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Movie Metropolis (309 KP) rated Zoolander 2 (2016) in Movies
Jun 10, 2019
A Fashion Faux pas
It pains me to say it, but Ben Stiller hasn’t really been relevant for quite some time. His last film, the final movie in the Night at the Museum franchise struggled with critics and audiences alike.
Once dubbed part of the so-called “Fratpack”, alongside Will Ferrell, Owen Wilson and Vince Vaughn to name a few, their success has fallen by the wayside since introducing rising stars like Melissa McCarthy and Chris Pratt to the comedy genre.
Here, Stiller gives one of his most memorable characters, Derek Zoolander, a sequel that no-one was really asking for. But is it worthy of your time?
In Zoolander 2, titular male model Derek Zoolander has fallen out of favour with the public and has retreated into hiding away from the prying eyes of the media to focus on getting his life back together. By a stroke of luck, a chance encounter with old friend Hansel (Owen Wilson) sets them on a path to help stop high-profile celebrity deaths, finding out who is behind them in the process.
The story is a little nondescript with the intentions of both the ‘heroes’ and ‘villains’ not quite clear. There are elements of the first live-action Scooby Doo film in its design – and that’s not a good thing.
An all-star cast that includes the exceptionally beautiful Penelope Cruz, Will Ferrell and Kristen Wiig is bolstered by more celebrity cameos than you can shake a stick at. Justin Bieber, Anna Wintour, Sting, Ariana Grande, MC Hammer and Kiefer Sutherland are just a few on a list that is nearly endless.
Unfortunately, these cameos are the highlights in a film full of recycled gags and very poor camerawork. As we follow our two leads on their journey across a dreary looking Rome, Zoolander 2 drags with only a couple of laughs in the first hour – something the first one managed to avoid.
In fact, things are so bad, they only pick up in the final 30 minutes when Will Ferrell’s villain Mugatu makes a much-needed appearance, steering this near-trainwreck of a comedy into fairly decent territory. Ferrel’s comic timing is as usual, on point, but it’s unfortunate he puts Stiller and Wilson to shame.
Penelope Cruz is her ever-watchable self but piles on the shtick to such an extent that it takes away from her character, making her almost cartoonish in personality and actions.
Elsewhere, the clever parodies relating to the fashion industry are taken away; instead Zoolander 2 is lumped with cheap laughs that constantly try too hard to raise even the smallest smirk from its audience.
Overall, Zoolander 2 is not a patch on its predecessor with Will Ferrell providing the film with its only genuine moments of hilarity and this comes within the final 30 minutes of a 102 minute feature. Stiller may have tried to resurrect one of his finest characters, but in doing so, has tarnished that reputation.
Much like its lead star, Zoolander 2 tries desperately to stay relevant, and unfortunately this type of comedy just doesn’t cut the mustard anymore.
https://moviemetropolis.net/2016/02/21/a-fashion-faux-pas-zoolander-2-review/
Once dubbed part of the so-called “Fratpack”, alongside Will Ferrell, Owen Wilson and Vince Vaughn to name a few, their success has fallen by the wayside since introducing rising stars like Melissa McCarthy and Chris Pratt to the comedy genre.
Here, Stiller gives one of his most memorable characters, Derek Zoolander, a sequel that no-one was really asking for. But is it worthy of your time?
In Zoolander 2, titular male model Derek Zoolander has fallen out of favour with the public and has retreated into hiding away from the prying eyes of the media to focus on getting his life back together. By a stroke of luck, a chance encounter with old friend Hansel (Owen Wilson) sets them on a path to help stop high-profile celebrity deaths, finding out who is behind them in the process.
The story is a little nondescript with the intentions of both the ‘heroes’ and ‘villains’ not quite clear. There are elements of the first live-action Scooby Doo film in its design – and that’s not a good thing.
An all-star cast that includes the exceptionally beautiful Penelope Cruz, Will Ferrell and Kristen Wiig is bolstered by more celebrity cameos than you can shake a stick at. Justin Bieber, Anna Wintour, Sting, Ariana Grande, MC Hammer and Kiefer Sutherland are just a few on a list that is nearly endless.
Unfortunately, these cameos are the highlights in a film full of recycled gags and very poor camerawork. As we follow our two leads on their journey across a dreary looking Rome, Zoolander 2 drags with only a couple of laughs in the first hour – something the first one managed to avoid.
In fact, things are so bad, they only pick up in the final 30 minutes when Will Ferrell’s villain Mugatu makes a much-needed appearance, steering this near-trainwreck of a comedy into fairly decent territory. Ferrel’s comic timing is as usual, on point, but it’s unfortunate he puts Stiller and Wilson to shame.
Penelope Cruz is her ever-watchable self but piles on the shtick to such an extent that it takes away from her character, making her almost cartoonish in personality and actions.
Elsewhere, the clever parodies relating to the fashion industry are taken away; instead Zoolander 2 is lumped with cheap laughs that constantly try too hard to raise even the smallest smirk from its audience.
Overall, Zoolander 2 is not a patch on its predecessor with Will Ferrell providing the film with its only genuine moments of hilarity and this comes within the final 30 minutes of a 102 minute feature. Stiller may have tried to resurrect one of his finest characters, but in doing so, has tarnished that reputation.
Much like its lead star, Zoolander 2 tries desperately to stay relevant, and unfortunately this type of comedy just doesn’t cut the mustard anymore.
https://moviemetropolis.net/2016/02/21/a-fashion-faux-pas-zoolander-2-review/
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Bob Mann (459 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Jun 27, 2020
Rachel McAdams and Dan Stevens steal most of the scenes (1 more)
A real feelgood movie that spoofs the unspoofable pretty well
My lovely farce
Will Ferrell's output over the last few years has been decidedly patchy. I have to go back to "Get Hard" to find one of his movies that really got to my funny bone. But this latest Netflix offering hits the spot for me.
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
