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Gareth von Kallenbach (974 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
Shaun Collins (3 KP) rated James Bond, Vol. 1: VARGR in Books
Jan 12, 2018
Confession time... I've never read an Ian Fleming James Bond novel.
Don't hate me. They're on the list.
But I have seen all the films, so when Dynamite announced they were doing a Bond comic, I figured I'd give it a go. All in all, not to bad. An enjoyable, if pedestrian Bond plot, with all the trappings to make it Bond. Brutal deaths, sly jokes, cool weapons, sexual innuendo, and everything blows up at the end. What more could you want?
I liked the art work, although it was a bit graphic for a Bond film, this is obviously a "dark and gritty" reboot style telling. And that's fine, just expect that when you go in. Bond looks more like Sterling Archer than Daniel Craig, and that's also fine, since Craig isn't at the top of my Bond list anyway. In fact, none of the characters are drawn to represent anyone specific, so separate continuity and all that.
I hoped for more, but wasn't disappointed.
Don't hate me. They're on the list.
But I have seen all the films, so when Dynamite announced they were doing a Bond comic, I figured I'd give it a go. All in all, not to bad. An enjoyable, if pedestrian Bond plot, with all the trappings to make it Bond. Brutal deaths, sly jokes, cool weapons, sexual innuendo, and everything blows up at the end. What more could you want?
I liked the art work, although it was a bit graphic for a Bond film, this is obviously a "dark and gritty" reboot style telling. And that's fine, just expect that when you go in. Bond looks more like Sterling Archer than Daniel Craig, and that's also fine, since Craig isn't at the top of my Bond list anyway. In fact, none of the characters are drawn to represent anyone specific, so separate continuity and all that.
I hoped for more, but wasn't disappointed.
Andy K (10821 KP) rated Journey to the Center of the Earth (1959) in Movies
Mar 3, 2019
Dated but still a fun ride
The Jules Verne classic novel of adventure and mayhem comes to life on the big screen in glorious CinemaScope!
Follow a scientist, his assistant, a beautiful widow and others as they decent into the depths of the Earth itself to see what lies beneath. They encounter all sorts of pitfalls including treacherous caves, salt mines and giant lizards along the way.
Will they make it out alive?
Unfortunately, there is the 1950s version of the views of the female race on display which I was not a fan of. If you can get past that, the acting and story are interesting enough as you watch the posse go along their way.
The sets, music and art direction are well done considering this film's age, and if you can look past some of the cheesy elements it really is quite the adventure ride of a film.
Follow a scientist, his assistant, a beautiful widow and others as they decent into the depths of the Earth itself to see what lies beneath. They encounter all sorts of pitfalls including treacherous caves, salt mines and giant lizards along the way.
Will they make it out alive?
Unfortunately, there is the 1950s version of the views of the female race on display which I was not a fan of. If you can get past that, the acting and story are interesting enough as you watch the posse go along their way.
The sets, music and art direction are well done considering this film's age, and if you can look past some of the cheesy elements it really is quite the adventure ride of a film.
Awix (3310 KP) rated Batman (1989) in Movies
Feb 25, 2018
Tim Burton's landmark superhero adaptation was an unavoidable media juggernaut on original release; has stood the test of time pretty well. Bruce Wayne begins his battle against crime as Batman, inadvertently creates psycho crime-lord the Joker; the two of them both take a shine to reporter Vicki Vale.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Awix (3310 KP) rated The Lighthouse (2019) in Movies
Jan 31, 2020
Distinctively weird period horror movie. Two men are posted to operate a remote lighthouse off the New England coast. One of them is young and inexperienced; the other is old and annoying. Isolation, terrible weather, and perhaps something else all take their toll; there is madness in the air.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Kirk Bage (1775 KP) rated Miller's Crossing (1990) in Movies
Mar 3, 2020 (Updated Aug 6, 2020)
In a word: Style. Note, in the picture, how Gabriel Byrne’s posture in the chair reflects that of Micheal Corleone in The Godfather! Knowing Joel and Ethan Coen, that is not a mistake. This is a movie designed to the millimetre. The clothes, the furniture, the guns, the cars, everything is meticulously chosen, creating nothing less than a moving work of art. Even the language is poetry, using a vocabulary, largely invented, to highlight the rhythm of the wiseguy era that is entirely romanticized, but so perfectly consistent we wish it was history. It steals knowingly from the best in the genre at every turn, weaving a tale so nuanced and detailed that it demands several watches to truly mine every multi-layered meaning. In every way, a rich feast, about loyalty, weakness and humanity. The film on this list I am mostly likely to keep watching at the drop of… a hat!
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