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David McK (3453 KP) rated Two Ravens and One Crow (The Iron Druid Chronicles, #4.5) in Books
Jan 28, 2019
This is a short story, that seems to follow the usual Kevin Hearne's strategy of setting a short story between the 'main courses' of his full novels: a taster, if you will, of what those novels are like.
In this particular case, this story is set after the events of [b:Tricked|106843|Tricked|Alex Robinson|https://d.gr-assets.com/books/1347400465s/106843.jpg|102982] but before (I believe, not having read it yet!) of those from [b:Trapped|8428140|Trapped|Michael Northrop|https://d.gr-assets.com/books/1395769555s/8428140.jpg|13291342], and deals some more with the aftermath of Atticus's trip to Valhalla in [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265].
The Two Ravens of the title refers to Odin's birds Hugin and Munin, while the One Crow is the Morrigan, who appears to Atticus six years into training his apprentice Granuaile and insists that he must go on a journey with her.
If I'm honest, I found the previous full-length novel ([b:Tricked|106843|Tricked|Alex Robinson|https://d.gr-assets.com/books/1347400465s/106843.jpg|102982]) to be a bit of a let-down; thankfully he appears to be back on form in this short story.
:-)
In this particular case, this story is set after the events of [b:Tricked|106843|Tricked|Alex Robinson|https://d.gr-assets.com/books/1347400465s/106843.jpg|102982] but before (I believe, not having read it yet!) of those from [b:Trapped|8428140|Trapped|Michael Northrop|https://d.gr-assets.com/books/1395769555s/8428140.jpg|13291342], and deals some more with the aftermath of Atticus's trip to Valhalla in [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265].
The Two Ravens of the title refers to Odin's birds Hugin and Munin, while the One Crow is the Morrigan, who appears to Atticus six years into training his apprentice Granuaile and insists that he must go on a journey with her.
If I'm honest, I found the previous full-length novel ([b:Tricked|106843|Tricked|Alex Robinson|https://d.gr-assets.com/books/1347400465s/106843.jpg|102982]) to be a bit of a let-down; thankfully he appears to be back on form in this short story.
:-)
David McK (3453 KP) rated Tricked (The Iron Druid Chronicles, #4) in Books
Jan 30, 2019
Book no 4 in The Iron Druid chronicles this, I felt, is the weakest of the series so far.
I'm not sure whether that is because it comes after [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265] my choice for the best or because the main plot line of [b:Hounded|18404329|Hounded|David Rosenfelt|https://d.gr-assets.com/books/1382758931s/18404329.jpg|26038191], [b:Hexed|6372672|Hexed|Michael Alan Nelson|https://d.gr-assets.com/books/1348584639s/6372672.jpg|6560286] and [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265] are finished, or even because of the unfamiliar (to me) Navajo setting, but to me, this just didn't gel as much as any of the previous three.
The plot has to do with Atticus dealing with the aftermath of his journey to Asgard in the previous novel, and the deal he made with Coyote to cover his tracks, with the big bad in this taking the form of two Skinwalkers rather than the Irish god(s) of the first, the Witches of the second or the Norse gods of the third.
It's not a bad read, just not my pick for the best of the series
I'm not sure whether that is because it comes after [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265] my choice for the best or because the main plot line of [b:Hounded|18404329|Hounded|David Rosenfelt|https://d.gr-assets.com/books/1382758931s/18404329.jpg|26038191], [b:Hexed|6372672|Hexed|Michael Alan Nelson|https://d.gr-assets.com/books/1348584639s/6372672.jpg|6560286] and [b:Hammered|10443590|Hammered|Mark Ward|https://d.gr-assets.com/books/1328728608s/10443590.jpg|15348265] are finished, or even because of the unfamiliar (to me) Navajo setting, but to me, this just didn't gel as much as any of the previous three.
The plot has to do with Atticus dealing with the aftermath of his journey to Asgard in the previous novel, and the deal he made with Coyote to cover his tracks, with the big bad in this taking the form of two Skinwalkers rather than the Irish god(s) of the first, the Witches of the second or the Norse gods of the third.
It's not a bad read, just not my pick for the best of the series
Sean Farrell (9 KP) rated To Kill a Mockingbird in Books
Mar 15, 2018
I think it's safe to assume that most people know this book is about a girl named Scout Finch growing up in the American south of the 1930's as it still deals with racism. Seeing as the book is primarily about the experiences of a young girl, the parts about Atticus Finch defending a black man at trial, while important to the plot, are not nearly as prominent as some might recall from having read the book at school, myself included. Still, it's always an interesting book, full of remembrances of youthful activities that are likely to stir up at least an occasional moment of fond nostalgia among most people. While there is a lot that is very specific to the south in here, the principal themes are pretty universal; growing up, our relationships with & views of our families, learning to deal with society's expectations for us, and of course, just how messed up that society can often be. It may perhaps paint a slightly too rosy picture of the way things were at the time, but the inherent optimism fits in with the perspective from which it's being told. It's very hard not to be moved by this book. Whether it wants you to feel joy, suspense, or sorrow, it does a masterful job of bending you to its will. A true American classic.
Cicero: Letters to Friends: v. 1
Marcus Tullius Cicero and D.R. Shackleton bailey
Book
Cicero was a prodigious letter writer, and happily a splendid treasury of his letters has come down...
Matthew Krueger (10051 KP) rated Frankenweenie (2012) in Movies
Oct 31, 2020
Black & White (3 more)
Dark
Tim Burton
Stop Motion
A Boys Best Friend
Frankenweenie- is a halloween classic. Ive wanted to watch this film for couple of years now and it was not disappointed.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
Todd and The Book of Pure Evil
6.6
Rate It
TV Show Watch
Todd Smith, Curtis Weaver, Jenny Kolinsky and Hannah Williams are students at Crowley High, the only...
Lee (2222 KP) rated Max Winslow and the House of Secrets (2019) in Movies
Oct 13, 2020
Max Winslow and the House of Secrets is a family film, very much in the vein of Charlie and the Chocolate Factory. Maxine Winslow (Sydne Mikelle), or Max for short, is our Charlie Bucket, coming from a single-parent family and living with a mother who is struggling with debt. Tech-savvy Max is also a skilled hacker, demonstrating this by taking control of her neighbours video doorbell and making it ring so that he comes running outside. Kind of like a modern-day Knock-Down Ginger.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
Lenard (726 KP) rated Soul (2020) in Movies
Dec 26, 2020
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
Joe Goodhart (27 KP) rated House of M in Books
Nov 30, 2020
*** <i>Read the entire story while listening to Trent Reznor and Atticus Ross' score to GONE GIRL. Not saying it would be for everyone, but it definitely worked for my re-reading.</i>
I have mentioned this in my graphic novel reviews of late, that I have been doing a fair amount of re-reads since making the transition to digital. It's such a delight to be able to read the comics again without fear of ruining the pages if I am eating or drinking! And best of all? The graphic novels (and books) read take up zero space, helping me to continue to maintain a minimalist lifestyle.
Okay, on to the review..
I originally read the HOUSE OF M about a year or so after it was published in trade paperback. At that time, I recall liking it well enough, thinking that Bendis did a good job. It was not good enough, at that time, to leave a lasting impression on me, unlike other Marvel events before it. With the move to digital, and with a price I could not refuse, I felt it was time to revisit the series and see how it would fare with my not-as-cluttered mental state.
First, let me just <b>"WOW!"</b>. No, seriously! For a re-read, it felt decidely fresh and much more engaging that it was for me first time out. The story was quite good, helping fulfill my Daily Minimum Requuirement of Angst Bendis wrote everyone in character, and he made it was easy to empathize with the characters, as they dealt with effects of the world presented in HOUSE OF M.
One thing that really made HOUSE OF M stand out, besides the story, was the art. Oliver Coipel's pencils were perfecting, offering clear expressions, helping to capture the mood(s) needed throughout! Coipel's was given some solid inkers to finish it: Tim Townsend, Rick Magyar, Scott Hanna, and John Dell. And let us not forget to mention the final icing on the cake: that super awesome coloring from Frank D'Armata. Seriously, a big hand goes out to all of this top notch collaborative effort!
I won't try to tell anyone how to read this, or anything for that matter. However, I will say that for my re-reading, I would stop every so often and reflect, to imagine what it must have been like for Wanda (Scarlet Witch) to have to live going forward after being told your children were just fabrications! And then, even further, to learn what she did at the end of HOUSE OF M! Seriously, regardless of whether you love or hate Bendis, this was heavy stuff to swallow! Sadly, it seems to been retconned by Marvel!
If you are tired of the current events "daisy chaining" that Marvel feels compelled to continue churning out, you could do a whole lot worse than HOUSE OF M. Bendis puts forward some interesting ideas, and seeing them play out is a hell of a good read! It is probably one of his best Marvel contributions, next to his DAREDEVIL! I urge you to give it a shot! You, like me, may need a second reading, but I think you will enjoy it!
Now, I am off to read the post-HOUSE OF M stuff, as well as AVENGERS: DISASSEMBLED, which leads into HOUSE OF M, and which I did not read when HOUSE OF M first came out.
I have mentioned this in my graphic novel reviews of late, that I have been doing a fair amount of re-reads since making the transition to digital. It's such a delight to be able to read the comics again without fear of ruining the pages if I am eating or drinking! And best of all? The graphic novels (and books) read take up zero space, helping me to continue to maintain a minimalist lifestyle.
Okay, on to the review..
I originally read the HOUSE OF M about a year or so after it was published in trade paperback. At that time, I recall liking it well enough, thinking that Bendis did a good job. It was not good enough, at that time, to leave a lasting impression on me, unlike other Marvel events before it. With the move to digital, and with a price I could not refuse, I felt it was time to revisit the series and see how it would fare with my not-as-cluttered mental state.
First, let me just <b>"WOW!"</b>. No, seriously! For a re-read, it felt decidely fresh and much more engaging that it was for me first time out. The story was quite good, helping fulfill my Daily Minimum Requuirement of Angst Bendis wrote everyone in character, and he made it was easy to empathize with the characters, as they dealt with effects of the world presented in HOUSE OF M.
One thing that really made HOUSE OF M stand out, besides the story, was the art. Oliver Coipel's pencils were perfecting, offering clear expressions, helping to capture the mood(s) needed throughout! Coipel's was given some solid inkers to finish it: Tim Townsend, Rick Magyar, Scott Hanna, and John Dell. And let us not forget to mention the final icing on the cake: that super awesome coloring from Frank D'Armata. Seriously, a big hand goes out to all of this top notch collaborative effort!
I won't try to tell anyone how to read this, or anything for that matter. However, I will say that for my re-reading, I would stop every so often and reflect, to imagine what it must have been like for Wanda (Scarlet Witch) to have to live going forward after being told your children were just fabrications! And then, even further, to learn what she did at the end of HOUSE OF M! Seriously, regardless of whether you love or hate Bendis, this was heavy stuff to swallow! Sadly, it seems to been retconned by Marvel!
If you are tired of the current events "daisy chaining" that Marvel feels compelled to continue churning out, you could do a whole lot worse than HOUSE OF M. Bendis puts forward some interesting ideas, and seeing them play out is a hell of a good read! It is probably one of his best Marvel contributions, next to his DAREDEVIL! I urge you to give it a shot! You, like me, may need a second reading, but I think you will enjoy it!
Now, I am off to read the post-HOUSE OF M stuff, as well as AVENGERS: DISASSEMBLED, which leads into HOUSE OF M, and which I did not read when HOUSE OF M first came out.
LeftSideCut (3776 KP) rated Watchmen - Season 1 in TV
Dec 26, 2019 (Updated Dec 27, 2019)
Pretty much perfect
Watchmen, in my opinion, is one of the best, if not the best graphic novels ever released. It's neon lit alternate reality setting and it's collection of jaded, flawed, and sometimes toxic characters were a far cry from usual comic book territory.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.