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Sarah (7798 KP) rated It’s A Sin in TV
Feb 7, 2021
Outstanding drama
It’s A Sin is the latest drama from the mind of Russell T Davies, the man behind Queer as Folk, Cucumber and the revival of Doctor Who back in 2005. It follows a group of gay men and their friends in London from 1981 to 1991, depicting how the developing HIV and AIDS crisis impacted on their lives.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.
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You've seen a few shows on TV, and working with wood looks like it could be quite entertaining and...
Lee KM Pallatina (951 KP) rated Impact Wrestling in TV
Apr 5, 2020
Hard to Kill
2002 - the beginning
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.
Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.
2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.
Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.
2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!
2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.
Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.
2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.
Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.
2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!
2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.
Ross (3284 KP) rated Surprisingly Down to Earth, and Very Funny in Books
Oct 27, 2020
Funny but at times harrowing auto-biography
I wouldn't say I was a huge fan of Limmy's. I've seen a few of his sketches on youtube and have heard him interviewed on a few podcasts. He seems quite strange and a bit of an odd character. I have read his books of short stories and found them to be brilliantly well-written and original.
His auto-biography starts brilliantly, giving a great insight into the childhood that shaped the comedian. There are funny stories of growing up isolated and playing strange games with strange friends. This gets darker as Limmy ages, as he finds himself looking for danger and things to make him feel alive. This inevitably leads to trouble with the police, and on to drink and drugs and more police trouble.
He seems to have always been looking to try and find somewhere to fit in, a niche in the world where he can be himself and be otherwise left alone, though he is his own worst enemy along the way. Battles with depression, suicide and social issues hold him back at almost every stage. He finally finds his niche when he discovers flash programming. This gives him an avenue for his creativity and silliness, and leads to his genius being discovered, eventually leading to a successful podcast and TV shows - though even those weren't plain sailing.
This is the charming, though at times harrowing, story of a man with so many ideas in his head, but so many issues holding him back, and the battle to overcome demons to do what he wants to do, and to do it his way.
His auto-biography starts brilliantly, giving a great insight into the childhood that shaped the comedian. There are funny stories of growing up isolated and playing strange games with strange friends. This gets darker as Limmy ages, as he finds himself looking for danger and things to make him feel alive. This inevitably leads to trouble with the police, and on to drink and drugs and more police trouble.
He seems to have always been looking to try and find somewhere to fit in, a niche in the world where he can be himself and be otherwise left alone, though he is his own worst enemy along the way. Battles with depression, suicide and social issues hold him back at almost every stage. He finally finds his niche when he discovers flash programming. This gives him an avenue for his creativity and silliness, and leads to his genius being discovered, eventually leading to a successful podcast and TV shows - though even those weren't plain sailing.
This is the charming, though at times harrowing, story of a man with so many ideas in his head, but so many issues holding him back, and the battle to overcome demons to do what he wants to do, and to do it his way.
Andy K (10821 KP) created a poll
Mar 4, 2019
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Daniel Boyd (1066 KP) rated The Umbrella Academy in TV
Mar 7, 2019 (Updated Mar 7, 2019)
Characters (1 more)
SFX
One For A Rainy Day
A few years ago when I heard the guy from My Chemical Romance had wrote a graphic novel, it peaked my interest, but after reading up on some reviews of the book, it just sounded like a rip-off of other properties like Watchmen and X-Men and to be honest I wasn't a huge fan of the obscure character designs and bizarre artwork. I never got around to reading it after this as I was kind of put off by the accusations of unoriginality and the weird art.
Then late last year, I read that there was a Netflix adaption of the show being released and my curiosity was once again peaked. After reading some of the early glowing reviews from critics, I knew that I had found my next binge.
This show is fantastic, which for the most part is owed to it's well written and well acted characters. The members of the Umbrella Academy and their various odd relationships with one another, as well as the outsiders that have interaction with them throughout the show, make the character dynamics of this show as a whole pretty unique and exciting. The cast are all brilliant, with Robert Sheehan's Klaus being the clear stand-out. He gets all of the best lines and nails the American accent that he speaks with in the show.
It is cool to get an insight into the world that the show-runners have crafted, which is as odd as it is charming. It is similar to our own world, with a few pretty drastic changes that change the dynamic of the universe in a oddly interesting way. There were points while watching the show that I was reminded of other superhero stories like Watchmen and X-Men, but instead of Umbrella Academy blatantly ripping off these other stories, it instead takes some of the best parts from its respective influences and adapts them to suit the narrative that is unfolding. It comes off as more of a wink and a nod than just a lazy copy/paste job.
I also feel like the amazing CGI work on Pogo the chimp, - who is highly intelligent and serves as the family's butler, - deserves a shout-out. It is quite possibly the best CGI that I have ever seen in a TV show and is almost on the same level as the CGI on Caesar in the Planet Of The Apes movies.
Overall, The Umbrella Academy is a stellar example of what happens when a show embraces it's influences and presents them in a coherent way in collaboration with the original story that the show itself is telling. It is not the greatest superhero story ever filmed, but it is an extremely entertaining and satisfying ride that the show takes you on over its 10 episodes and it is well worth your time.
Then late last year, I read that there was a Netflix adaption of the show being released and my curiosity was once again peaked. After reading some of the early glowing reviews from critics, I knew that I had found my next binge.
This show is fantastic, which for the most part is owed to it's well written and well acted characters. The members of the Umbrella Academy and their various odd relationships with one another, as well as the outsiders that have interaction with them throughout the show, make the character dynamics of this show as a whole pretty unique and exciting. The cast are all brilliant, with Robert Sheehan's Klaus being the clear stand-out. He gets all of the best lines and nails the American accent that he speaks with in the show.
It is cool to get an insight into the world that the show-runners have crafted, which is as odd as it is charming. It is similar to our own world, with a few pretty drastic changes that change the dynamic of the universe in a oddly interesting way. There were points while watching the show that I was reminded of other superhero stories like Watchmen and X-Men, but instead of Umbrella Academy blatantly ripping off these other stories, it instead takes some of the best parts from its respective influences and adapts them to suit the narrative that is unfolding. It comes off as more of a wink and a nod than just a lazy copy/paste job.
I also feel like the amazing CGI work on Pogo the chimp, - who is highly intelligent and serves as the family's butler, - deserves a shout-out. It is quite possibly the best CGI that I have ever seen in a TV show and is almost on the same level as the CGI on Caesar in the Planet Of The Apes movies.
Overall, The Umbrella Academy is a stellar example of what happens when a show embraces it's influences and presents them in a coherent way in collaboration with the original story that the show itself is telling. It is not the greatest superhero story ever filmed, but it is an extremely entertaining and satisfying ride that the show takes you on over its 10 episodes and it is well worth your time.