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...And Justice for All by Metallica
...And Justice for All by Metallica
1988 | Rock
8.5 (4 Ratings)
Album Favorite

"All bands develop over time, and I'm definitely an old school Metallica fan. Those first three albums are about as good as it gets really. I really enjoyed the track 'One' on this record. It was a really complex piece of work. And that story of the guy who's come back from war and has lost his arms and legs and everything was just really dark and sombre. It was just a very strong political statement and that caught my imagination. I love those first three Metallica records, but I chose ...And Justice For All because of the overall complete experience of the album. This album shows the very first signs of Metallica being adventurous with their sound, and it has a great confidence to it. I've always admired them because they've always just been themselves, by themselves. They just do exactly what they want to do and I'm very excited to know exactly what this next one is going to sound like, even though Kirk [Hammett, Metallica guitarist] has dropped some hints that it won't sound like this record. But, y'know, everybody wants them to do Ride The Lightning again in the same way that everybody wants Priest to do Painkiller again. I don't think that some people understand that it's difficult to get things right for you as a band at the same time as trying to please your fans. I know from experience that you need to let your heart lead you, which is why I'm so interested to hear this new material."

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Rob Halford recommended Jailbreak by Thin Lizzy in Music (curated)

 
Jailbreak by Thin Lizzy
Jailbreak by Thin Lizzy
1976 | Rock
8.5 (2 Ratings)
Album Favorite

"Phil Lynott. Genius. And a bass player as well. Have you noticed that most of the music normally comes from guitarists? But he was the driving force in this band. He was a skinny black guy, who was writing great songs and dealing with the consequences of racism in the UK at that time. He was always the main attraction to me. A real rock star and you'd feel that whenever he walked into a room. You can instantly recognise Phil's voice, and he had a really cool way of creating melody on songs like 'Jailbreak'. This album is distinctly Irish, and I'm not sure why I think that to be honest but it definitely makes it special. At the time they were about as unique as they could be. And it was quite successful in the charts, which, along with seeing bands like them on Top Of The Pops, was another important factor. After Phil died and Thin Lizzy came back a few years ago we took them out on tour but that's partly because the songs have held together so well even to this day. It was a real joy to do that and to be able to hear those songs played every night, and played so well. And to be honest I think that's enough, because the songs are really what matter. They're still playing together, but I think they're called Black Star Riders now. The last record was very good, but nothing compared to this."

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Allan Arkush recommended Monterey Pop (1968) in Movies (curated)

 
Monterey Pop (1968)
Monterey Pop (1968)
1968 |
(0 Ratings)
Movie Favorite

"Anyone who knows me is aware that I am obsessed with rock and roll. I have thousands and thousands of LPs, CDs, and shelves of DVDs. Monterey Pop is one of the DVDs that I play the most, especially the disc featuring Jimi Hendrix and Otis Redding. Hendrix is a guitar colossus so relaxed during his first American concert that he’s chewing gum. I love his groovy raps, the intro to “Like a Rolling Stone.” One of my all-time favorites, Otis Redding, with Booker T. and the MG’s, plays a ferocious and ultratight set that to me says that this is one of the greatest groups of all time, at their absolute peak. Months on the road hone “Shake” and “I’ve Been Loving You Too Long” into a pair of definitive performances. The box set allows us to witness the beginning of the era of great live rock. All the bands are about the same age and at the same point in their careers, all facing a similar aesthetic problem. Formed in dance halls and clubs around the U.S. and Britain, they were trying to capture the excitement and power of their live performances on LP. The camera captures them in the moment of creation, playing for the approval of each other. Their sincerity, honesty, and devotion to the musicianship could not be any more different from the state of music today. For me the glorious catharsis of the Who’s “My Generation” is one of the things that make life worth living."

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Ed O'Brien recommended What's Going On by Marvin Gaye in Music (curated)

 
What's Going On by Marvin Gaye
What's Going On by Marvin Gaye
1971 | Rhythm And Blues
8.2 (5 Ratings)
Album Favorite

"This takes me back to when we were on tour in America with The Bends, and we had all our equipment stolen. We only had three days to buy more. I remember Jonny and I travelling into this guitar shop in San Francisco, where I saw this Telecaster Strat I fell in love with, then me, Colin, Jonny, our soundman and our tech hiring this van to drive six hours north. We had only one cassette to play in it, which had Swervedriver's Ejector Seat on one side and Marvin Gaye's What's Going On on the other. I'd never heard it before. I was like, what is this? Oh my God! All I knew about Marvin Gaye was that he'd been involved in Motown. After this, I got trainspotterish about the album, and its band, The Funk Brothers, and how they made music.

This was really influential on the way I made music from that point. Before that, my bands were Pixies, Nirvana, The Posies and other grunge stuff, but I'd more or less reached a saturation point with all that by 1995. Hearing What's Going On? was like suddenly hearing music in five dimensions; it really made me think about how I wanted to contribute sonically to OK Computer. I thought 'Inner City Blues' was the greatest song I'd ever heard in my life, and it's still up there for me. This music felt like truth. It elevated and transported me. It was music that made me love the music I was trying to make."

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21 Singles 1984-1998 by The Jesus and Mary Chain
21 Singles 1984-1998 by The Jesus and Mary Chain
2002 | Rock
(0 Ratings)
Album Favorite

"Around 1983 or '84, pop music stopped doing it for me. It was getting a bit clean. There was still a lot of good stuff, but I think it was The Smiths... I wasn't obsessed with them the way Sice was and a few other people I knew, but listening to them made you want to find something else. Then, when The Jesus And Mary Chain came out that was it. My brother brought their second single home and I wasn't sure at first. It was such a racket. It still is. But it was 'You Trip Me Up' that really did it for me - I was sold. This beautiful marriage of... it's not nice feedback, controlled feedback like you'd get off The Who. It's awful. But the core of what's going on - the song - is so lovely. And they looked fantastic, like The Beatles in Hamburg. They looked like a gang. It just seemed like they were blowing everything away and starting again. I went to listen to the Velvets after I'd heard this, and the Velvets did it... it was either noise or it was a great melody. They never really did the two together, whereas the Mary Chain managed to marry the two. The video is just fantastic. They're walking around somewhere in the Mediterranean, sitting on the beach in full leather gear with their massive guitars. After hearing the Mary Chain, that was all I wanted to listen to - bands who did that. They were a big band. They were in Smash Hits, which is hard to believe."

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    StrongMom

    StrongMom

    Health & Fitness and Lifestyle

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Faris Badwan recommended track Jerusalem by Sleep in Dopesmoker by Sleep in Music (curated)

 
Dopesmoker by Sleep
Dopesmoker by Sleep
2003 | Rock
(0 Ratings)
Album Favorite

Jerusalem by Sleep

(0 Ratings)

Track

"There’s loads of dark metal bands that I really like: the first Mayhem record, Darkthrone, people like that. But in the end, ‘Jerusalem’ is heavier and more powerful than any of the dark metal bands. It takes the best elements of Black Sabbath and then amplifies them even further. “It’s a record that I always used to put on before I went out and I’d listen to the whole thing because it was so emotive. It gave me loads of energy, even though it’s so slow and doomy. I love the fact that they released it all as one, hour-long song and how it was able to come out in that form. It means it’s never been vetted really. For me, it’s the best heavy guitar record ever made. “There’s something almost meditative about ‘Jerusalem’ and part of the band Sleep went on to form another band, OM, which is extremely meditative. So in Sleep, you can really hear the meditative atmosphere aspects of it, I like how hypnotic it is, that’s the reason I would always put it on. “Black Sabbath and Led Zeppelin were my entry points to metal, then I read a book called Lords of Chaos which I suppose a lot of people who are interested in learning about black metal have read. Then moving on and listening to the first Mayhem record, I thought it was pretty much like punk, but rather than just being snarling and aggressive, it goes beyond that and turns into something really evil. And I realised I liked the roughness of metal. “’Jerusalem’ is a flow. You’re hearing the band in the room as it happens and because it’s so unplanned it feels like a jam, which makes it much more subtle. They probably played through the whole hour a load of different times and it was probably different every single time. That’s what I love about it, when you hear the record you’re really getting the atmosphere they created at that time and they managed to capture that on record. There isn’t another record quite like it, and I also love all the records that the band members of Sleep made after it. “Josh from The Horrors and I went to see Sleep live and – although the guitarist was barely able to stand up because he was very, very drunk – it sounded amazing. People don’t realise how hard it is to make this music sound so good on stage. It’s something I aspire to and it’s an invaluable skill, right down to the way you position the mics on stage. For me the best metal is lo-fi, it’s highly sought after, getting music to be distorted in the right way. There’s such attention on the guitar in this record. Some guitarists play with a lot of pedals, but it can be really inspiring when you have a guitarist who can make music with very little and Sleep do that. “The first time I heard it was on The Horrors second American tour in 2008. We went to LA, and went to the place everyone goes to, which is Amoeba Records. I got a copy of Dopesmoker, which is the album after Jerusalem and that’s how I first heard ‘Jerusalem.’ But all I remember at first was thinking how awful the artwork was. It was really terrible"

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