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Sassy Brit (97 KP) rated The Things We Cannot Say in Books
Jun 5, 2019
Based on her own family, Rimmer tells how “my grandparents were Polish Catholic. They never spoke a lot about what happened to them before they immigrated to Australia. We did not know about how they lived. They would not talk about the war and seemed to put it behind them. I saw this picture of my grandparents in the sunshine and so relaxed. This got me thinking about their story, how they had hope and despair. I decided to travel to the village where they lived in Poland with my aunt and sister. I was able to capture what life was like including Auschwitz and Birkenau, which was such a shocking experience. It is impossible to get my head around the violence of that era, the utter brutality and cruelty.”
The story alternates between war-torn Poland in the 1930s and 1940s and modern-day Florida. The main characters are Alina, having to endure the horrific Nazi occupation; Alice, and her grandmother Hanna, who has made a dying wish, find Tomasz, her soul mate in Poland.
Alice is living in Florida, juggling between being the mother of a six-year-old boy, Eddie, who has autism and her ten-year-old daughter, Callie, who is extremely gifted. Hanna, her grandmother, at the age ninety-five, has suffered a debilitating stroke where she can no longer speak. These present-day characters are somehow related to the past through Alina.
Enduring the Nazis, Alina is struggling to survive and find hope that she and Tomasz can marry at the war’s conclusion. But as their situation gets worse hope begins to dwindle and they wonder, after being separated, will they ever see each other again. This story does not spare the reader all the horrors of the Nazis where they killed in cold blood and used the tools of starvation, rape, and disease.
What makes this story stand out are the relationships. It is heartwarming to read how Eddie has connected with his grandmother and the love between them. Alice and Hanna also have a special relationship since she was the one who gave her granddaughter unconditional love and support, while Alice’s mother became a career mom. Alina and Tomasz also had a special love that was deep and touching.
“I wanted to write about autism and how Eddie is a real person who had the people around him benefit from his life. He and Hanna understood and accepted each other. I also wanted to show how technology helped both he and Hanna communicate through an App. I had some experience with not being able to communicate. Just before I left for Poland I collapsed from a seizure of temporal lobe epilepsy, and was not able to speak for half an hour. I realized how frustrating it is and how scary.”
This emotional historical novel brings together the present and the past. It encompasses loyalty, love, and devotion.
156Reviews (7 KP) rated True History of the Kelly Gang (2019) in Movies
May 1, 2020
It's a gamble that doesn't pay off, the team behind the film try to sell it as a punk-esque, spit in the face of authority tale of a guy standing up against the establishment. The soundtrack is on-point, but that's about it. George Mackay (as Ned Kelly) does his best to sell it, but the film-makers never truly drive home the idea that this was a man of the people, someone speaking up for the downtrodden, instead Ned spends most of the films run-time with his family in their home, seemingly away from civilisation entirely, taking away from the Robin Hood-like mythology of the man. Without any other characters, Robin Hood is just a man who steals from people. A story about a thief, who becomes a murderer, who becomes a gang leader who incites others to kill, doesn't exactly evoke much sympathy, especially as these are based on real life events. Even if the film denies this by stating “Nothing you are about to see is true” at the start, despite “True History” being in the title of the film.
Some of the cast do their best to with what they are given, but some fall short, and some are just wilfully underused, Thomasin McKenzie, who has been great in recent films such as JoJo Rabbit and Leave No Trace is barely given anything to do other than play “The Woman” despite many important events revolving around her, opposite to this is Charlie Hunnam, who is given ample things to do, but seems to still be playing the same character from his recent The Gentleman performance. George Mackay is a force to be reckoned with, but its a performance that would be better placed in a sex pistols biopic than in 1800's Australia. The shining performance in this is Nicolas Hoult, shaking off his nice guy image to play the corrupt Constable Fitzpatrick, who seems to delight in the power he has and when events stop going Fitzpatrick's way, Hoult commits to playing a man on the edge of completely losing control with surprising conviction and menace, his interrogation scenes being and uncomfortable highlight in an otherwise unconvincing film.
With no mention of the two years Kelly spent on the run, being hidden from the police by a network of sympathisers, and by showing his plight as a very personal experience instead of showing it as an example of the culture at the time, the film misses an opportunity to make a legend of the man, and instead falls short of greatness.