"I think this counts as an illustrated sleeve. I mean Kraftwerk are up there with Bowie as being one of the coolest. I think when you look at Kraftwerk they are the perfect example of a band that always retain their mystique and really live by the whole world they've projected. Every record of theirs really draws you into it. On top of that, they're one of the world's best live bands. I've seen them maybe three times and their sound quality was unbelievable, they just sounded so good. I got really into running at one point and I'd always listen to Tour de France. I guess it was kind of made for that."

"An absolute fucking testament to paranoia, to anger, and to blame. It's fantastic. 'They're out to get me, they won't catch me, I'm fucking innocent'... that's just fucking brilliant, absolutely brilliant. It's a youth anthem. Things like this weren't really addressed: the paranoia of it all. The dark side of life wasn't really looked at in rock, apart from theatrically, with Black Sabbath and Alice Cooper. It wasn't really looked at sociologically, and in my opinion Guns N' Roses were one of the first bands to tackle it properly. All the fantasies and romanticism that had gone before were there, but there was also a gritty side to it. The comedown side to it. The real side to it."

"I have an older sister and she was into things like Bros, New Kids On The Block and Kylie Minogue, and I think she ended up buying a few Cardigans records. We used to listen to them a lot. I remember being aware that the drums sounded really different to other bands. The production was incredibly good, it was catchy pop music. One of the guys involved, Peter Svensson went on to become Hollywood and write for Ariana Grande. I think it was probably the first of a few times when I realised that you didn’t have to be into production or catchy songs, you can be into both. All of their records are very good, I think."