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Felipe (17 KP) rated The Name of the Rose in Books
Dec 3, 2020
A labyrinth of mystery with multiple dimensions, pitfalls, dead ends and revelations. (2 more)
The story and structure are brilliant.
The characters are genius and the narrative is written in way that you get sucked into and are part of the narrative.
Brilliant and entertaining introduction to semiotics.
I first read this book in my freshman or sophomore year in college after having seen the Sean Connery film adaptation. Like most novels that movies are based on, the book was far better than the movie. The movie was just a superficial touching on the themes of the book but the book was a multi dimensional journey through art, philosophy, literature and theology while captivating the reader in a very good murder mystery. The tragedy of the book is the revelation to the reader that our tendency to try to form connections between random events as and ideas is futile. The library is an allegory to the house of cards that comes crashing down when we create false narratives on tenuous connections between randomn events and ideas; connections that don't really exist.
Eco takes all of his academic experience that he has absorbed in the years and uses fiction to not only tell a good story but also to challenge us on how we see the world and interpret the signs and symbols we come into contact.
Eco takes all of his academic experience that he has absorbed in the years and uses fiction to not only tell a good story but also to challenge us on how we see the world and interpret the signs and symbols we come into contact.
Little Fires Everywhere
8.3
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In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the...
The Silent Patient
8.3
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Promising to be the debut novel of the season The Silent Patient is a shocking psychological...
mystery thriller psychological debut crime
Christmas Past
8.0
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Behind every Christmas tradition is a story — usually, a forgotten one. Each year, as we decorate...
Zuky the BookBum (15 KP) rated A Margin of Lust (The Seven Deadly Sins, Book One) in Books
Mar 15, 2018
This is the definition of a throwaway thriller. Its fast paced and exciting, but its not clever and its not particularly unique.
I liked the premise being about an estate agent trying to sell a million-dollar home, while someone else, our killer, wanted to keep the house off the market for himself. It was unique enough and what initially drew me into requesting this. Another big part of this story was marriage under stress, between our two main characters, Gwen & Art. I found this part of the story a little bit annoying and the way things happened between them at times, felt unrealistic. I understand that this book was supposed to represent the pressures of work life, marriage life and lusting after what you think you deserve, but it wasnt necessary. It could have made a more unique book without the domestic part to it.
In terms of characters, there are quite a few to keep up with, but it doesnt ever become confusing as to who is who. Gwen, our main character was a little hysterical, which definitely got on my nerves on more than one occasion, and I think she treated her husband unfairly, but it was fun to see her playing detective. Arts character was OK, nothing special. Honestly the story could have been just as good without his character. Side characters like Maricela and Lance were interesting and well developed, but all complete cliches.
For me, this is definitely one of the easiest to guess thrillers. At 44% there is a scene where Boris practically hands you the killers name on a plate. Usually, this annoys me, but I didnt mind it so much with this one because I didnt think it was going to be shockingly twisty and turny from the start.
This book is a perfect holiday read. Its good but not great. Youll find yourself whizzing through it, but it wont take up too much headspace.
<i>Thanks to Netgalley and Fawkes Press for giving me the opportunity to read this in exchange for an honest review.</i>
I liked the premise being about an estate agent trying to sell a million-dollar home, while someone else, our killer, wanted to keep the house off the market for himself. It was unique enough and what initially drew me into requesting this. Another big part of this story was marriage under stress, between our two main characters, Gwen & Art. I found this part of the story a little bit annoying and the way things happened between them at times, felt unrealistic. I understand that this book was supposed to represent the pressures of work life, marriage life and lusting after what you think you deserve, but it wasnt necessary. It could have made a more unique book without the domestic part to it.
In terms of characters, there are quite a few to keep up with, but it doesnt ever become confusing as to who is who. Gwen, our main character was a little hysterical, which definitely got on my nerves on more than one occasion, and I think she treated her husband unfairly, but it was fun to see her playing detective. Arts character was OK, nothing special. Honestly the story could have been just as good without his character. Side characters like Maricela and Lance were interesting and well developed, but all complete cliches.
For me, this is definitely one of the easiest to guess thrillers. At 44% there is a scene where Boris practically hands you the killers name on a plate. Usually, this annoys me, but I didnt mind it so much with this one because I didnt think it was going to be shockingly twisty and turny from the start.
This book is a perfect holiday read. Its good but not great. Youll find yourself whizzing through it, but it wont take up too much headspace.
<i>Thanks to Netgalley and Fawkes Press for giving me the opportunity to read this in exchange for an honest review.</i>
A User's Guide to Copyright
Tom Rivers, Clive Thorne, Jonathan Cornthwaite and Michael Flint
Book
A User's Guide to Copyright, 7th edition is long established as one of the key texts in the field....
What Is It All but Luminous: Notes from an Underground Man
Book
From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving,...
Music biography
Bookapotamus (289 KP) rated The High Season in Books
May 25, 2018
Summer Drama never felt so good! I really enjoyed The High Season - it was just what I needed to get me into a summer mood, and it made me love to loathe the rich and famous Hamptons crowds even more! (kidding... sorta.) This book kept me wicked entertained and I breezed through it in two days. The writing is so good, hilarious at times, and the story is masterfully crafted and really clever!
Ruthie is sort of losing it all. Her marriage is over, her 15 year old daughter is struggling and distant, her job is on the rocks, friendships are tested ... and it's shaping up to be one crazy summer. The Hamptons-ish house Ruthie lives in with her daughter Jem, is rented out during the summer to the rich, in order for her to pay for it the rest of the year (aka The Summer Bummer). Adeline Clay, a wealthy artist widow rents her house and in turn, unknowingly shakes up the entire summer, for just about the whole town of Orient.
The dynamic of these characters and how their lives intertwine is artfully crafted through exclusive parties, a small local museum group, a summer farm stand job, secret rendezvous, texts/emails, and typical small town gossip. There is art forgery, a $250,000 watch, past lives and secrecy and the unnerving balance of power and social statuses. It's all so cleverly written and flows together seamlessly. I was thoroughly impressed how Judy Blundell twisted it all together so skillfully.
As an artist I love the snippets of the artist scene and it's inner workings and social circles. I loved the references to various famous artists and painting descriptions. I hated the museum board members and the way some people tossed money around and waved it in the locals and year-rounders faces. The characters were well developed and you feel for each and every one of them, especially Ruthie, who loses so much, and starts to lose herself while making some seriously questionable decisions.
My decision to read this was NOT questionable though! I really enjoyed it and would give 4.5 stars!
Ruthie is sort of losing it all. Her marriage is over, her 15 year old daughter is struggling and distant, her job is on the rocks, friendships are tested ... and it's shaping up to be one crazy summer. The Hamptons-ish house Ruthie lives in with her daughter Jem, is rented out during the summer to the rich, in order for her to pay for it the rest of the year (aka The Summer Bummer). Adeline Clay, a wealthy artist widow rents her house and in turn, unknowingly shakes up the entire summer, for just about the whole town of Orient.
The dynamic of these characters and how their lives intertwine is artfully crafted through exclusive parties, a small local museum group, a summer farm stand job, secret rendezvous, texts/emails, and typical small town gossip. There is art forgery, a $250,000 watch, past lives and secrecy and the unnerving balance of power and social statuses. It's all so cleverly written and flows together seamlessly. I was thoroughly impressed how Judy Blundell twisted it all together so skillfully.
As an artist I love the snippets of the artist scene and it's inner workings and social circles. I loved the references to various famous artists and painting descriptions. I hated the museum board members and the way some people tossed money around and waved it in the locals and year-rounders faces. The characters were well developed and you feel for each and every one of them, especially Ruthie, who loses so much, and starts to lose herself while making some seriously questionable decisions.
My decision to read this was NOT questionable though! I really enjoyed it and would give 4.5 stars!
Suswatibasu (1701 KP) rated Casting JonBenet (2017) in Movies
Aug 27, 2017
Beautifully shot but no way as good as other true crime documentaries
Netflix is an absolute master when it comes to true crime documentaries. However, unlike Making a Murderer and The Keepers, this is a standalone film and it does not explore the crime in detail. As a result it falls short in comparison to the others.
The film is about the notorious 1996 case of a six year old beauty pageant participant, JonBenet Ramsey, who was found dead in her own house even though her family said she had been kidnapped.
One of the most important things about this documentary in particular is the fact that it is completely in the perspective of random people who have no connection really with the crime itself. Instead by creating a fake film about this true crime, they reveal the actors' own perceptions and prejudices against the case and against the people involved.
It is also vital to notice while the other documentaries were created to raise awareness and educate the public about levels of corruption in society and institutions - this seemingly does nothing but instead actually is a bit of a mockery towards the young victim of this crime. The actors throw out wild theories instead, and so you know little about what actually happened.
On the upside it is shot absolutely beautifully, so it looks like an art film. A bit disappointing really.
The film is about the notorious 1996 case of a six year old beauty pageant participant, JonBenet Ramsey, who was found dead in her own house even though her family said she had been kidnapped.
One of the most important things about this documentary in particular is the fact that it is completely in the perspective of random people who have no connection really with the crime itself. Instead by creating a fake film about this true crime, they reveal the actors' own perceptions and prejudices against the case and against the people involved.
It is also vital to notice while the other documentaries were created to raise awareness and educate the public about levels of corruption in society and institutions - this seemingly does nothing but instead actually is a bit of a mockery towards the young victim of this crime. The actors throw out wild theories instead, and so you know little about what actually happened.
On the upside it is shot absolutely beautifully, so it looks like an art film. A bit disappointing really.
Awix (3310 KP) rated The Divine Order (2017) in Movies
Mar 10, 2018 (Updated Mar 10, 2018)
It's not that uncommon for a certain kind of feminist film to turn up in art-house cinemas in the UK - these are usually about the struggle for self-determination as experienced by women in traditionalist societies around the world. What is unusual is to see this sort of story taking place in a recognisably modern European setting, as is the case with The Divine Order. The year is 1971, the setting is rural Switzerland, and a vote is looming over whether women should be given the right to vote. Yes, 1971; yes, Switzerland. Young housewife Nora finds herself almost by accident leading the women of her village in a campaign for, if not equality, then at least recognition.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.