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Hero Hunters
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App
Play the #1 Team Shooter on Mobile - Hero Hunters! Collect Powerful Heroes, Join an Alliance and...
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Hello Weather
Weather
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Say hello to Hello Weather—the exceptionally useful no-nonsense weather app. The perfect balance....
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Merissa (12330 KP) rated Dustwalker in Books
Aug 25, 2017
Dustwalker by Tiffany Roberts
Dustwalker is a post-apocalyptic dystopian novel, set around the community of Cheyenne. The humans scrimp through their living as best as they can, ruled over by the bot Warlord. Our main female, Lara, is worried about her missing sister, and surviving the best way she can, by finding scraps and trading them for food. Ronin is a dustwalker, a bot who goes out into the Dust. Some say the dustwalkers are a crazy lot, but Ronin knows that he is alone. No one will come looking for him if something happens to him out there. Through fate, Lara and Ronin's live connect, and what happens next is something that neither of them saw coming.
This is an amazing story, with world-building that is second to none. Every scene is 'real' and completely believable, even when they involve bots ;) This book is a bit of a slowburner, but in the best possible way. You get drawn into Lara's world, with all the hunger and pain and loss that goes with it. You feel for Ronin as he tries to understand what he has said to upset Lara! Most of all, you root for these two, and everyone else in Cheyenne, to get their HEA. After all they have been through, they deserve it; and as a reader, you will want it for them.
The pace is smooth, slow and gentle to entice you into their world, and building up as the story progresses. There were no editing or grammatical errors that disrupted my reading flow. The characters are all highly developed and completely distinct. There is simply no way you could confuse one character with another. There are some steamy bits but they are completely in keeping with the story, not superfluous in any way. This book had me right up until the last word - which I had to reread once I had wiped my eyes! Absolutely outstanding, I am so pleased I was given the opportunity to read this book. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an amazing story, with world-building that is second to none. Every scene is 'real' and completely believable, even when they involve bots ;) This book is a bit of a slowburner, but in the best possible way. You get drawn into Lara's world, with all the hunger and pain and loss that goes with it. You feel for Ronin as he tries to understand what he has said to upset Lara! Most of all, you root for these two, and everyone else in Cheyenne, to get their HEA. After all they have been through, they deserve it; and as a reader, you will want it for them.
The pace is smooth, slow and gentle to entice you into their world, and building up as the story progresses. There were no editing or grammatical errors that disrupted my reading flow. The characters are all highly developed and completely distinct. There is simply no way you could confuse one character with another. There are some steamy bits but they are completely in keeping with the story, not superfluous in any way. This book had me right up until the last word - which I had to reread once I had wiped my eyes! Absolutely outstanding, I am so pleased I was given the opportunity to read this book. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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Fred (860 KP) rated Love, Death & Robots in TV
Mar 24, 2019
A Heavy Metal reboot? I'm in!
This is an anthology series, airing on Netflix. Originally, it was going to be a theatrical reboot of the Heavy Metal animated movies, but became a series instead. It's split into 18 animated shorts (well, 17 & one mostly live-action) with an average length of about 10 minutes or so each. Unlike the original Heavy Metal movie, there is nothing tying the shorts together, like the Loc-nar.
I want to say, overall, the series is great. Most of the animation is great. Some of it, like in the short "The Witness" is so realistic, you'll think you're watching actual film. However, there are some shorts where the animation is done in the choppy, crappy CGI-drawn animation & this takes away from them. Just like the original Heavy Metal, some shorts work, some don't. Fortunately, most of them work, overall. Some have problems with their endings. They seem to either have no ending, or they're just not satisfying enough. I kind of wish they were 20 minutes each. But there are also some where the ending is the best part.
My favorite short is probably "Three Robots", which is about...3 robots. They're "taking a vacation" through an apocalyptic wasteland. It's funny & smart. My least favorite is probably "When the Yogurt Took Over", which is about...sentient yogurt. Fortunately, this one is also the shortest of them. Funny enough, both of these shorts were written by the same writer.
I see people complaining about the show's sexism towards women. Yes, this is a problem. But a minor one. The show does have fan service, especially in the short "The Witness" I mentioned. There's nudity just for the sake of having nudity. I feel that although in this day & age, in America, this is frowned upon, it fits with these shorts. It's not like it's non-stop nudity, it's just here & there. It also fits with the Heavy Metal series & I'm happy that it's there.
I could talk about each short separately, but I don't think they need to be. You can watch the entire series in a few hours & it's worth it. So what you waiting for?
I want to say, overall, the series is great. Most of the animation is great. Some of it, like in the short "The Witness" is so realistic, you'll think you're watching actual film. However, there are some shorts where the animation is done in the choppy, crappy CGI-drawn animation & this takes away from them. Just like the original Heavy Metal, some shorts work, some don't. Fortunately, most of them work, overall. Some have problems with their endings. They seem to either have no ending, or they're just not satisfying enough. I kind of wish they were 20 minutes each. But there are also some where the ending is the best part.
My favorite short is probably "Three Robots", which is about...3 robots. They're "taking a vacation" through an apocalyptic wasteland. It's funny & smart. My least favorite is probably "When the Yogurt Took Over", which is about...sentient yogurt. Fortunately, this one is also the shortest of them. Funny enough, both of these shorts were written by the same writer.
I see people complaining about the show's sexism towards women. Yes, this is a problem. But a minor one. The show does have fan service, especially in the short "The Witness" I mentioned. There's nudity just for the sake of having nudity. I feel that although in this day & age, in America, this is frowned upon, it fits with these shorts. It's not like it's non-stop nudity, it's just here & there. It also fits with the Heavy Metal series & I'm happy that it's there.
I could talk about each short separately, but I don't think they need to be. You can watch the entire series in a few hours & it's worth it. So what you waiting for?
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Paul Kellett (118 KP) created a post in Solo Gamers
May 9, 2019
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Hazel (1853 KP) rated Shadow Fall (Shadow Fall, #1) in Books
Dec 7, 2018
Rating 1.5 stars
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
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JT (287 KP) rated Monsters (2010) in Movies
Mar 10, 2020
Not so much a film about monsters, more about the human struggle to come to terms with the aftermath of an alien invasion. Whether the title was given purely for marketing reasons or not, I’m not sure, but it certainly doesn’t deliver a plethora of monsters to the screen.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
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Long Road Home: Testimony of a North Korean Camp Survivor
Book
Kim Yong shares his harrowing account of life in a labor camp--a singularly despairing form of...
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Merissa (12330 KP) created a post
Mar 3, 2021
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Lyndsey Gollogly (2893 KP) rated Gotta Get Theroux This in Books
Apr 25, 2021
52 of 250
Book
Gotta get Theroux This
By Louis Theroux
Once read a review will be written via Smashbomb and link posted in comments
In 1994 fledgling journalist Louis Theroux was given a one-off gig on Michael Moore’s TV Nation, presenting a segment on apocalyptic religious sects. Gawky, socially awkward and totally unqualified, his first reaction to this exciting opportunity was panic. But he’d always been drawn to off-beat characters, so maybe his enthusiasm would carry the day. Or, you know, maybe it wouldn’t . . .
In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.
As Louis woos his beautiful wife Nancy and learns how to be a father, he also dares to take on the powerful Church of Scientology. Just as challenging is the revelation that one of his old subjects, Jimmy Savile, was a secret sexual predator, prompting him to question our understanding of how evil takes place. Filled with wry observation and self-deprecating humour, this is Louis at his most insightful and honest best.
I’m a huge fan of Louis Theroux I love his documentaries so when he released this book I was so looking forward to reading it. It did not disappoint as you read you read with his voice in your head! His life and adventures are just so fascinating I laughed and also felt a little sad in places! He’s open and candid about his work and relationships. I love hearing how he got his true love and it’s like every marriage with its twists and turns. I learnt so much about him. Well worth the read!!
Book
Gotta get Theroux This
By Louis Theroux
Once read a review will be written via Smashbomb and link posted in comments
In 1994 fledgling journalist Louis Theroux was given a one-off gig on Michael Moore’s TV Nation, presenting a segment on apocalyptic religious sects. Gawky, socially awkward and totally unqualified, his first reaction to this exciting opportunity was panic. But he’d always been drawn to off-beat characters, so maybe his enthusiasm would carry the day. Or, you know, maybe it wouldn’t . . .
In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.
As Louis woos his beautiful wife Nancy and learns how to be a father, he also dares to take on the powerful Church of Scientology. Just as challenging is the revelation that one of his old subjects, Jimmy Savile, was a secret sexual predator, prompting him to question our understanding of how evil takes place. Filled with wry observation and self-deprecating humour, this is Louis at his most insightful and honest best.
I’m a huge fan of Louis Theroux I love his documentaries so when he released this book I was so looking forward to reading it. It did not disappoint as you read you read with his voice in your head! His life and adventures are just so fascinating I laughed and also felt a little sad in places! He’s open and candid about his work and relationships. I love hearing how he got his true love and it’s like every marriage with its twists and turns. I learnt so much about him. Well worth the read!!