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Rachel King (13 KP) rated Ash in Books

Feb 11, 2019  
Ash
Ash
Malinda Lo | 2011 | Children
4
6.7 (3 Ratings)
Book Rating
The main character Aisling ages from a little girl to a young woman, but mentally she does not seem to change or mature in any way. She feels completely emotionless from start to finish, as if the story were being narrated by a computer, and not a flesh-and-blood human girl. Sidhean was quite fascinating, if overly mysterious, and the step-family were all quite distinct in their different roles. The young Huntress Kaisa seemed to resemble her predecessor, but only a little, and of course Aisling was unlike anyone else, even though I felt no connection with her. Loose ends are left wide open all over the place. We are told nothing about what happens to Aisling's step-family or what Sidhean does after she leaves him. The ending is completely contradictory to the framework built up throughout the text with the use of the fairy tales. In addition to Aisling breaking her own rules, we have a gap of time at the end with almost no explanation as to why that is. The background setting is reminescent of Regency England, but the fact that lesbianism is an accepted part of this world that the author has created is completely contradictory to the propriety and decorum of the proposed setting. Every time there is the possibility of the setting getting in the way of the plot, the author claims "artistic license" to break her own rules of world-building. Even if I ignore the acceptance of homosexuality in the text, which I do not support, it still suffers from major flaws of character, background, and plot that I can not ignore. Aisling is cold and emotionless, the ending is contradictory and breaks the rules, and multiple loose ends are left hanging. I would not recommend this book.
  
Avengers: Endgame (2019)
Avengers: Endgame (2019)
2019 | Sci-Fi, Thriller
Finally I have the body of a Norse god! (0 more)
Having to go to the toilet halfway through (0 more)
Fantastic
Contains spoilers, click to show
What a fantastic film!
I have waited a few days before reviewing this film, and honestly think it would have been 10/10 if I had reviewed it straightaway.
This is so very nearly the perfect superhero film. There is a massive cast of characters, there is humour, there are niche geek references, there are shocks and twists, there are highs, there are lows and there are tears.
But also (and here comes why 1 mark was lost) ... there is time travel. I have an uncomfortable relationship with time travel. I know you always have to give a bit of artistic license with time travel and not get too hung up on the nitty gritty. But here the plot revolves around the characters changing nothing in the past as it would change the future/make it not happen. And yet they go ahead and do it anyway! We have to go back and put the infinity stones back the instant after they were taken. But they didn't have to with Thor's hammer? And why did they have to do that at all because past-Thanos died which means the Infinity War never happened.
I have never been truly happy with time travel in film, with the notable exception of Bill and Ted's Excellent Adventure which somehow nails it. For me, Endgame failed in this regard purely by setting itself rules it then broke and didn't explore the consequences.
But still, an outstanding film and if I can get myself happy with a crude, straight-talking, machine gun-toting space-raccoon and a teenage living tree then I think I can overlook some timey-wimey things.
  
500 Days of Summer (2009)
500 Days of Summer (2009)
2009 | Comedy, Drama, Romance
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.

This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.

The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.

Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.

Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.

Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
  
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