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Home of the Strange (Worldwalkers 1)
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Maddox is just trying to get by. Navigating a world that’s not built for people like him—people...
MM Near Future Semi-Apocalyptic Urban Fantasy Romance
Kyera (8 KP) rated Frozen (Heart of Dread, #1) in Books
Feb 1, 2018
The story Frozen, by Melissa de la Cruz and Michael Johnston, is a tale about a girl with powers who lives in a world unlike our own. In post-apocalyptic New Vegas, Nat fins the one object that might allow her to escape the frozen landscape. The map to help her find the Blue, a promised land untainted by the cold and destruction her world knows. A place that maybe she can live a good life and not spend each day fearful that she will be discovered.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
tapestry100 (306 KP) rated I Hate Fairyland, Vol 2: Fluff My Life in Books
Aug 2, 2017
Picking up directly where the first volume leaves off, this volume of I Hate Fairyland, with Gert now Queen of Fairyland, and that goes about as well as you'd expect. She is eventually ousted from the throne and continues her search for a way home, dragging the unfortunate Larry along the way.
While Scottie Young's writing is still funny and his art is as madcap as ever (and Jean-Francois Beaulieu's eye-popping colors are eye-popping!), this volume was far more episodic than the previous story arc, with each issue more or less playing out the same scenario each time: Gert finds a "new" way home each issue, which of course turns out not to be a way home and then she fights her way out of the situation in the usual bloodbath, end of issue. The final issue of the collection does offer an interesting post-apocalyptic view of Fairyland, but it's actually not made clear whether the series is continuing after this volume (which there will be after a short break until the monthly series picks back up again in March), so the casual reader may be confused about whether this is actually the close of the series.
I'll be picking up the next collection of the series for sure, regardless of the slight disappointment that came with this issue, because I Hate Fairyland is still one of the most original comics that I've read in a long time.
While Scottie Young's writing is still funny and his art is as madcap as ever (and Jean-Francois Beaulieu's eye-popping colors are eye-popping!), this volume was far more episodic than the previous story arc, with each issue more or less playing out the same scenario each time: Gert finds a "new" way home each issue, which of course turns out not to be a way home and then she fights her way out of the situation in the usual bloodbath, end of issue. The final issue of the collection does offer an interesting post-apocalyptic view of Fairyland, but it's actually not made clear whether the series is continuing after this volume (which there will be after a short break until the monthly series picks back up again in March), so the casual reader may be confused about whether this is actually the close of the series.
I'll be picking up the next collection of the series for sure, regardless of the slight disappointment that came with this issue, because I Hate Fairyland is still one of the most original comics that I've read in a long time.
Micky Barnard (542 KP) rated Station Eleven in Books
Oct 15, 2018
Unique post - apocalyptic story
This book is clever both conceptually but also in how it is written. It's been ages since a book has been so thought provoking and made me reflect. I found it to be deep in terms of those previously mentioned aspects but also in terms of character development.
STATION ELEVEN is set around a pandemic that wipes out 99% of the population a day after getting the virus. The story arcs out from the build up to that day and to 20-30 years post-pandemic. I'm not always a fan of long and shifting timelines but I now realise I can be a fan of that if they're as well written as this one. The story jumps back and forth both past and present without losing any flow in the story.
The are multiple characters and povs that are so cleverly interwoven and when a thread was tied up, I went "ahhhh". Most of the story was unpredictable but I admit to guessing the prophet element.
I found this story of potential apocalypse so very realistic that I often reflected on my own mortality in this scenario (day one - I have asthma). I really enjoyed seeing a deconstructed civilisation and what that might look like. The promise of the future was also interesting.
I think Emily St John Mandel is an incredibly talented writer and I would recommend this book to many.
STATION ELEVEN is set around a pandemic that wipes out 99% of the population a day after getting the virus. The story arcs out from the build up to that day and to 20-30 years post-pandemic. I'm not always a fan of long and shifting timelines but I now realise I can be a fan of that if they're as well written as this one. The story jumps back and forth both past and present without losing any flow in the story.
The are multiple characters and povs that are so cleverly interwoven and when a thread was tied up, I went "ahhhh". Most of the story was unpredictable but I admit to guessing the prophet element.
I found this story of potential apocalypse so very realistic that I often reflected on my own mortality in this scenario (day one - I have asthma). I really enjoyed seeing a deconstructed civilisation and what that might look like. The promise of the future was also interesting.
I think Emily St John Mandel is an incredibly talented writer and I would recommend this book to many.
Awix (3310 KP) rated The Girl in the Spider's Web (2018) in Movies
Dec 4, 2018
Another attempt at converting Stieg Larssen's very-popular-about-ten-years-ago characters into viable English-language multiplex fare. Film opens with implied child abuse followed by implied domestic violence (there's a lot of implication, in order to avoid the 18 certificate that scuppered the box office of the Daniel Craig/Rooney Mara movie), but this is mainly to set an authentically grim tone - the plot could fairly easily be retooled for one of the Bourne movies, as evil secret organisation tries to get its hands on apocalyptic McGuffin, hero gets framed for doing nasty things, and so on.
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
Chaos Gains (After the EMP Book 5)
8.0
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