"When I was fifteen, I caught a portion of Throne of Blood on television and couldn’t get it out of my mind. It set me off on a quest through video store shelves to figure out what it was I had seen, and I began by watching both Kagemusha and Seven Samurai on my way to finally rediscovering Throne of Blood. This pretty much sparked my interest in the classics. I cheated on this list by choosing three films, but I think it’s difficult to ever recommend just one Kurosawa film. Here’s a little side story: I used to encourage my friends to watch older movies back in high school, but they mostly found them to be dreadfully boring. The night before we were leaving for a snowboarding trip, I suggested watching a little bit of Seven Samurai. Now mind you, these are dudes who pretty much only watched the latest action movies or comedies. By the time intermission(!) came up, everyone had decided they needed to see the rest of this nearly four-hour epic instead of snowboarding in the morning. I highly recommend Seven Samurai for the reluctant classic movie watcher. It might just change some lives, but it can certainly change people’s perceptions of older films and remind them that “classic cinema” simply refers to old movies that are so awesome they’ve stood the test of time."

"When I was fifteen, I caught a portion of Throne of Blood on television and couldn’t get it out of my mind. It set me off on a quest through video store shelves to figure out what it was I had seen, and I began by watching both Kagemusha and Seven Samurai on my way to finally rediscovering Throne of Blood. This pretty much sparked my interest in the classics. I cheated on this list by choosing three films, but I think it’s difficult to ever recommend just one Kurosawa film. Here’s a little side story: I used to encourage my friends to watch older movies back in high school, but they mostly found them to be dreadfully boring. The night before we were leaving for a snowboarding trip, I suggested watching a little bit of Seven Samurai. Now mind you, these are dudes who pretty much only watched the latest action movies or comedies. By the time intermission(!) came up, everyone had decided they needed to see the rest of this nearly four-hour epic instead of snowboarding in the morning. I highly recommend Seven Samurai for the reluctant classic movie watcher. It might just change some lives, but it can certainly change people’s perceptions of older films and remind them that “classic cinema” simply refers to old movies that are so awesome they’ve stood the test of time."

"When I was fifteen, I caught a portion of Throne of Blood on television and couldn’t get it out of my mind. It set me off on a quest through video store shelves to figure out what it was I had seen, and I began by watching both Kagemusha and Seven Samurai on my way to finally rediscovering Throne of Blood. This pretty much sparked my interest in the classics. I cheated on this list by choosing three films, but I think it’s difficult to ever recommend just one Kurosawa film. Here’s a little side story: I used to encourage my friends to watch older movies back in high school, but they mostly found them to be dreadfully boring. The night before we were leaving for a snowboarding trip, I suggested watching a little bit of Seven Samurai. Now mind you, these are dudes who pretty much only watched the latest action movies or comedies. By the time intermission(!) came up, everyone had decided they needed to see the rest of this nearly four-hour epic instead of snowboarding in the morning. I highly recommend Seven Samurai for the reluctant classic movie watcher. It might just change some lives, but it can certainly change people’s perceptions of older films and remind them that “classic cinema” simply refers to old movies that are so awesome they’ve stood the test of time."

"It’s just awesome. What is there not to love about this movie? Donna Reed was amazing! My brother wants to marry Donna Reed. I’m like, “Dude, she’s a little old for you now.” I love the way he (George Bailey) was a happy guy but then can get cantankerous sometimes. Jimmy Stewart was just fantastic in that. I love the magic feel of it and I love the whole idea at the end of this person who did so much for everybody else and really stood on his own and sacrificed so much, that when he finally gave up and needed (help), everyone was there for him and I just cry every single time. I cry every single time. My brother actually says that I am that character in real life. I AM George Bailey. He’s like, “That’s you. You are that guy,” and every time I get ticked off when finally the pressure gets to me — because I do take care of a lot of people — he just yells at me, “Why do we have to have so many kids,” which is of course a Jimmy Stewart line. I even did It’s a Wonderful Life on a thing called “Fake Radio” where we did the entire radio version, on radio. It was great! So, I love that movie!"

"That's what I'd listen to on Bikini Kill tours. I'd put on my Walkman with my Fear Of A Black Planet cassette and I would go running and listen to it. I felt like they were making this really accessible music full of political ideas that were often very personal and sometimes very broad and I was like, "I want to make music like this, that you want to listen to because it sounds so great, but when you dig into the lyrics they're also smart and sometimes funny and very tongue in cheek." That's what I wanted to make so I'd just listen to it all the time. When I was running it was such good music to listen to because the beats are so awesome. It was a massive influence to Le Tigre. Not that we did hip-hop but I wanted to do songs that sounded good. Public Enemy made me okay with having higher production values. You can still be extremely political and radical and say what you want but do it in a way that just sounds great. First you notice how great it sounds and then, as you keep listening to it, you go, "Wait, what's this about? They mention this book, they mention Marcus Garvey, I want to go find out about that!"

"It’s a mad movie. It’s just insane. This was the first movie I remember having so many stars that I loved. My favorite scene is when the older woman realizes that her son-in-law lives close to the treasure, so she calls him up. I remember the phone ringing and ringing, and when they cut to her son, he’s with a girl in a bikini doing the twist to some song. And she has this disaffected look on her face, just staring into nothing. The son is in a ’50s-style bathing suit just jumping around her going, “Yeah. Go.” That moment is something I’ve put in theater pieces, and even when I go out and I’m on the dance floor, I think of that scene. So if that movie gave me anything, aside from the excitement of seeing all these awesome comedic actors, it was that moment. I love that old-style humor, you know, like Some Like It Hot, just over the top. I think comedy was done with a lot more class back then. And that was a crossover period. It’s hard to get that these days. Now it has to be cool. Back then it just had to be crazy and zany. That movie should be listed next to the definition of “zany” in the dictionary. “What is zany?” “Watch this movie.”"