script takes the trouble to include characters from both previous films (it is clearly intended as a grand conclusion to the story) and also explores notions of pre-millennial angst. Once again, the monster battles are superbly staged, but the big ideas explored by the film are also fascinating, even if some elements of the story are left a bit vague. What one person sees as vaulting imagination and ambition, another may see as the script getting a bit out of control; some may also have an issue with the deliberate lack of closure at the very end of the film. Nevertheless, this movie manages to give the Japanese kaiju genre a sense of majesty and gravitas it has seldom achieved anywhere else.