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I haven't seen the anime of this yet, and I'm not sure which was released first. I'm definitely interested in seeing the show now though, and am certainly going to read the rest of the manga volumes (if I can find/afford them all!).

As usual, I will try not to ruin the plot for anyone who wants to read it. I'll just say that Ichigo can see ghosts, and one day comes across a soul reaper - who accidentally gives her powers away and is stuck in a temporary human body. Together, they work as soul reapers to rid the world of "evil" hollows - which takes them through some pretty sad memories.

The writing is great - I found this so so comedic, and just enjoyable to read all the way through. I read all 500+ pages in one afternoon!

There's also some.seriously sad stuff in there - dead family members make guest appearances, and I actually found some of the scenes so touching and painful. The entire volume was just written so fantastically.

The art is amazing, too - I especially liked the odd blank page with just a small illustration that peppered the book. It was artistic, yet still presented the story well.

This is probably gonna be a favourite of mine for a long time. I cannot wait to read on - the end of the third volume in this collection is very intriguing! 5/5 stars.
  
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Bex Heber (5 KP) rated Good Omens in TV

Jul 12, 2019 (Updated Jul 13, 2019)  
Good Omens
Good Omens
2019 | Comedy, Sci-Fi
I'm a long time Terry Pratchett fan and whilst I haven't read the book, David Tennant and Micheal Sheen were enough of a selling point. They did not dissapoint; the dynamic they have throughout is both entertaining and endearing. However I think this is in large part a credit to the actors rather than the show.

The writing often missed the mark for me, sometimes only by hair but many of the characters never really managed to find their stride. What surprised me most, is that where this was most felt was in dialogue taken directly from the book. Even watching as someone who hadnt read the book I found it noticable and then later confirmed it by reading The Guardian's review. It appears Neil Gaiman was reluctant to take too many artistic liberties, perhaps in tribute to Prattchett but it seemed to hurt the show as a result.

It worked in places, the opening narration felt distinctly and enjoyably Pratchett-esque but even in this case the narration began to become over bearing as it continued to feature heavily in later episodes.

Saying this, I can't pretend I didn't enjoy the show, watching David and Micheal caper around with ridiculous CGI and yellow contacts to boot was always going to be entertaining and there are moments of brilliance, but given the potential of such a ridiculous plot and ensemble, I found the whole thing mostly forgettable.