"I guess anyone who's read any sort of Nick Cave book will tell you this story, but when they finished this record his girlfriend at the time, Anita Lane, did the painting for the sleeve and he thought it was really, really shit but he let it be the cover anyway. But I like it. I'm a sucker for painted roses for some reason. When I was first in The Horrors, The Birthday Party were definitely one band that we all collectively liked, other than 60s garage bands. They are a fantastic band. In terms of Birthday Party-related things though, I think one of my favourites is Rowland Howard's first solo album called Teenage Snuff Film, but that isn't an illustrated cover so I didn't include it. But Rowland Howard is one of my favourite guitarists and that's probably what I liked most about The Birthday Party."

"The pre-dub stuff, which basically was called ska, was a bit faster: you've got Desmond Dekker, Dave & Ansell Collins, Jimmy Cliff. So skinheads loved that in the early 70s and rock fans looked up their nose at it. There were lots of silly lyrics. Rock fans who were into Clapton and Hendrix thought, ""What is this shit?"" That's probably part of the reason I loved it so much. Dread Locks Dread is an awesome, awesome record. I used to hate the way white rock bands would occasionally throw in a reggae number. But the whole reggae thing, the whole thing of instruments dropping out with dub reggae: suddenly the guitar will disappear and it's just the drums and bass, or the drums and bass will drop out and it's just the guitar. That kind of stuff. That awesome spaciousness. That's definitely something that very strongly influenced Gang Of Four."