"When I was in Junior High, I met this guy and he had a cassette with Minor Threat on one side and The Exploited on the other. He left it at my house, and I had a Walkman, so I popped it in as I was walking to school. I heard the first chord of “Filler” and then I stopped and turned around. I didn’t go to school that day. I listened to that cassette and I was ‘What is this? This is awesome, this is what I need right now. These people are speaking my language, and they’re young like me as well.’ That’s when I thought I could maybe write a song, record it and put it on a record. That’s all I thought. I didn’t want to be a famous rock star but maybe I could do that DIY stuff. Not like the rock stars who were bigger than life - it was hard to aspire to that - but this other stuff? Yeah, I could do this. Plus, I thought that girls would think it was pretty cool if I played the guitar and I was in a band. So I started a band and this song and the first Minor Threat record was a game changer for me. It also started my record collecting phase. After I got into Minor Threat, I got into Dischord Records - I wanted everything on that label, so I spent years collecting that stuff. I still have all the singles; I might still have it all of it. That band had a huge effect on me that led me to want to write and play music, but also it was a club I could belong to. I was part of something with it – I could put on a leather jacket and help my teenage angst."

"This one — they’re just kissing cousins, really — but the last Paul Newman film I’ll talk about is Hud — just the greatest introduction to a character maybe ever on screen. You’ve got this goofy kid walking around town and he walks past the bar, and there’s glass on the sidewalk and the bar owner’s sweeping it up. And the kid goes, “Did you have trouble in here last night?” “I had Hud in here last night.” Such an awesome way to introduce the main character of this film. When you first meet him, he’s walking out of this married woman’s house putting his boots on and the husband pulls up, and he immediately blames his nephew. It’s this really incredible thing. I was lucky enough to work on a college professor’s documentary called The Rough South of Larry Brown. Which is about the writer Larry Brown out of Oxford, Mississippi. In that documentary Larry Brown talks about his writing, he says, “Yeah, you read my stuff and you read a little bit and you might think it’s pretty funny. And then you read a little bit more and you realize, it’s not funny worth a damn.” And that’s Hud. You start it off and you’re like, “Gosh, look at this rapscallion, this character,” and then you realize, “Wow, that’s not funny; there is some deep stuff inside that man that is hurt and angry, but is manifesting itself in very evil ways.” The complexity of that — it’s different than Newman’s character in The Hustler. In The Hustler, he’s doing pride, but there’s something deep going on in Hud that’s darker. It’s more about family and legacy and things that I think, because it’s attached to the family, I relate to very much. I had to deal with familial relationships that are complex."