Search
Search results
BankofMarquis (1832 KP) rated Hellboy (2019) in Movies
Apr 14, 2019
Oh...hell, no!
HELLBOY?!? HELL NO!
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Nicole Hadley (380 KP) rated Candy is Magic: Real Ingredients, Modern Recipes in Books
Jun 14, 2018
Candy Is Magic by Jami Curl is a very thorough book about making candy! It's quite amazing and goes through equipment, ingredients, and recipes. From lollipops to caramels, ice cream, marshmallows, gum drops, and even chews. The pictures are mouthwatering and I highly recommend you don't read this while hungry! The recipes are made using real ingredients, including fruit.
The book reviews methods, ingredients, tools and flavors required for candy making. I appreciated the author including such an educational foundational chapter in advance of the recipes. The author breaks down the ingredients for candy making into four main components: sugar, crystal blockers, fat, and salt.
The recipes in the book are divided into six chapters: core ingredients, lollipops, caramels, chewy candies, marshmallows, and gumdrops. Immediately after the Table of Contents is a convenient Recipe List that is categorized by type of recipe so the reader very quickly gets to see the variety of different recipes and flavors that are offered.
The lollipop chapter began with a terrific primer on working with hard candy that broke the process down into simple steps and that described all the required tools. Having this section before the lollipop recipes allowed the recipes to be streamlined with references back to the master instructions for setting up a lollipop station and for pouring the lollipops. The caramel chapter began with a similar primer on caramel technique. The recipes in the Dreams Come Chew chapter referenced the set up, cutting, and wrapping instructions in the caramel chapter. The marshmallow chapter also begins with a review of the ingredients, equipment, and basic steps of marshmallow making. Finally, the gumdrops chapter begins with a discussion of the three basic steps of making gummy candies.
The photography at the beginning of the book is very artistic and doesn’t necessarily depict a particular recipe. It is mostly gorgeous transparent hard candies. In the core recipes chapter, the photographs are still artistic, but have more of a relationship to the recipe. However, there is a particular instance where there is a full-page photograph of luscious peach slices next to a recipe for a roasted peach puree, and the recipe specifically says not to prepare the peaches as in the photograph. All of the fun projects in the book were accompanied by illustrations rather than by photographs.
I received an advanced reader's copy from Ten Speed Press via NetGalley in exchange for an honest review.
The book reviews methods, ingredients, tools and flavors required for candy making. I appreciated the author including such an educational foundational chapter in advance of the recipes. The author breaks down the ingredients for candy making into four main components: sugar, crystal blockers, fat, and salt.
The recipes in the book are divided into six chapters: core ingredients, lollipops, caramels, chewy candies, marshmallows, and gumdrops. Immediately after the Table of Contents is a convenient Recipe List that is categorized by type of recipe so the reader very quickly gets to see the variety of different recipes and flavors that are offered.
The lollipop chapter began with a terrific primer on working with hard candy that broke the process down into simple steps and that described all the required tools. Having this section before the lollipop recipes allowed the recipes to be streamlined with references back to the master instructions for setting up a lollipop station and for pouring the lollipops. The caramel chapter began with a similar primer on caramel technique. The recipes in the Dreams Come Chew chapter referenced the set up, cutting, and wrapping instructions in the caramel chapter. The marshmallow chapter also begins with a review of the ingredients, equipment, and basic steps of marshmallow making. Finally, the gumdrops chapter begins with a discussion of the three basic steps of making gummy candies.
The photography at the beginning of the book is very artistic and doesn’t necessarily depict a particular recipe. It is mostly gorgeous transparent hard candies. In the core recipes chapter, the photographs are still artistic, but have more of a relationship to the recipe. However, there is a particular instance where there is a full-page photograph of luscious peach slices next to a recipe for a roasted peach puree, and the recipe specifically says not to prepare the peaches as in the photograph. All of the fun projects in the book were accompanied by illustrations rather than by photographs.
I received an advanced reader's copy from Ten Speed Press via NetGalley in exchange for an honest review.
SunnyFunnies: Hide and Seek
Education and Games
App
SunnyFunnies are interactive tales – educational games for children, ages 2-5. This app was...
iOrnament: draw creative geometry art
Education and Games
App
• What users say: "It's a universe of wonder", "Such a fun, beautiful and relaxing App.",...
BookInspector (124 KP) rated Believe Me in Books
Sep 24, 2020
The protagonist in this story is Claire, an extremely talented, but very unlucky actress. Due to the lack of green card and work, she is forced to work as a decoy in catching out cheating spouses. Until one dies. Who is the killer? Is it Claire? Is it a victim’s husband? Or is it someone else altogether? You will have to read it to figure that out! 😛
This book has a very interesting variety of characters, we have elegant and artistic actors; classy, intelligent and very poetic victim’s husband, and like always, insightful police. But the real star in this book was Claire. Her ability to transform into different characters was absolutely stunning, and I really loved that she shared how these transformations made her feel. I think it was a great insight into actor’s psyche.
The narrative always kept me on the edge. There are so many twists and deception, that you never know what to expect next. Sometimes it feels, that the plot is slowing down, but that is just a very creatively incorporated “quiet before the storm” phase. 😉 The narrative was told from a single perspective, but that was necessary to keep the suspense going, and it was fully sufficient for me. This novel discusses quite a variety of topics, such as foster families in the UK; actor’s struggles in the market; kinky sex community; mental institutions and their work methods; art, and when it becomes a danger to society; etc. Due to this wide variety, the plot didn’t have the chance to be boring for me. 🙂
I really enjoyed the writing style of this book, it was very insightful and creative. The ending was absolutely mind-blowing, it left me absolutely baffled. I had to sit down and rethink all the plot, to figure out what was real and what was the illusion. The chapters are pretty short, and once I started, they just flew by. 🙂 I liked that the setting of this book was constantly changing, that created more intrigue to me, as a reader.
So, to conclude, it is a very artistic, poetic and sophisticated psychological thriller, where suspicions and illusion plays an integral part. I absolutely loved the complexity of the characters and unexpected turns and twists, that is why, I strongly recommend to read this book, and I hope you will enjoy it as much as I did. 🙂
This book has a very interesting variety of characters, we have elegant and artistic actors; classy, intelligent and very poetic victim’s husband, and like always, insightful police. But the real star in this book was Claire. Her ability to transform into different characters was absolutely stunning, and I really loved that she shared how these transformations made her feel. I think it was a great insight into actor’s psyche.
The narrative always kept me on the edge. There are so many twists and deception, that you never know what to expect next. Sometimes it feels, that the plot is slowing down, but that is just a very creatively incorporated “quiet before the storm” phase. 😉 The narrative was told from a single perspective, but that was necessary to keep the suspense going, and it was fully sufficient for me. This novel discusses quite a variety of topics, such as foster families in the UK; actor’s struggles in the market; kinky sex community; mental institutions and their work methods; art, and when it becomes a danger to society; etc. Due to this wide variety, the plot didn’t have the chance to be boring for me. 🙂
I really enjoyed the writing style of this book, it was very insightful and creative. The ending was absolutely mind-blowing, it left me absolutely baffled. I had to sit down and rethink all the plot, to figure out what was real and what was the illusion. The chapters are pretty short, and once I started, they just flew by. 🙂 I liked that the setting of this book was constantly changing, that created more intrigue to me, as a reader.
So, to conclude, it is a very artistic, poetic and sophisticated psychological thriller, where suspicions and illusion plays an integral part. I absolutely loved the complexity of the characters and unexpected turns and twists, that is why, I strongly recommend to read this book, and I hope you will enjoy it as much as I did. 🙂
Fotor HDR – HDR Camera & High Resolution Images Creator
Photo & Video and Utilities
App
Capture life’s full range on the go! Perfectly compatible with iOS 8. In addition, we have...
Enlight Videoleap
Photo & Video and Lifestyle
App
Discover how easy it is to get creative with video! Whether you want to make artistic...
Visage Lab perfect face tune app & beauty camera
Photo & Video and Entertainment
App
Visage Lab is a professional beauty laboratory for your facial photos. Remove pimples and wrinkles,...
Suzanne is a fictionalized biography of the author's grandmother. Anais Barbeau-Lavalette's grandmother, the eponymous Suzanne, abandoned Barbeau-Lavalette's mother and uncle at a young age and went on to live on the fringes of important artistic and political movements throughout most of her lifetime.
From the first line, I was hooked. Barbeau-Lavalette's writing is beautiful and poetic. Suzanne is written in the second person and the reader is invited to empathize with a mother who left her children, a woman who alienates herself from family while searching for her place in society.
This book is more the author's way of learning to love her estranged grandmother than a straightforward biography. Many feelings are evoked for Suzanne, empathy, anger, disgust, and admiration to name a few. But in some ways, along with the author, we start to understand Suzanne and maybe forgive her.
I really enjoyed Suzanne and found it hard to put down. Suzanne Meloche is a very interesting figure who I loved learning about. Reading this book gave me some insight into history but mostly an insight into parts of the human experience that are sometimes difficult to understand.
From the first line, I was hooked. Barbeau-Lavalette's writing is beautiful and poetic. Suzanne is written in the second person and the reader is invited to empathize with a mother who left her children, a woman who alienates herself from family while searching for her place in society.
This book is more the author's way of learning to love her estranged grandmother than a straightforward biography. Many feelings are evoked for Suzanne, empathy, anger, disgust, and admiration to name a few. But in some ways, along with the author, we start to understand Suzanne and maybe forgive her.
I really enjoyed Suzanne and found it hard to put down. Suzanne Meloche is a very interesting figure who I loved learning about. Reading this book gave me some insight into history but mostly an insight into parts of the human experience that are sometimes difficult to understand.
Aurora (9 KP) rated The Witchfinder's Sister in Books
Nov 7, 2018 (Updated Nov 7, 2018)
Historically-accurate setting (4 more)
Gripping
Emotional
Dramatic
Well-written characters
Emotional and Dramatic Historical Fiction
This book had me hooked from the start. I adore the amount of research done by Underdown to create the world of Alice Hopkins so artfully and accurately. Not only does the author capture the turbulence of the English civil war and the complex social systems of the time, but she also brings the reader into that world through the intensely relatable emotions felt by Alice throughout the story. Underwood expertly develops the personalities and flaws of each character in really believable ways, creating the complex relationships that we often see in real life. The story is also often pushed forward by gossip and secrets which the reader must choose whether or not to believe, adding an extra element of mystery to an already thrilling read.
After visiting many of the towns mentioned in the book (Manningtree, Mistley Wells, Colchester, Ipswich), I am in awe of the detail that Underdown used to bring these places to life. While some artistic license was taken (and described in the Author's Note), this book remains a beautiful and chilling glimpse into England's dark past.
After visiting many of the towns mentioned in the book (Manningtree, Mistley Wells, Colchester, Ipswich), I am in awe of the detail that Underdown used to bring these places to life. While some artistic license was taken (and described in the Author's Note), this book remains a beautiful and chilling glimpse into England's dark past.
BankofMarquis (1832 KP) Apr 15, 2019
Daniel Boyd (1066 KP) Apr 16, 2019