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ClareR (5721 KP) rated The Unravelling in Books
Feb 23, 2022
I absolutely adored this thoughtful, beautiful story of a young woman, Tartelin, going to live on the island of Dohhalund as an assistant to Marianne Stourbridge, and elderly lepidopterist.
Marianne is a difficult woman to get to know: she’s short tempered, doesn’t really want to share any of herself with Tartelin - and she has a lot of secrets to share.
Tartelin is mourning the death of her mother. She’s a young woman, alone in the world. She probably chooses the job with Marianne because it’s somewhere so different from her childhood home and her mother’s art studio.
I do think that Dohhalund goes some way to helping Tartelin begin the grieving process. It sounds like a stark, beautiful place. At one end is a military base, and at the other is Marianne’s house and land. Her family had lived on Dohhalund for generations, until the military had ordered them to leave. After her return, it’s evident that many of the buildings have started to fall into the sea. This reflects to some extent, Marianne’s physical and Tartelin’s mental states. Both women are deeply affected by what has happened in their pasts.
This is such an emotive, beautifully descriptive book. It’s a slow burner, a story of friendship and love, where secrets are revealed, people are reunited and new friendships forged.
This gorgeous book had me in tears by the end, with characters I really cared for. As the Pearl Women in the book often said: “The sea is made up of unspeakable sadness”, and whilst this novel was sad, there was also hope.
Highly recommended (as is Polly Crosby’s first book “The Illustrated Child”).
Marianne is a difficult woman to get to know: she’s short tempered, doesn’t really want to share any of herself with Tartelin - and she has a lot of secrets to share.
Tartelin is mourning the death of her mother. She’s a young woman, alone in the world. She probably chooses the job with Marianne because it’s somewhere so different from her childhood home and her mother’s art studio.
I do think that Dohhalund goes some way to helping Tartelin begin the grieving process. It sounds like a stark, beautiful place. At one end is a military base, and at the other is Marianne’s house and land. Her family had lived on Dohhalund for generations, until the military had ordered them to leave. After her return, it’s evident that many of the buildings have started to fall into the sea. This reflects to some extent, Marianne’s physical and Tartelin’s mental states. Both women are deeply affected by what has happened in their pasts.
This is such an emotive, beautifully descriptive book. It’s a slow burner, a story of friendship and love, where secrets are revealed, people are reunited and new friendships forged.
This gorgeous book had me in tears by the end, with characters I really cared for. As the Pearl Women in the book often said: “The sea is made up of unspeakable sadness”, and whilst this novel was sad, there was also hope.
Highly recommended (as is Polly Crosby’s first book “The Illustrated Child”).
Sophia (Bookwyrming Thoughts) (530 KP) rated The Chaos of Stars in Books
Jan 23, 2020
<i>The Chaos of Stars</i> may have landed as the weirdest mythology book I've ever read.
It's different from other mythology books, as Isadora, being the daughter of Egyptian gods, is actually a human and not a goddess or demigoddess. But the whole Egyptian family history Isadora had was just really, really weird. There's incest here, incest there, incest, well, everywhere – all smushed in together with Isis' "fabulousness" throughout history. Huzzah.
It's also a smidge different from White's <i>Paranormalcy</i> series (not that I read the entire series), which I really couldn't help but compare <i>The Chaos of Stars</i> to.
Early on in the book, it's obvious Isadora has an extreme passion for art like Evie did, particularly in interior designing. There were just moments in the book that she jabbers on and on about how she would improve a room in her brother Sirus's house or the museum that I had a tendency to just skip the parts where she talked about interior designing. Like I mentioned earlier, it's obvious from reading those parts that Isadora is extremely passionate about art and interior designing, but my eyes just glazed over it. Reading about how Isadora would change a room or two just felt completely unnecessary in the overall plot, but completely necessary in getting to know Isadora as a character.
Among the incest business (I feel really weird for saying that) smushed with tales of le fabulous Isis, there's probably one thing that makes Isadora different from Evie: Isadora is absolutely stubborn in the love department. "OMG, I'm scared to fall in love, so I'm just going to vow off all men. If any cutie decides to hit on me, I'll probably kick them in the shenanigans that'll render them useless in reproduction," is quite literally laced throughout the entire book.
Disclaimer: It's not Isadora's <i>exact</i> words, but it might as well be implied.
Ironically enough, Isadora does fall in love. She doesn't kick said guy in the shenanigans as she happily implied, which apparently contradicts the entire mantra she chanted so strongly for most of the book. Basically, it's "I hate men. I hate men. I hate men." – BAM. Falls in love. "Oops."
<i>The Chaos of Stars</i> might as well be a parallel world to <a title="Paranormalcy" href="https://bookwyrmingthoughts.com/review-paranormalcy-by-kiersten-white/"; target="_blank" rel="noopener"><i>Paranormalcy</i></a> – both books just ooze in cuteness.
<a href="https://bookwyrmingthoughts.com/review-the-chaos-of-stars-by-kiersten-white/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It's different from other mythology books, as Isadora, being the daughter of Egyptian gods, is actually a human and not a goddess or demigoddess. But the whole Egyptian family history Isadora had was just really, really weird. There's incest here, incest there, incest, well, everywhere – all smushed in together with Isis' "fabulousness" throughout history. Huzzah.
It's also a smidge different from White's <i>Paranormalcy</i> series (not that I read the entire series), which I really couldn't help but compare <i>The Chaos of Stars</i> to.
Early on in the book, it's obvious Isadora has an extreme passion for art like Evie did, particularly in interior designing. There were just moments in the book that she jabbers on and on about how she would improve a room in her brother Sirus's house or the museum that I had a tendency to just skip the parts where she talked about interior designing. Like I mentioned earlier, it's obvious from reading those parts that Isadora is extremely passionate about art and interior designing, but my eyes just glazed over it. Reading about how Isadora would change a room or two just felt completely unnecessary in the overall plot, but completely necessary in getting to know Isadora as a character.
Among the incest business (I feel really weird for saying that) smushed with tales of le fabulous Isis, there's probably one thing that makes Isadora different from Evie: Isadora is absolutely stubborn in the love department. "OMG, I'm scared to fall in love, so I'm just going to vow off all men. If any cutie decides to hit on me, I'll probably kick them in the shenanigans that'll render them useless in reproduction," is quite literally laced throughout the entire book.
Disclaimer: It's not Isadora's <i>exact</i> words, but it might as well be implied.
Ironically enough, Isadora does fall in love. She doesn't kick said guy in the shenanigans as she happily implied, which apparently contradicts the entire mantra she chanted so strongly for most of the book. Basically, it's "I hate men. I hate men. I hate men." – BAM. Falls in love. "Oops."
<i>The Chaos of Stars</i> might as well be a parallel world to <a title="Paranormalcy" href="https://bookwyrmingthoughts.com/review-paranormalcy-by-kiersten-white/"; target="_blank" rel="noopener"><i>Paranormalcy</i></a> – both books just ooze in cuteness.
<a href="https://bookwyrmingthoughts.com/review-the-chaos-of-stars-by-kiersten-white/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Darren (1599 KP) rated Parasite (2019) in Movies
Dec 2, 2019
Verdict: Astonishing
Story: Parasite starts as we meet the Kim family, all unemployed, with father Ki-taek (Kang Ho), mother Chung-sook (Hye-jin) and adult children, former military service Ki-woo (Woo-sik) and genius computer wizard Ki-jung (So-dam), they take simple jobs like folding pizza boxes, until Ki-woo gets pushed into taking a tutoring job for the Park family, teaching Da-hye (Ji-so) English.
Soon after Ki-woo gets a job for the family, the Park family businessman Dong Ik (Sun-kyun) his wife Yeon-kyo (Yeo-Jeong) fill the roles of their trusted staff with Ki-woo’s family as they get themselves secure well paying jobs, but not everything is as it seems with the house.
Thoughts on Parasite
Characters – Ki-taek Kim is the father of the unemployed family, he has always looked out for his family, while they search for their next meal, once the job opens up for him, he becomes the driver, proving to be a model employee. Ki-woo gets the first job as a tutor for the daughter in the family, he sees this as a chance to get to university, where he makes the plan for the family to get the extra jobs. Ki-jung is the daughter of the family that will become an art therapist for the family, while Chung-sook takes over the house as the maid. This family shows the poverty a family can be experiencing and just how far they would go to try and get out of it. The Park family has businessman Dong-ik who has always been patient with people, letting his wife do the hardest decisions in life, while supporting her always. Yeon-kyo is the wife that deals with the everyday routines in the house, she will do everything she needs to with the people she trusts, even if this does mean she can be taken advantage of.
Performances – We have incredible performances from the whole cast here Song Kang-ho in the leading role shines beyond belief in one of the performances of the year. Lee Sun-kyun and Jo Yeo-jeong give us wonderful supporting roles, with Choi Woo-sik, Park So-dam and Jang Hye-jin shining like the rest of the cast which is flawless throughout the film.
Story – The story here follows a poverty family that luck and con their way into secure jobs for one family, only to see everything spiral out of control in a story that highlights the lines between the rich and poor. This story is one of the most fascinating ones of the year, it does seem like it is going to be a simple enough story, but when everything goes out of control we get to see threads of the story unravel in every directions, see the highlights placed on the rich and poor divide, slowly chipping away at the poorer side of the family, as well as having the other incident going on (which does include too bigger spoilers). Much like ‘Shoplifters’ we see just how hopeless people can feel when they have no realistic future because money they can’t earn can’t give them an out. This is a perfect highlight of how to bring an original story to life, where the audience will be left to ponder what will happen next.
Comedy – The film is set up like a comedy which at times does work, with just how crazy certain moments are, though it doesn’t fall into a laugh out loud comedy.
Settings – The film uses the settings excellently, with the poverty sized house the family can barely not have some drunk piss on the window, to the wealthy businessman who has earnt his way to the top, the difference in lifestyle is drastic with the locations almost being a character of their own.
Scene of the Movie – Party time.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is one of the most amazing films you will see this year, it will shock you and give us an important message about the clash system in the world.
Overall: Essential Movie.
Story: Parasite starts as we meet the Kim family, all unemployed, with father Ki-taek (Kang Ho), mother Chung-sook (Hye-jin) and adult children, former military service Ki-woo (Woo-sik) and genius computer wizard Ki-jung (So-dam), they take simple jobs like folding pizza boxes, until Ki-woo gets pushed into taking a tutoring job for the Park family, teaching Da-hye (Ji-so) English.
Soon after Ki-woo gets a job for the family, the Park family businessman Dong Ik (Sun-kyun) his wife Yeon-kyo (Yeo-Jeong) fill the roles of their trusted staff with Ki-woo’s family as they get themselves secure well paying jobs, but not everything is as it seems with the house.
Thoughts on Parasite
Characters – Ki-taek Kim is the father of the unemployed family, he has always looked out for his family, while they search for their next meal, once the job opens up for him, he becomes the driver, proving to be a model employee. Ki-woo gets the first job as a tutor for the daughter in the family, he sees this as a chance to get to university, where he makes the plan for the family to get the extra jobs. Ki-jung is the daughter of the family that will become an art therapist for the family, while Chung-sook takes over the house as the maid. This family shows the poverty a family can be experiencing and just how far they would go to try and get out of it. The Park family has businessman Dong-ik who has always been patient with people, letting his wife do the hardest decisions in life, while supporting her always. Yeon-kyo is the wife that deals with the everyday routines in the house, she will do everything she needs to with the people she trusts, even if this does mean she can be taken advantage of.
Performances – We have incredible performances from the whole cast here Song Kang-ho in the leading role shines beyond belief in one of the performances of the year. Lee Sun-kyun and Jo Yeo-jeong give us wonderful supporting roles, with Choi Woo-sik, Park So-dam and Jang Hye-jin shining like the rest of the cast which is flawless throughout the film.
Story – The story here follows a poverty family that luck and con their way into secure jobs for one family, only to see everything spiral out of control in a story that highlights the lines between the rich and poor. This story is one of the most fascinating ones of the year, it does seem like it is going to be a simple enough story, but when everything goes out of control we get to see threads of the story unravel in every directions, see the highlights placed on the rich and poor divide, slowly chipping away at the poorer side of the family, as well as having the other incident going on (which does include too bigger spoilers). Much like ‘Shoplifters’ we see just how hopeless people can feel when they have no realistic future because money they can’t earn can’t give them an out. This is a perfect highlight of how to bring an original story to life, where the audience will be left to ponder what will happen next.
Comedy – The film is set up like a comedy which at times does work, with just how crazy certain moments are, though it doesn’t fall into a laugh out loud comedy.
Settings – The film uses the settings excellently, with the poverty sized house the family can barely not have some drunk piss on the window, to the wealthy businessman who has earnt his way to the top, the difference in lifestyle is drastic with the locations almost being a character of their own.
Scene of the Movie – Party time.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is one of the most amazing films you will see this year, it will shock you and give us an important message about the clash system in the world.
Overall: Essential Movie.
Suswatibasu (1701 KP) rated The Golden House in Books
Jan 1, 2018
Insightful and readable
This novel by Salman Rushdie is a present day commentary on modern day America in the build up to Trump and how fact and fiction as well as art and reality collapse into one other. There have been a number of books written in the wake of the shock of Trump (this desperate need to make sense of things) and Rushdie’s novel definitely helps shed light (or explain the darkness) upon the situation.
Narrated by René, an aspiring filmmaker, this account feels very similar to the likes of The Great Gatsby, in which everything is rather hyperbolic because it is written from the perspective of an outsider. Following the exceedingly wealthy Golden family, René attempts to figure out the mysterious circumstances of their arrival from India, and the subsequent, often cataclysmic events surrounding them, in which the narrator plays a part. The slow emergence of a dark history of corruption and evil is paralleled by Rushdie's perception of the rise of ignorance, untruth, bigotry and hatred, and of "The Joker" (i.e. Trump, although he is never named).
The writing is brilliant. It is discursive, sometimes addresses the reader directly, even sometimes adopts the form of a screenplay and has a wonderful voice of its own. The context surrounding the Mumbai bombings is intriguing as much of it is based on factual information. The truth is, after all, stranger than fiction.
While the style is not flawless, as the postmodern blurring between supposedly objective narrative and things René has "made up" for his screenplay did get a little haphazard, however, this may be Rushdie's attempt to reflect how "post-truths" are disseminated in a similar fashion. Nonetheless, I thought The Golden House was enjoyable. Even after all these years, Rushdie is able to adapt his writing to suit a modern generation.
Narrated by René, an aspiring filmmaker, this account feels very similar to the likes of The Great Gatsby, in which everything is rather hyperbolic because it is written from the perspective of an outsider. Following the exceedingly wealthy Golden family, René attempts to figure out the mysterious circumstances of their arrival from India, and the subsequent, often cataclysmic events surrounding them, in which the narrator plays a part. The slow emergence of a dark history of corruption and evil is paralleled by Rushdie's perception of the rise of ignorance, untruth, bigotry and hatred, and of "The Joker" (i.e. Trump, although he is never named).
The writing is brilliant. It is discursive, sometimes addresses the reader directly, even sometimes adopts the form of a screenplay and has a wonderful voice of its own. The context surrounding the Mumbai bombings is intriguing as much of it is based on factual information. The truth is, after all, stranger than fiction.
While the style is not flawless, as the postmodern blurring between supposedly objective narrative and things René has "made up" for his screenplay did get a little haphazard, however, this may be Rushdie's attempt to reflect how "post-truths" are disseminated in a similar fashion. Nonetheless, I thought The Golden House was enjoyable. Even after all these years, Rushdie is able to adapt his writing to suit a modern generation.
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LeftSideCut (3778 KP) rated The Lighthouse (2019) in Movies
Jun 18, 2020
The Lighthouse is destined to be one of those polarizing art house films that splits opinion straight down the middle, and it's easy to see why. I found it captivating, but I imagine some people would find it boring. I found it relatively haunting, but I imagine some people found it pretentious, and that's ok, I can see why.
It's bleak and minimalist, boasting a cast of two for 98% of the films runtime, it's completely open for interpretation, and poses more questions than it answers, and after a fair bit of thought, I think I actually loved it.
Willem Defoe and Robert Pattinson are unarguably fantastic. There is nothing less than full commitment to what they're trying to do.
Robert Egger's shooting style is great as well. The whole movie is presented in a black and white 4:3 ratio. Some of the grainy framing shots littered throughout echo of old 40s and 50s horror classics, and everything else presented to us feels fresh and new, whilst being fed undertones of Greek mythology and H.P. Lovecraft.
The script is modest and subtle with flashes of intensity, a particular highlight is Willem Defoe's terrifying monologue after his cooking is criticized...
As for the plot, it's anything but straightforward. As I said, open for interpretation, but what starts off as a slightly off-feeling drama snowballs dramatically into something quite disturbing and tense. This is aided by a sporadic but great music score, and the constant noise of the lighthouse engine room (reminded me of the logging mill from Twin Peaks!)
The Lighthouse certainly isn't for everyone, but if you like a challenge with your horror then make sure you check it out.
It's bleak and minimalist, boasting a cast of two for 98% of the films runtime, it's completely open for interpretation, and poses more questions than it answers, and after a fair bit of thought, I think I actually loved it.
Willem Defoe and Robert Pattinson are unarguably fantastic. There is nothing less than full commitment to what they're trying to do.
Robert Egger's shooting style is great as well. The whole movie is presented in a black and white 4:3 ratio. Some of the grainy framing shots littered throughout echo of old 40s and 50s horror classics, and everything else presented to us feels fresh and new, whilst being fed undertones of Greek mythology and H.P. Lovecraft.
The script is modest and subtle with flashes of intensity, a particular highlight is Willem Defoe's terrifying monologue after his cooking is criticized...
As for the plot, it's anything but straightforward. As I said, open for interpretation, but what starts off as a slightly off-feeling drama snowballs dramatically into something quite disturbing and tense. This is aided by a sporadic but great music score, and the constant noise of the lighthouse engine room (reminded me of the logging mill from Twin Peaks!)
The Lighthouse certainly isn't for everyone, but if you like a challenge with your horror then make sure you check it out.