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Ivana A. | Diary of Difference (1171 KP) rated Reverie in Books
Oct 5, 2020
I wanted to love Reverie by Ryan La Sala so much!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Jesters_folly (230 KP) rated Wolf (2019) in Movies
Sep 19, 2019
Contains spoilers, click to show
A group of Roman legionnaires in Britain are sent on a mission to find a group of missing messengers only to find themselves attacked by something that comes out with the full moon.
So basically it's Roman’s vs werewolves in the woods, a premise with so much potential. However it fails in oh so many ways. I feel a bit bad for this review because I did enjoy the film, admittedly I seemed to be the only one as everyone else left about half way through (ok there were only two other people there but they did leave) but as a film it was quite terrible. First off we have the legionnaires, the group have only been together for a few weeks and don't trust each other, and they consist of:
Shouting guy who has just been sent from Rome who can't seem to decide if he's channelling Nick Frost or Brian Blessed.
Not so shouting guy who is friends with shouting guy and likes to drink
Captain who doesn't seem very effective
Old guy who shouldn't be there, doesn’t get on with the captain
Tall blonde guy who is always on about his wife who about to have a baby
Germanic female scout that no one trusts
Ex slave woman who looks like she should be a witch (she’s not) who is friends with the captain
Black woman who has a brother
And two other guys I can't really remember
So, the film gets points for having a culturally mixed squad which is historically correct but they don’t act as a unit. They are always talking, even when hunting the creatures they never shut up. One of them say “We are Roman we do the hunting.” But they don't seem to know to be quite.
It does strike me that the film is trying to be (Or seem) historically accurate, there are mentions of tactical formations that can be used, everyone uses the names of an appropriate god and there is mention of what certain weapons are made of but all of this just adds to the feeling that the film has been made by a group of Roman reenactor enthusiasts.
I had a friend who said that ‘Cloverfield’ was one of the worst films ever because you never see the monster, we pointed out that you do but acknowledge that 'Cloverfield’ keeps the monster hidden to make it more mysterious and scary. Wolf does this as well, for most of the film all you see of the monsters are pink streaks that seem quite reminiscent of naked people and when you finally see the creatures they look like they could be extras in classic doctor who. The effects in general are a bit rubbish to the point of one the cast walking around with what looks like rice pudding or custard in his beard for ten minutes.
The camera work is sometimes shaky, shots of the sky blind you and there are times when it looks like the actors don't know how to hold a sword.
And the film doesn't end, there's a revelation, the survivors say they will continue the mission then the credits roll. There could be a sequel but if there is it will be because the cast want it and not on reviews (although I think I did enjoy it a bit).
So basically it's Roman’s vs werewolves in the woods, a premise with so much potential. However it fails in oh so many ways. I feel a bit bad for this review because I did enjoy the film, admittedly I seemed to be the only one as everyone else left about half way through (ok there were only two other people there but they did leave) but as a film it was quite terrible. First off we have the legionnaires, the group have only been together for a few weeks and don't trust each other, and they consist of:
Shouting guy who has just been sent from Rome who can't seem to decide if he's channelling Nick Frost or Brian Blessed.
Not so shouting guy who is friends with shouting guy and likes to drink
Captain who doesn't seem very effective
Old guy who shouldn't be there, doesn’t get on with the captain
Tall blonde guy who is always on about his wife who about to have a baby
Germanic female scout that no one trusts
Ex slave woman who looks like she should be a witch (she’s not) who is friends with the captain
Black woman who has a brother
And two other guys I can't really remember
So, the film gets points for having a culturally mixed squad which is historically correct but they don’t act as a unit. They are always talking, even when hunting the creatures they never shut up. One of them say “We are Roman we do the hunting.” But they don't seem to know to be quite.
It does strike me that the film is trying to be (Or seem) historically accurate, there are mentions of tactical formations that can be used, everyone uses the names of an appropriate god and there is mention of what certain weapons are made of but all of this just adds to the feeling that the film has been made by a group of Roman reenactor enthusiasts.
I had a friend who said that ‘Cloverfield’ was one of the worst films ever because you never see the monster, we pointed out that you do but acknowledge that 'Cloverfield’ keeps the monster hidden to make it more mysterious and scary. Wolf does this as well, for most of the film all you see of the monsters are pink streaks that seem quite reminiscent of naked people and when you finally see the creatures they look like they could be extras in classic doctor who. The effects in general are a bit rubbish to the point of one the cast walking around with what looks like rice pudding or custard in his beard for ten minutes.
The camera work is sometimes shaky, shots of the sky blind you and there are times when it looks like the actors don't know how to hold a sword.
And the film doesn't end, there's a revelation, the survivors say they will continue the mission then the credits roll. There could be a sequel but if there is it will be because the cast want it and not on reviews (although I think I did enjoy it a bit).
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BankofMarquis (1832 KP) rated Avatar: The Way of Water (2021) in Movies
Jan 2, 2023
Strong Visuals - Weak Everything Else
See AVATAR: THE WAY OF WATER on the biggest 3D Screen, with the best Sound System possible. It is a technical marvel…way ahead of anything that has, thus far, been seen on a movie screen.
It’s too bad the story (and characters) lag far behind.
Taking the audience back to the world of Pandora, AVATAR: THE WAY OF WATER treads familiar territory as Director James Cameron returns us to this idyllic planet, with the natives living peacefully, in concert with the land, until the soldiers from Earth show up (again) to strip the planet of it’s native contents (again).
Cameron (TITANTIC) expands this 3D World, bringing the audience from the trees to the water - and what an expansion this is! It is a BEAUTIFUL film to watch and Cameron (as one would expect) expertly pushes the technological edges of the industry, bringing us stunning visuals underwater. It is this part of the more than 3 hour film that is worth the price of admission alone. It is a feast for the eyes.
But what Cameron (and his FOUR writers of the script - never a good sign) fail to do is to add interesting characters and stories to these amazing visuals. It is a pretty straight forward telling of Good (the native peoples) vs. Evil (the invading soldiers from Earth). There is no nuance or subtly whatsoever throughout this film.
Back from the first film are Sam Worthington (just as wooden and uninteresting), Zoe Saldana (just as underused) and Stephen Lang (just as one-note as the villain). Obviously, it is just their voices used - for they are all rendered as Pandorans via motion-capture - but they don’t have much to do except be one with the nature (the good guys) or destroy nature (the soldiers).
Joining the cast - and just as underused - are Cliff Curtis, CCH Pounder and, especially, Kate Winslet. Cameron brings in some really fine performers who have to spout wooden dialogue that would make George Lucas blush - all the while performing in motion capture suits. This movie could have been so much better had Cameron given these actors something better and more interesting to do.
The only exception to this is the young actress (so I thought) that portrayed Kiri - who is the daughter of the Sigourney Weaver character from the first film. This Pandoran was born under mysterious circumstances (Virgin birth? Do we have a Messiah?) and is more in tune with the nature of the world they live in. This young actress had the most interesting things to do and she absolutely nailed it, so I should not have been surprised to find out that this “young actress” was none other than - Sigourney Weaver.
Well done, Cameron and Weaver. You got me on this one.
This film (the second in what will be a trilogy - or maybe more) has a run time of over 3 hours - so be warned - but Cameron keeps things moving along at a sprightly pace, never lingering over the clunky dialogue, but stopping to watch the beautiful visuals along the way.
AVATAR: THE WAY OF WATER is worth watching for the water and the stunning visuals…but not for much else.
Letter Grade: B+ (10 for the visuals, 5 for the story)
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It’s too bad the story (and characters) lag far behind.
Taking the audience back to the world of Pandora, AVATAR: THE WAY OF WATER treads familiar territory as Director James Cameron returns us to this idyllic planet, with the natives living peacefully, in concert with the land, until the soldiers from Earth show up (again) to strip the planet of it’s native contents (again).
Cameron (TITANTIC) expands this 3D World, bringing the audience from the trees to the water - and what an expansion this is! It is a BEAUTIFUL film to watch and Cameron (as one would expect) expertly pushes the technological edges of the industry, bringing us stunning visuals underwater. It is this part of the more than 3 hour film that is worth the price of admission alone. It is a feast for the eyes.
But what Cameron (and his FOUR writers of the script - never a good sign) fail to do is to add interesting characters and stories to these amazing visuals. It is a pretty straight forward telling of Good (the native peoples) vs. Evil (the invading soldiers from Earth). There is no nuance or subtly whatsoever throughout this film.
Back from the first film are Sam Worthington (just as wooden and uninteresting), Zoe Saldana (just as underused) and Stephen Lang (just as one-note as the villain). Obviously, it is just their voices used - for they are all rendered as Pandorans via motion-capture - but they don’t have much to do except be one with the nature (the good guys) or destroy nature (the soldiers).
Joining the cast - and just as underused - are Cliff Curtis, CCH Pounder and, especially, Kate Winslet. Cameron brings in some really fine performers who have to spout wooden dialogue that would make George Lucas blush - all the while performing in motion capture suits. This movie could have been so much better had Cameron given these actors something better and more interesting to do.
The only exception to this is the young actress (so I thought) that portrayed Kiri - who is the daughter of the Sigourney Weaver character from the first film. This Pandoran was born under mysterious circumstances (Virgin birth? Do we have a Messiah?) and is more in tune with the nature of the world they live in. This young actress had the most interesting things to do and she absolutely nailed it, so I should not have been surprised to find out that this “young actress” was none other than - Sigourney Weaver.
Well done, Cameron and Weaver. You got me on this one.
This film (the second in what will be a trilogy - or maybe more) has a run time of over 3 hours - so be warned - but Cameron keeps things moving along at a sprightly pace, never lingering over the clunky dialogue, but stopping to watch the beautiful visuals along the way.
AVATAR: THE WAY OF WATER is worth watching for the water and the stunning visuals…but not for much else.
Letter Grade: B+ (10 for the visuals, 5 for the story)
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Sophia (Bookwyrming Thoughts) (530 KP) rated Fractured Dream (The Dreamer Saga, #1) in Books
Jan 23, 2020
In all honesty, Fractured Dream felt as though I was dragging a big sack of potatoes around and trying to find a place to put them... yet finding nowhere. And it's just bad when I take a chunk out of veggie chips during 2-3 hours of complete peace and quiet when I should have taken more chunk out of the book. Apparently, the veggie chips were more interesting, because I normally have no problems reading a 400-500+ paged book.
The book had an interesting take on Fairy tales and dreams, but the execution was poor. And there were LOTS of awkwardness.
<b>Dislikes aka Awkward101</b>
~ A few people watching two lovebirds having sex in the prologue. I mean, it wasn't exactly obvious at first, but when the words "I need to see that it's done. I need to know they've conceived" pops up, it's just creepy! If you don't think so, then imagine someone walking into your bedroom at the wrong time. Yep... it's awkward. Really awkward. Sorry might not even cut it.
~ Story yes, it's the main character's name. I'm not going to call her Bob so it makes sense seems to be carefree. She laughs a lot. But while she's carefree, she's sort of knowing as well. At least, that's how it is at the beginning. Later on Story seems all depressed and not confident that she could save the world from Brink.
~ Snow White and Sleep Beauty. These days, I'm done with these two being vampires in all those retellings I'm coming across. -_- Although what's different is an interesting thought: "What if the Real Worlds tastes in literature were somehow affecting the way Fairytales translated here?"
~ The romance between Story and Nicholas is completely unrealistic. They're staring at each other from the moment they meet in Tressla. First kiss? They pretty much make out. And nearly have sex. Haven't you guys heard me complain before about this already?
YA books are definitely growing up.
What's worse is there is a sex scene later. Not exactly graphic thankfully, but no thank you? *cringes away* When I said I was fine with romance, I seriously didn't mean go all out and do THAT.
~ The awkwardness doesn't end: a woman giving birth. Yeah... I'm <s>watching</s> reading about a woman giving birth. Goodness! Where am I? I think I need to change that review policy to middle grade and young adult crossovers only now! This is so not a manual about giving birth in the olden days.
~ Story has some sort of an attitude or aura I don't really like later on in the book. She basically expects all of her followers to listen to her as though she knows best. What kind of leader is that? That makes her as bad as the villain! Yes, everyone respects the leader. But shouldn't a leader listen to opinions as well, even when it's not a democracy? Don't monarchs listen to peasants complaining? Monarchy certainly isn't a democracy. Maybe one of her followers have a better idea.
<blockquote>I am the leader here. Does no one respect that position? Her eyes were lit with a golden fire. This is not a democracy.</blockquote>
<b>Likes</b>
~ Little Red Riding Hood isn't singular. She's a plural! One in each generation! Ever seen that in a fairy tale before?
<blockquote>But Grandma Red isnt the Little Red Riding Hood shes a Little Red Riding Hood. Each generation of their family has onea woman destined to fight her Wolf at some point in her lifetime.</blockquote>
~ Thumbelina makes an appearance, and they're usually in plants. So far, there's two types Red Rose and Morning Glory. The Red Rose Thumbelina makes a big appearance as she's Story's Thumbelina.
Speaking of Thumbelinas... I do enjoy Bliss' snark and attitude. Isn't she just adorable? She's tiny yet mighty!
<blockquote>Dont you dare make me look like a Briar Rose, all dramatic and sappy and full of themselves because Shakespeare wrote about them. I am a Red Rose, you hear me? I have a rep to protect. Do not make me run off with some damned prince. I really dont think I could stomach it.</blockquote>
~ The cover! So pretty... it's so magical and enchanting! Definitely fits the aspect of the book in a way.
Fractured Dream would probably be considered more of a happy read lots of reunions with Story and some of the Tresslans. But it has a lot of awkwardness I'd rather not read about... unless I'm reading Adult romance. Obviously, this is not an adult romance novel, because if it were, I wouldn't have requested it on Netgalley in the first place.
I'll be looking into the sequel though.
---------------------
Review copy provided by the publisher for review
Original Rating: 2.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-fractured-dream-by-km-randall.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The book had an interesting take on Fairy tales and dreams, but the execution was poor. And there were LOTS of awkwardness.
<b>Dislikes aka Awkward101</b>
~ A few people watching two lovebirds having sex in the prologue. I mean, it wasn't exactly obvious at first, but when the words "I need to see that it's done. I need to know they've conceived" pops up, it's just creepy! If you don't think so, then imagine someone walking into your bedroom at the wrong time. Yep... it's awkward. Really awkward. Sorry might not even cut it.
~ Story yes, it's the main character's name. I'm not going to call her Bob so it makes sense seems to be carefree. She laughs a lot. But while she's carefree, she's sort of knowing as well. At least, that's how it is at the beginning. Later on Story seems all depressed and not confident that she could save the world from Brink.
~ Snow White and Sleep Beauty. These days, I'm done with these two being vampires in all those retellings I'm coming across. -_- Although what's different is an interesting thought: "What if the Real Worlds tastes in literature were somehow affecting the way Fairytales translated here?"
~ The romance between Story and Nicholas is completely unrealistic. They're staring at each other from the moment they meet in Tressla. First kiss? They pretty much make out. And nearly have sex. Haven't you guys heard me complain before about this already?
YA books are definitely growing up.
What's worse is there is a sex scene later. Not exactly graphic thankfully, but no thank you? *cringes away* When I said I was fine with romance, I seriously didn't mean go all out and do THAT.
~ The awkwardness doesn't end: a woman giving birth. Yeah... I'm <s>watching</s> reading about a woman giving birth. Goodness! Where am I? I think I need to change that review policy to middle grade and young adult crossovers only now! This is so not a manual about giving birth in the olden days.
~ Story has some sort of an attitude or aura I don't really like later on in the book. She basically expects all of her followers to listen to her as though she knows best. What kind of leader is that? That makes her as bad as the villain! Yes, everyone respects the leader. But shouldn't a leader listen to opinions as well, even when it's not a democracy? Don't monarchs listen to peasants complaining? Monarchy certainly isn't a democracy. Maybe one of her followers have a better idea.
<blockquote>I am the leader here. Does no one respect that position? Her eyes were lit with a golden fire. This is not a democracy.</blockquote>
<b>Likes</b>
~ Little Red Riding Hood isn't singular. She's a plural! One in each generation! Ever seen that in a fairy tale before?
<blockquote>But Grandma Red isnt the Little Red Riding Hood shes a Little Red Riding Hood. Each generation of their family has onea woman destined to fight her Wolf at some point in her lifetime.</blockquote>
~ Thumbelina makes an appearance, and they're usually in plants. So far, there's two types Red Rose and Morning Glory. The Red Rose Thumbelina makes a big appearance as she's Story's Thumbelina.
Speaking of Thumbelinas... I do enjoy Bliss' snark and attitude. Isn't she just adorable? She's tiny yet mighty!
<blockquote>Dont you dare make me look like a Briar Rose, all dramatic and sappy and full of themselves because Shakespeare wrote about them. I am a Red Rose, you hear me? I have a rep to protect. Do not make me run off with some damned prince. I really dont think I could stomach it.</blockquote>
~ The cover! So pretty... it's so magical and enchanting! Definitely fits the aspect of the book in a way.
Fractured Dream would probably be considered more of a happy read lots of reunions with Story and some of the Tresslans. But it has a lot of awkwardness I'd rather not read about... unless I'm reading Adult romance. Obviously, this is not an adult romance novel, because if it were, I wouldn't have requested it on Netgalley in the first place.
I'll be looking into the sequel though.
---------------------
Review copy provided by the publisher for review
Original Rating: 2.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-fractured-dream-by-km-randall.html">Bookwyrming Thoughts</a>
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Gareth von Kallenbach (980 KP) rated Teenage Mutant Ninja Turtles (2014) in Movies
Aug 6, 2019
I’m kind of like everyone else out there. I grew up with the Ninja Turtles. I loved the cartoons, the comics and most of all the toys. I remember the pizza shooter. Boy, did I get into some trouble with that. When the movie came out in 1990, I begged and begged by father to take me to it until he finally did. I loved that movie! And while it may not for most, it still hold up for me today.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
Debbiereadsbook (1202 KP) rated Crossing the Touchline (Auckland Med. #2) in Books
May 7, 2019 (Updated Mar 3, 2021)
freaking loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
*Edited to add the review for the AUDIO version.*
Gary Furlong narrates.
Now, I gotta say this. After listening to audio books for a good while now, I've noticed an influx of NON-American narrators. And I LOVE that, I really do. But Furlong narrates this book in the New Zealand accent, quite correctly, since that is where Reuben and Cam are from, and it just takes a little getting used to! This is the first I've listen to of his work, and I have to say, he NAILS this one!
Furlong gets over every single feeling, emotion, internal wrangling these guys have, and it's painful listening, it really is. It was difficult reading, but hearing it?? Oh Lord I wanted to wrap them both up and look after them so bad! And Reuben's dad?? He headed for another punching!
The emotions in the guy's voices, especially since this is first person, is amazing, and I had to stop what I was doing a time or two, to just LISTEN, you know? To hear the heartbreak pouring out for them, the rage, the passion, and finally, all that love.
I did have a little chuckle though. Michael (from book one, First Impressions, pops up. Michael is American, and it took me a little while to figure out why he sounded all kinds of wrong. It's because of that! His American accent, in the midst of all these New Zealand ones was odd, is all.
I loved this book when I read it, and listening to it?? Loved it more!
5 stars for the narration, my wish list just got a whole lot longer with Mr Furlong's books on it!
*Original Review*
Stealing the tagline from the official blurb, because it is just the perfect tagline I have ever come across!
What if your dream will cost you the man who's stolen your heart?
Reuben Taylor has a choice to make. Cameron Wano is that choice.
I'm struggling to say what I want to about this book, because I FREAKING loved it! So if this review runs away with the fairies, I apologise. I shall try to make a coherent sentence or two!
Reuben is so far in the closet, it's pitch black in his life. His brother is an alcoholic, trying to look after a small child, and his father is (in my humble opinion) an utter douchbag of a man. One kiss with Cameron and Reuben is scared. Scared of what could be, but also, scared of what could NEVER be.
Cam is well aware of his status with the rugby team his brother plays for. He is out and PROUD and loud about it. But becoming Reuben's friend is far more important than the possibility of losing Reuben altogether. When things spiral downwards, and passion between the two men spins out of control, Reuben has to make the one choice he never wanted to: his rugby career, or Cameron.
So, I make no bones that I am not a fan of first person books, especially if they are multi point of view. This book is written as such. But both Reuben and Cam have such distinct voices, it took me a while to actually figure out this was a first person book! So well done to Ms Hogan for that one.
I read this book in one sitting. It's not a short book, some three hundred pages. But I started it at 7pm, and did not stop til I ran out of book.
And I went through the whole gamut of human emotion and then some! I tell ya, this book has funny spots, dark spots, scary spots, sexy bits (so much with the sexy bits!) and points along the way that garnered so much rage out of me, had Reuben's father been around, that man would be flat on his back! You can't blame Reuben's brother for what he is doing to Reuben, because he really is not coping and not getting the correct help he and his son need, but I did want to punch him a time or two, too.
But it's not just Reuben who has such extreme's of emotions. Cam does too. He did all the "in the closet thing" and swore never to again. Which is why he decides Reuben needs him to be his friend. But Cam's emotions run away with him, and he can't stop the avalanche of feelings he gets every time he touches Reuben, even if it's just a brush past, or something. He didn't have the difficult upbringing Reuben did, his family love him just as he is, but he can understand why Reuben is hiding. It HURTS Cam, but he gets it.
But ultimately, it isn't something Reuben or Cam does that outs them, someone else does that. And the fall out?? Well, let's just say, I was very surprised about that! In a good way!
There is a wedding in this book, that Cam and Reuben attend (not together!): Michael and Josh work with Cam at the hospital. Cam says some things about these two guys that make me want to go back and read THEIR book, First Impressions. It's a stand alone to this one, but my interest is piqued and I will go back, at some point, and read. THAT book is Ms Hogan's first, that I can see. And THIS one, her second.
I'm a-gonna be following this one, I reckon!
5 emotional, gut wrenching stars!
**same worded review will appear elsewhere**
*Edited to add the review for the AUDIO version.*
Gary Furlong narrates.
Now, I gotta say this. After listening to audio books for a good while now, I've noticed an influx of NON-American narrators. And I LOVE that, I really do. But Furlong narrates this book in the New Zealand accent, quite correctly, since that is where Reuben and Cam are from, and it just takes a little getting used to! This is the first I've listen to of his work, and I have to say, he NAILS this one!
Furlong gets over every single feeling, emotion, internal wrangling these guys have, and it's painful listening, it really is. It was difficult reading, but hearing it?? Oh Lord I wanted to wrap them both up and look after them so bad! And Reuben's dad?? He headed for another punching!
The emotions in the guy's voices, especially since this is first person, is amazing, and I had to stop what I was doing a time or two, to just LISTEN, you know? To hear the heartbreak pouring out for them, the rage, the passion, and finally, all that love.
I did have a little chuckle though. Michael (from book one, First Impressions, pops up. Michael is American, and it took me a little while to figure out why he sounded all kinds of wrong. It's because of that! His American accent, in the midst of all these New Zealand ones was odd, is all.
I loved this book when I read it, and listening to it?? Loved it more!
5 stars for the narration, my wish list just got a whole lot longer with Mr Furlong's books on it!
*Original Review*
Stealing the tagline from the official blurb, because it is just the perfect tagline I have ever come across!
What if your dream will cost you the man who's stolen your heart?
Reuben Taylor has a choice to make. Cameron Wano is that choice.
I'm struggling to say what I want to about this book, because I FREAKING loved it! So if this review runs away with the fairies, I apologise. I shall try to make a coherent sentence or two!
Reuben is so far in the closet, it's pitch black in his life. His brother is an alcoholic, trying to look after a small child, and his father is (in my humble opinion) an utter douchbag of a man. One kiss with Cameron and Reuben is scared. Scared of what could be, but also, scared of what could NEVER be.
Cam is well aware of his status with the rugby team his brother plays for. He is out and PROUD and loud about it. But becoming Reuben's friend is far more important than the possibility of losing Reuben altogether. When things spiral downwards, and passion between the two men spins out of control, Reuben has to make the one choice he never wanted to: his rugby career, or Cameron.
So, I make no bones that I am not a fan of first person books, especially if they are multi point of view. This book is written as such. But both Reuben and Cam have such distinct voices, it took me a while to actually figure out this was a first person book! So well done to Ms Hogan for that one.
I read this book in one sitting. It's not a short book, some three hundred pages. But I started it at 7pm, and did not stop til I ran out of book.
And I went through the whole gamut of human emotion and then some! I tell ya, this book has funny spots, dark spots, scary spots, sexy bits (so much with the sexy bits!) and points along the way that garnered so much rage out of me, had Reuben's father been around, that man would be flat on his back! You can't blame Reuben's brother for what he is doing to Reuben, because he really is not coping and not getting the correct help he and his son need, but I did want to punch him a time or two, too.
But it's not just Reuben who has such extreme's of emotions. Cam does too. He did all the "in the closet thing" and swore never to again. Which is why he decides Reuben needs him to be his friend. But Cam's emotions run away with him, and he can't stop the avalanche of feelings he gets every time he touches Reuben, even if it's just a brush past, or something. He didn't have the difficult upbringing Reuben did, his family love him just as he is, but he can understand why Reuben is hiding. It HURTS Cam, but he gets it.
But ultimately, it isn't something Reuben or Cam does that outs them, someone else does that. And the fall out?? Well, let's just say, I was very surprised about that! In a good way!
There is a wedding in this book, that Cam and Reuben attend (not together!): Michael and Josh work with Cam at the hospital. Cam says some things about these two guys that make me want to go back and read THEIR book, First Impressions. It's a stand alone to this one, but my interest is piqued and I will go back, at some point, and read. THAT book is Ms Hogan's first, that I can see. And THIS one, her second.
I'm a-gonna be following this one, I reckon!
5 emotional, gut wrenching stars!
**same worded review will appear elsewhere**
Connor Sheffield (293 KP) rated The Crow (1994) in Movies
Apr 19, 2017
Close to the source material (2 more)
Great Cast
A powerful and emotional film
A Powerful Classic
The Crow is one of my all time favourite films as well as one of my all time favourite graphic novels.
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)