The Marinated Meeple (1853 KP) rated Mad Max: Fury Road (2015) in Movies
Apr 1, 2018
I didn't expect much of this film and it completely blew me ou of the water, I was amazed and I'm not the only one: In a Cannes press conference for the movie, Tom Hardy apologized to George Miller for the reportedly complicated relationship between the star and the director during filming. He stated: "There was no way, I mean, I have to apologize to you because I got frustrated. There was no way George could have explained what he could see in the sand when we were out there. Because of the due diligence that was required to make everything safe and so simple, what I saw was a relentless barrage of complexities, simplified for this fairly linear story. I knew he was brilliant, but I didn't know how brilliant until I saw it. So, my first reaction was 'Oh my god, I owe George an apology for being so myopic'." Charlize Theron mentioned similar experiences where she had no idea what she was filming, up to the point where she would ask the director what the hell he was doing. In the end, seeing the finished film greatly exceeded her expectations as well.
Give it a shot... it won an Oscar for gawds sake...
plus an alternate movie poster for your enjoyment.
Sarah (7800 KP) rated Mortal Engines (2018) in Movies
Dec 17, 2018
The visuals and CGI are very good, the traction cities and towns look fantastic and they're impressively done. Shouldn't be a surprise considering these have been done by Weta. The plot itself is intriguing and fairly unique as far as apocalyptic futures go, although there are a few plot points that are a bit cliched and reminiscent of other sci-fi/fantasy films - the whole final act/ending being the main example.
Hester Shaw is a very strong heroine and a good lead character, although i think she suffers from some bad scripting. Hugo Weaving is doing his Agent Smith best as the villainous Thaddeus Valentine, he really does know how to play a good bad guy. I'm most impressed however with Robert Sheehan. He's a very underrated actor yet seems to have such range and versatility, from his start in the series Misfits to the creepy Vladek in Fortitude, and then his turn as the dashing hero in this, he really made this film worth watching even if the script wasn't always in his favour. The romance aspect of this film too is also a little too forced and not very subtle, and a little bit predictable.
In short this is an interesting story with a great cast and special effects, that is let down by a patchy script and a few cliches. The next book I have to read is this one, so I'm interested to see how the two compare.
Merissa (14148 KP) rated Marked Yours (Sentries #1) in Books
Dec 2, 2019
I loved this story so much, and am so glad it's only the first book in the series. Nick was trained as a slave, and you learn through his history and flashbacks that the training wasn't all sweetness and light! Todd was trained as a sentry, and his training had the same pattern as Nick's. These two are starved for affection and each can give the other what they so desperately crave.
I would have liked a bit more information about just what it was that Nick and Todd could do, but I also, paradoxically, preferred how this book was about the two of them. How they had got to know each other. How trust was an issue for both of them. How they so desperately wanted the other to be safe.
The ending is perfect for this book, and it is yet another thing I would like to be expanded upon in the next book, or at least somewhere within the series!
A brilliant story that I adored, a series I can't wait to read more from, and a book I have no hesitation in recommending.
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Lyndsey Gollogly (2893 KP) rated Under the Blue in Books
Jul 7, 2024
Book
Under the Blue
By Oana Aristide
⭐️⭐️⭐️
A road trip beneath clear blue skies and a blazing sun: a reclusive artist is forced to abandon his home and follow two young sisters across a post-pandemic Europe in search of a safe place. Is this the end of the world?
Meanwhile two computer scientists have been educating their baby in a remote location. Their baby is called Talos, and he is an advanced AI program. Every week they feed him data, starting from the beginning of written history, era by era, and ask him to predict what will happen next to the human race. At the same time they're involved in an increasingly fraught philosophical debate about why human life is sacred and why the purpose for which he was built - to predict threats to human life to help us avoid them - is a worthwhile and ethical pursuit.
These two strands come together in a way that is always suspenseful, surprising and intellectually provocative: this is an extraordinarily prescient and vital work of fiction - an apocalyptic road novel to frighten and thrill.
This was a case of don’t judge a book by its cover I wasn’t expecting much from it to be honest. But I actually liked it. We follow two different stories that some how come together in the end one of 3 people trying to escape the pandemic and nuclear fall out and then 2 scientists developing an AI. While I liked it the ending left me feeling a bit flat! But it is worth a read.



