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Symbolism by Caracol
Symbolism by Caracol
7
7.0 (1 Ratings)
Album Rating
Caracol is a bilingual singer-songwriter based in Montreal, Canada. Not too long ago, she released a music video for her “Flooded Field” single featuring Illa J (brother of the late Jay Dilla).

“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics

‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.

Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.

‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.

‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.

The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.

Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.

Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.

After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.

Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.

Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
  
American Psycho (2000)
American Psycho (2000)
2000 | Comedy, Drama, Horror
Acting, Soundtrack (0 more)
This Movie is very ambiguous so will not be for everyone! (0 more)
Hip to be square... and psychotic?!
Contains spoilers, click to show
Patrick Bateman has everything; a high rank Mergers and Acquisitions job at Pierce and Pierce, a gorgeous (expensive) Apartment, a beautiful Fiancee and an extremely active social life. But, he's psychotic, and, after a few cheeky murders of Co-Workers and complete strangers alike, is on the verge of snapping completely. This is his descent into madness...
Based on the Novel of the same name by Bret Easton Ellis; American Psycho is a very chic, bloodsplattered love letter to the '80s. I love the New Wave Soundtrack which complements the film perfectly; especially when paired with Music fan Bateman's own two cents about certain Bands and tracks. The Cast are absolutely amazing; I love how connected they are to each other yet also hopelessly disconnected because of their jobs and knowing so many people (for example, when Patrick says the name Ed Gein, one of his "friends" says "The maitre 'd at Canal Bar?") that Bateman can get away with murder because they swear he was having Dinner with them the night of the murder! One thing that really does stick out to me about American Psycho (and still bothers me to this very day) is the HUGE ambiguity, which will make some people scratch their heads and question everything. I like ambiguity and I think American Psycho makes it work, and definitely sparks a conversation, but some people hate the Movie for those moments. It doesn't detract from how wonderful the Movie is though, and American Psycho is a cinematic beauty that should be watched by everyone. Now, if you'll excuse me, I have to return some Videotapes...
  
    Citizen Radio

    Citizen Radio

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    Podcast

    Citizen Radio is hosted by Allison Kilkenny and Jamie Kilstein and is dedicated to covering the...

40x40

Butch Vig recommended track My Generation by The Who in Who Sings My Generation by The Who in Music (curated)

 
Who Sings My Generation by The Who
Who Sings My Generation by The Who
1965 | Rock
7.0 (1 Ratings)
Album Favorite

My Generation by The Who

(0 Ratings)

Track

"This had a profound effect on me when I was really young. I was maybe eleven or twelve years old when I saw The Who play ‘My Generation’ on a TV show called The Smothers Brothers Show. I was sitting with my brother, sister and parents and I just freaked out at how powerful they were. Watching Keith Moon, I just couldn’t understand what he was doing. I’d never seen anyone play like that before, he blew up his bass drum at the end of the performance, it was unbelievable and that’s when I told my parents I wanted to get a drum set. My mum said “Well, if you want to get a drum set you’ll have to take lessons and keep up your piano lessons too.” I promised I’d do both and kept up my piano lessons for about a year, but then I dropped them and focussed on the drums and started trying to figure out how to play Rock and Roll. The Who are in my top five bands of all time, in my home studio in Los Angeles I’ve got photos of them spread throughout the studios and the hallways. They had everything, they looked cool, Pete Townsend was an incredible writer, the way he played the guitar with windmills and swooping arm movements, Roger Daltrey was a great singer and an iconic frontman and John Entwistle’s bass runs held the band together. They had an incredibly unique sound. I still love this song, it’s in my top ten greatest rock songs ever written. It speaks to the essence of the confusion of adolescence and even the confusion of being an adult and what kind of world we live in. It never gets old, it’s a constant recurring theme that every generation of kids grows up with."

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Greatest Hits, Vol. 1 - 3 by Bob Dylan
Greatest Hits, Vol. 1 - 3 by Bob Dylan
2003 | Rock
(0 Ratings)
Album Favorite

"There’s a lot of albums and a lot of artists. There are bands or individuals in which the body of their work or an entire album would be big for me, but then, trying to think of just one track, I felt there should be something from Dylan, because I think he’s the greatest. That album John Wesley Harding, I might have listened to that more than any other Dylan and I still listen to it occasionally. I love it, and ‘All Along The Watchtower’ in particular. At that time, I hadn’t heard Jimi Hendrix do it or any other people do it, it was just this song. There’s something so dreamlike about it, something about it that feels mystical, even before I might have known the word mystical. It’s almost like the song is over without anything having happened. Or did it? I don’t know. I still don’t know. Did something happen? Did nothing happen? Of course, there’s the chord change and the sound of it. I love the whole album, how stripped down it all is, but with this song it’s the lyrics which really got me. It’s almost like remembering some words or images from a dream and it’s strongly felt, but then it can’t really be interpreted in the waking light. I was either at home or at a friend’s house when I first heard it and this probably adds to the magic of it. The album was really old and had been played so much when myself and one of the brothers closest to my age got it. To listen to it, there’s so many crackles and pops, it was almost like a fireplace is going. As I was listening to the music through all these crackling and pops and static, it was like listening to some really old thing that’s somehow getting transmitted to you."

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