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Wayne Coyne recommended The Dark Side of the Moon by Pink Floyd in Music (curated)

LoganCrews (2861 KP) rated A Quiet Place: Part II (2021) in Movies
Jul 4, 2021
Y'all get scared too easily lmao. Let's not act like the first one was a genius piece of filmmaking or anything - it just had a solid premise you could wring a metric ton of mileage out of and wasn't afraid to provide lots of fun, goofy, intense thrills in an age of comically over-serious pity parties saturating the horror movie market. I really enjoyed it, but with its sequel the switch from horror/thriller to drama/thriller really took a toll imo. Because what made these work was never the characters, of which I honestly couldn't tell you a single name of nor more than one defining personality trait now two entries later - it was the gimmick, carried so efficiently by the marvelous performances at the forefront. Here the acting still rips (except for Blunt, who along with her character seems totally lost with nothing to do rather than just kind of awkwardly wing it) but the gimmick seems to just try and retrace the steps of the first movie while adding in a deathly simplistic, extraneous story since this one has no real clue what to do with itself... for some reason. And maybe it's just me but this one also looks so much worse. That all being said, this works best when it depicts moments of peace and/or normalcy being immediately brutalized by swift, sweeping violence - it knows exactly how to play them, that shit is *awesome*. Both times it lets these (admittedly kind of lamely designed) creatures wreak havoc on unsuspecting, populated areas it's a total riot. Also features a pretty neat three-way thriller sequence in the middle that's decently cool, too. A perfectly serviceable distraction.

Mark Arm recommended Abattoir Blues/Lyre of Orpheus by Nick Cave / Nick Cave & The Bad Seeds in Music (curated)

LoganCrews (2861 KP) rated Impractical Jokers: The Movie (2020) in Movies
Sep 21, 2020
As someone who's been an "Impractical Jokers" fan since the very first episode aired way back on December 15th, 2011 (and still to this day) - I'm not sure how *this* big of a downgrade was managed going from a TruTV show to a major motion picture. The narrative framing device is un-fucking-watchable and the best bits from the pranks themselves are less convincingly faked than even some of the more middling episodes of the show. I - with the general consensus - vote this should have just been a ~90 minute episode rather than this pat material padding out a small handful of pranks. Not 100% sure if this just isn't really isn't good overall or if its chintziness in the extreme let it down; the "Drake & Josh" movies are seriously more well built than this. I think these four very original guys are hilarious, each brim with distinct personality, and have some of the best comedic timing of the 2010s decade (and there still is a lot of funny stuff in here delivered with that same knack) - so it is confusing to see them flounder so hard in just about every other thing they try besides the show. The (still staged) broken-down car bit and Paula Abdul saying she has more power than the cartel are high points, much of everything else is a depressing low for this IP. Even the admittedly awesome in theory ending punishment falls flat. A dud, honestly not awful but there's literally no point in paying to see this in a theater even despite being able to watch more high quality entertainment from these guys on YouTube or home television. Tonight's biggest loser: the audience. Sidenote: they didn't censor fuck or shit, but did so for pussy? Twice?

Heather Cranmer (2721 KP) created a post
Sep 18, 2020

LoganCrews (2861 KP) rated Children of a Lesser God (1986) in Movies
Sep 19, 2020
Unfortunately doesn't come out entirely unscathed from stage to screen, a touch too long and a touch too slow for this to be consistently potent - and some segments are a bit too writerly even for me as well as the occasional Broadway banality here and there that sort of brings this to a lull in the middle. But all the same, this is surprisingly complex and fragile filmmaking on the subject for 1986. On a technical note the music and visuals are hushed rhapsody together, and I particularly admire how there's an expressive intimacy in the conversations Hurt has with deaf characters whereas there's this palpably cold distance in the ones he has with hearing ones - an aspect that seems almost intrinsic. And on that note I also have to appreciate how it confronts Hurt's fixer mentality *as well as* Matlin's resistant anger rather than making the deaf character ultimately bend to the will of the 'virtuous helper' 'for their own good'. William Hurt is sensational, and Marlee Matlin is in one of the top-tier greatest performances of the 80s - the fact that they self-gratifyingly gave her their pity award and then immediately refused to cast her in much else is evidence #18,000 on why the Oscars are rancid bullshit. On top of all of that it's packed with awesome scenes and it's just a damn good romance... though if I have one more quibble: do the hearing characters really need to repeat aloud every fucking thing the deaf characters sign to them to absolutely no one at all but themselves like they're talking to a toddler? This really couldn't have been subtitled? But I digress, I still cried multiple times so we aight.

Joe Goodhart (27 KP) rated Batgirl, Vol. 3: Death of the Family in Books
Nov 30, 2020
Man, I have no idea WTF happened here, but I am the minority, as I just wasn't feeling it here!
Gail Simone is a favorite writer of mine, as well as a sizable number of comic readers. I don't pick up everything she writes, i.e. Dynamite's RED SONJA series, but I do try to keep a lookout when a new series, or new writing assignment from her, is out. And, generally, she is all aces, except here!
This was a re-read for me, as I was reading BATMAN: DEATH OF THE FAMILY (which was AWESOME, btw!), and I wanted to get the whole story. I don't know what happened, but it just started to get on m nerves! I really, truly wanted to enjoy the second time, but just felt like bland potato salad!
Daniel Sampere's art, on the other hand, was flawless. All the characters, as well as the backgrounds, looked hella tight! I found myself more into the art that the actual story!
I am not 100% sure why I didn't like it. Mostly, I felt some of the characterizations were off, leaving to not give a fart about any of them! That right there is what makes a book, regardless of whether a comic or an actual prose work, the characters have to stand out and make you actually interested in them! Without factor, you have a book that will fail to attract attention, and ultimately, will fail, falling quite flat!
Ok, this is my closing part. This is where I give my final grade, as well as recommending, or trashing, the book being reviewed. Not gonna do it this time round! I want to say that you, yourself, should read this trade, seeing if you like it as much as the others seemed to, k'?
Gail Simone is a favorite writer of mine, as well as a sizable number of comic readers. I don't pick up everything she writes, i.e. Dynamite's RED SONJA series, but I do try to keep a lookout when a new series, or new writing assignment from her, is out. And, generally, she is all aces, except here!
This was a re-read for me, as I was reading BATMAN: DEATH OF THE FAMILY (which was AWESOME, btw!), and I wanted to get the whole story. I don't know what happened, but it just started to get on m nerves! I really, truly wanted to enjoy the second time, but just felt like bland potato salad!
Daniel Sampere's art, on the other hand, was flawless. All the characters, as well as the backgrounds, looked hella tight! I found myself more into the art that the actual story!
I am not 100% sure why I didn't like it. Mostly, I felt some of the characterizations were off, leaving to not give a fart about any of them! That right there is what makes a book, regardless of whether a comic or an actual prose work, the characters have to stand out and make you actually interested in them! Without factor, you have a book that will fail to attract attention, and ultimately, will fail, falling quite flat!
Ok, this is my closing part. This is where I give my final grade, as well as recommending, or trashing, the book being reviewed. Not gonna do it this time round! I want to say that you, yourself, should read this trade, seeing if you like it as much as the others seemed to, k'?

LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.

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