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Asiza Tait (139 KP) rated The Girl with All the Gifts in Books
Feb 1, 2018
If I had been watching this story as a movie instead of reading it I would have spent a quarter of the time with my eyes tight shut and my hands over my ears. I avoid thrillers for this exact reason, I get so scared, it's rather ridiculous.
I decided to step out of my comfort zone and try, and I was not disappointed at all. I was left feeling cold, and a sense of deep disturbance in my balanced little world. Obviously this book is very well written, taken from different characters perspectives. Their personalities, relationships with each other and themselves develop and change through the book in entirely realistic ways. You just know there is no happy ending here, there is perhaps a tolerable ending to look forward to. You're not entirely sure how deep the rabbit hole goes, but you do know is going to be very dark and a torch will probably only make it worse. It is an excellent thriller, it kept me fully engrossed until I put the book down, relieved as I was, that I could finally extract my mind out of the horror of an apocalyptic future that would have to be extremely different from anything that the world has ever known just to survive. Dr Caldwell was frightening simply because I could not relate to her, her single-mindedness was more inhumane than Melanie, who was the key character. She was essentially the heroine, making the best out of a completely stuffed up world and paving a way to make things better. This book took me about a day to read and it will probably take a few more days to fully leave that world of 'hungries', 'e-blockers', and danger round every corner. I won't be able to look at a mushroom the same way again.
I decided to step out of my comfort zone and try, and I was not disappointed at all. I was left feeling cold, and a sense of deep disturbance in my balanced little world. Obviously this book is very well written, taken from different characters perspectives. Their personalities, relationships with each other and themselves develop and change through the book in entirely realistic ways. You just know there is no happy ending here, there is perhaps a tolerable ending to look forward to. You're not entirely sure how deep the rabbit hole goes, but you do know is going to be very dark and a torch will probably only make it worse. It is an excellent thriller, it kept me fully engrossed until I put the book down, relieved as I was, that I could finally extract my mind out of the horror of an apocalyptic future that would have to be extremely different from anything that the world has ever known just to survive. Dr Caldwell was frightening simply because I could not relate to her, her single-mindedness was more inhumane than Melanie, who was the key character. She was essentially the heroine, making the best out of a completely stuffed up world and paving a way to make things better. This book took me about a day to read and it will probably take a few more days to fully leave that world of 'hungries', 'e-blockers', and danger round every corner. I won't be able to look at a mushroom the same way again.
Terry Nation's apocalyptic drama-adventure series came out of the same mid-70s interest in self-sufficiency that produced The Good Life, but also clearly owes a debt to George R Stewart's 1949 novel Earth Abides. A man-made virus devastates civilisation forcing the few who survive to rebuild; over the course of three series the programme deals with individual responses to the catastrophe, the characters coming together to build a community, and then an attempt to reconstruct something like a nation.
Many changes on both sides of the camera mean that Survivors is an inconsistent show, with nearly everyone agreeing the best episodes are all in the first season. This is not to say the first season is perfect or the others are not worth watching (though there are a few dud episodes). The best episodes are ones which mix character-based drama and big ideas - the capital punishment-themed Law and Order, in which the members of the community must decide what to do with one of their number they believe to be a murderer, is a particular highlight. Series anticipates Nation's Blake's 7 in the way a supporting character ends up as the de facto lead, in both cases a ruthless pragmatist becoming a very unconventional hero.
Criticisms that the show is middle class are somewhat justified; members of the working class are either comic relief or shotgun-toting menaces (trade unionists are also depicted as a menace). The low budget of the later episodes (most of which were made on VT rather than film) also shows. The second season can be a bit dull but the others are seldom less than interesting, and occasionally extremely good.
Many changes on both sides of the camera mean that Survivors is an inconsistent show, with nearly everyone agreeing the best episodes are all in the first season. This is not to say the first season is perfect or the others are not worth watching (though there are a few dud episodes). The best episodes are ones which mix character-based drama and big ideas - the capital punishment-themed Law and Order, in which the members of the community must decide what to do with one of their number they believe to be a murderer, is a particular highlight. Series anticipates Nation's Blake's 7 in the way a supporting character ends up as the de facto lead, in both cases a ruthless pragmatist becoming a very unconventional hero.
Criticisms that the show is middle class are somewhat justified; members of the working class are either comic relief or shotgun-toting menaces (trade unionists are also depicted as a menace). The low budget of the later episodes (most of which were made on VT rather than film) also shows. The second season can be a bit dull but the others are seldom less than interesting, and occasionally extremely good.
LeftSideCut (3776 KP) rated The Walking Dead - Season 3 in TV
Aug 16, 2019 (Updated Oct 25, 2019)
Contains spoilers, click to show
The third season of The Walking Dead is fairly up and down.
It's not as consistent as the first two for sure.
It's still pretty decent television however.
There's a large Shane shaped hole left after the finale of season 2 - filled by none other than The Governor. He's a piece of work for sure.
I enjoyed The Governor throughout season 3, although a lot of my friends who are fans of the comic protest that he's a far cry from the source material. As someone who is yet to catch up with the comic series, this wasn't a problem for me. He's played with aplomb by David Morrissey, who's obviously having a great time. On the surface, he's a nice guy, who's trying to help his people thrive in a post apocalyptic world - but there's certainly something sinister underneath.
We're also given back Merle, which is great because Michael Rooker. No other reason needed!
After a very brief appearance at the end of season 2, we also get a lot of fan favourite Michonne here, one of my favourite characters in the whole show, played by Danai Gurira.
As in the first two seasons, the cast are pretty great all round. No complaints from me in that respect.
It's the story which takes a bit of a hit. The majority of the season is set in a Prison, and the Governor's story is pretty slow burning as he grows to hate Rick. Some of the episodes feel like filler, with some really strong episodes dotted throughout (the fourth episode in particular is a blinder)
This is an issue that becomes more obvious as the series draw on but at this point isn't severe enough to make a huge impact.
It's still good, gory, bleak, fun? I guess?
#Justice4HershelsFoot
It's not as consistent as the first two for sure.
It's still pretty decent television however.
There's a large Shane shaped hole left after the finale of season 2 - filled by none other than The Governor. He's a piece of work for sure.
I enjoyed The Governor throughout season 3, although a lot of my friends who are fans of the comic protest that he's a far cry from the source material. As someone who is yet to catch up with the comic series, this wasn't a problem for me. He's played with aplomb by David Morrissey, who's obviously having a great time. On the surface, he's a nice guy, who's trying to help his people thrive in a post apocalyptic world - but there's certainly something sinister underneath.
We're also given back Merle, which is great because Michael Rooker. No other reason needed!
After a very brief appearance at the end of season 2, we also get a lot of fan favourite Michonne here, one of my favourite characters in the whole show, played by Danai Gurira.
As in the first two seasons, the cast are pretty great all round. No complaints from me in that respect.
It's the story which takes a bit of a hit. The majority of the season is set in a Prison, and the Governor's story is pretty slow burning as he grows to hate Rick. Some of the episodes feel like filler, with some really strong episodes dotted throughout (the fourth episode in particular is a blinder)
This is an issue that becomes more obvious as the series draw on but at this point isn't severe enough to make a huge impact.
It's still good, gory, bleak, fun? I guess?
#Justice4HershelsFoot
Gareth von Kallenbach (980 KP) rated The Road (2009) in Movies
Aug 8, 2019
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
Kaz (232 KP) rated The Silence (2019) in Movies
Jul 6, 2019 (Updated Jul 7, 2019)
A mediocre film
Contains spoilers, click to show
Even though 'The Silence' is based on a novel in its own right, it's impossible not to compare this to 'A Quiet Place'. Unfortunately, 'A Quiet Place' is a much better film.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
Russell Evans (179 KP) rated Gaslands Refuelled in Tabletop Games
Feb 23, 2020
Super cheap miniatures game (3 more)
Easy to get into
Fun rules
Unlimited modelling options
No official pre-made pre-painted miniatures (1 more)
Print off your own templates or buy from 3rd parties
A brilliantly written and illustrated book for a tabletop game of post-apocalyptic racing – fast cars with big guns – Mad Max in miniature.
It’s tons of fun and easy to play the basics straight away. After that, there is more depth to the rules to explore and building teams to keep things interesting and have long term playability. To get started, you can use templates copied and printed from the book and normal dice, or like I have done, you can get plenty of third-party companies selling templates, scenery and ‘skid’ dice.
One of the main reasons I picked this game up, apart from the raving reviews I’d seen online, was the DIY modelling aspect of the game. As a long time mini-gamer of things like Warhammer and Star Wars FFG, I’m used to my miniatures burning a big hole in my pocket. Re-modelling and repainting HotWheels cars (Super cheap – a couple of quid vs about £30 for a Star Wars ship) is the best part of this game for me, you can use standard cars if you want to, but there are no official pre-made pre-painted ‘cars’ which may be a negative, if you’re not into modelling.
Fun is the main priority and my favourite rule is that if a rule is unclear, you choose whichever option results in the most carnage for all concerned … This is ‘The Rule of Carnage’.
Highly recommended – if you want a different mini game that’s fun and won’t break the bank, check this out!
It’s tons of fun and easy to play the basics straight away. After that, there is more depth to the rules to explore and building teams to keep things interesting and have long term playability. To get started, you can use templates copied and printed from the book and normal dice, or like I have done, you can get plenty of third-party companies selling templates, scenery and ‘skid’ dice.
One of the main reasons I picked this game up, apart from the raving reviews I’d seen online, was the DIY modelling aspect of the game. As a long time mini-gamer of things like Warhammer and Star Wars FFG, I’m used to my miniatures burning a big hole in my pocket. Re-modelling and repainting HotWheels cars (Super cheap – a couple of quid vs about £30 for a Star Wars ship) is the best part of this game for me, you can use standard cars if you want to, but there are no official pre-made pre-painted ‘cars’ which may be a negative, if you’re not into modelling.
Fun is the main priority and my favourite rule is that if a rule is unclear, you choose whichever option results in the most carnage for all concerned … This is ‘The Rule of Carnage’.
Highly recommended – if you want a different mini game that’s fun and won’t break the bank, check this out!
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