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Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
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"As of this writing, it’s been nearly a year since we lost the talent and spirit of Chantal Akerman. Her 1975 breakthrough feature wowed the international film world after premiering at Cannes to a combination of raves and an audience exodus. Truly a film to return to again and again, Jeanne Dielman expands the possibilities of cinema as an art form. Its durational, physiological impact on the viewer is an absolute revelation. I first saw it on a crappy 16 mm print in college in the late 1980s and didn’t get to see it again on the big screen until the late ’90s—on 35 mm at the San Francisco LGBT Film Festival. Now I like to watch it in segments on Hulu (sort of the opposite of binge-watching) just for the shift in consciousness it induces in me after each twenty-minute chunk. Transcendent."

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    Wisecrack

    Wisecrack

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    Wisecrack is a collective of academics, filmmakers, artists, and pop culture junkies who are curious...

    European painting HD

    European painting HD

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    Virtual gallery of paintings by European painters. History of Western European Art has of...