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Ivana A. | Diary of Difference (1171 KP) rated Coming Home in Books
Aug 21, 2018
Read my full review on: diaryofdifference.com/2018/04/27/coming-home-fern-britton-book-review/
<img id="coverImage" alt="Coming Home" src="https://images.gr-assets.com/books/1511803698l/30407364.jpg">;
I had the pleasure to receive a copy of this book from GoodReads and HarperCollins. This was the first book I have read from Fern Britton, and I know it won’t be my last for sure!
Coming Home is based in Cornwall, England, a beautiful seaside area with loads of fisherman around. The author describes the place so well, that it made me want to go there, just to see it and be close to the characters. It reminds me of South Shields very much as well.
This is a story of one family, three generations and their difficult lives entwined with love, pain, leaving and coming back home.
Sennen is a woman that leaves her hometown, her parents and her two little children (Ella and Henry) at 17-years-old because life gets too hard to handle.
Ella and Henry are raised by their grandparents and live their whole life without their mother in their lives - until one day, Sennen comes back and wants to be a part of their lives. But are they ready for it?
We see the story through the eyes of Sennen, Ella and Henry and the grandparents. We travel from one generation to the other through the years, and we learn a lot for each of the characters. It is so well-written, that I wasn’t confused at all. Usually I get confused when authors try to do this in other books, but this one was definitely not the case.
This is one of those books that will hook you from the very first pages! The characters are so warm and close to the heart, that I felt like I have known them forever. I felt close to them and their feelings and thoughts, that I could have easily gone out and have a conversation with them. It is one of those books that fills you with anticipation, then gives you a back-story, and just when you thought things will happen as you thought, you will discover a surprise.
Wonderful plot and beautifully written - this is a book of love, family, broken and fixed hearts. This is a book that will make you cry while waiting for a train, and laugh out loud while drinking a hot chocolate in a coffee shop.
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<img id="coverImage" alt="Coming Home" src="https://images.gr-assets.com/books/1511803698l/30407364.jpg">;
I had the pleasure to receive a copy of this book from GoodReads and HarperCollins. This was the first book I have read from Fern Britton, and I know it won’t be my last for sure!
Coming Home is based in Cornwall, England, a beautiful seaside area with loads of fisherman around. The author describes the place so well, that it made me want to go there, just to see it and be close to the characters. It reminds me of South Shields very much as well.
This is a story of one family, three generations and their difficult lives entwined with love, pain, leaving and coming back home.
Sennen is a woman that leaves her hometown, her parents and her two little children (Ella and Henry) at 17-years-old because life gets too hard to handle.
Ella and Henry are raised by their grandparents and live their whole life without their mother in their lives - until one day, Sennen comes back and wants to be a part of their lives. But are they ready for it?
We see the story through the eyes of Sennen, Ella and Henry and the grandparents. We travel from one generation to the other through the years, and we learn a lot for each of the characters. It is so well-written, that I wasn’t confused at all. Usually I get confused when authors try to do this in other books, but this one was definitely not the case.
This is one of those books that will hook you from the very first pages! The characters are so warm and close to the heart, that I felt like I have known them forever. I felt close to them and their feelings and thoughts, that I could have easily gone out and have a conversation with them. It is one of those books that fills you with anticipation, then gives you a back-story, and just when you thought things will happen as you thought, you will discover a surprise.
Wonderful plot and beautifully written - this is a book of love, family, broken and fixed hearts. This is a book that will make you cry while waiting for a train, and laugh out loud while drinking a hot chocolate in a coffee shop.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
ClareR (5879 KP) rated The Anarchists Club in Books
May 9, 2019
Family secrets and murder in Victorian London.
I really enjoyed the first book in this series, and I think that this one exceeds the last in every way. Leo has become a much more 3 dimensional character here as we get to know him more. I love his inner voice, and while I don’t enjoy his inner turmoil, it’s written so well that you can’t help but feel for him. In fact all of the characters are written with care and understanding, so much so that you understand what drives them to act as they do.
This story is based around the murder of a woman in an Anarchists Club. Leo is implicated in the murder, and so feels compelled to try and solve the case. The murdered woman had children, and Leo for the first time, feels parental obligation and affection for them. Rosie, who was in the last book, works with Leo to solve this murder - she’s a great strong female character. A woman who runs a business and brings up her children on her own.
This is a dark story of poverty, family secrets and sibling rivalry in Victorian England. Reeve captures the atmosphere of London and the times so well. I love these stories and I’ll be looking out for more from Leo and Rosie.
Many thanks to The Pigeonhole for another great choice!
This story is based around the murder of a woman in an Anarchists Club. Leo is implicated in the murder, and so feels compelled to try and solve the case. The murdered woman had children, and Leo for the first time, feels parental obligation and affection for them. Rosie, who was in the last book, works with Leo to solve this murder - she’s a great strong female character. A woman who runs a business and brings up her children on her own.
This is a dark story of poverty, family secrets and sibling rivalry in Victorian England. Reeve captures the atmosphere of London and the times so well. I love these stories and I’ll be looking out for more from Leo and Rosie.
Many thanks to The Pigeonhole for another great choice!
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A Bibliophagist (113 KP) rated Space Opera in Books
Jan 25, 2020 (Updated Jan 25, 2020)
Fun writing (2 more)
Creative
Witty
Overwritten (3 more)
Lacking plot
Disjointed and distracted
Boring
Technicolor Encyclopedia entry
Space Opera seems to be a book, that based on other reviews, you either love or hate. The love reviewers can't seem to tell me why they love it, most attempting to replicate the style of the author and relying on a menagerie of adjectives to express themselves. "A glitter punk, Eurovision romp!" "Technicolor whirlwind!" but not actually saying WHY they liked it, or just saying "well you didn't get the humor". The ones who disliked it are pretty clear, and as I struggled with this book I found I agreed with their complaints. However, I have to thank the sheer number of DNFs from the disliked group for causing me to, ironically, finish it. I hate DNFing books, to begin with, but when I saw just how many bad reviews didn't make it through, it felt as bad as the good reviews not actually reviewing anything. So I powered through, and honestly, it was worth finishing. The author really got back on track and it was a great ending.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
Lyndsey Gollogly (2893 KP) rated The Familiars in Books
Apr 30, 2023
51 of 230
Book
The Familiars
By Stacey Halls
⭐️⭐️⭐️⭐️⭐️
In 1612 Lancaster, England, the hunt for witches has reached a fever pitch . . .
But in a time of suspicion and accusation, to be a woman may be the greatest risk of all.
Fleetwood Shuttleworth, the mistress of Pendle Hill’s Gawthorpe Hall, is with child. Anxious to produce an heir, she is distraught to find a letter from her physician that warns her husband she will not survive this pregnancy.
Devastated, Fleetwood wanders the estate grounds, where she catches a young woman poaching. Alice Gray claims she is a local midwife and promises to help Fleetwood deliver a healthy baby. But a witch-obsessed frenzy sweeps the countryside. Even woodland creatures or “familiars” are thought to be dark companions of the unholy. And Alice soon stands accused of witchcraft.
Time is running out. The witch trials are about to begin. With both their lives at stake, Fleetwood must prove Alice’s innocence. Only they know the truth.
Set against the real Pendle witch trials, this compelling novel draws its characters from historical figures as it explores the lives of seventeenth-century women. Ultimately it raises the question: Was witch hunting really just women hunting?
I absolutely loved it! Completely devoured it in 1 day! I’ve always loved the stories that are based on the Pendall witch trials and this was so so good!
The characters and story kept me glued to they book.
Book
The Familiars
By Stacey Halls
⭐️⭐️⭐️⭐️⭐️
In 1612 Lancaster, England, the hunt for witches has reached a fever pitch . . .
But in a time of suspicion and accusation, to be a woman may be the greatest risk of all.
Fleetwood Shuttleworth, the mistress of Pendle Hill’s Gawthorpe Hall, is with child. Anxious to produce an heir, she is distraught to find a letter from her physician that warns her husband she will not survive this pregnancy.
Devastated, Fleetwood wanders the estate grounds, where she catches a young woman poaching. Alice Gray claims she is a local midwife and promises to help Fleetwood deliver a healthy baby. But a witch-obsessed frenzy sweeps the countryside. Even woodland creatures or “familiars” are thought to be dark companions of the unholy. And Alice soon stands accused of witchcraft.
Time is running out. The witch trials are about to begin. With both their lives at stake, Fleetwood must prove Alice’s innocence. Only they know the truth.
Set against the real Pendle witch trials, this compelling novel draws its characters from historical figures as it explores the lives of seventeenth-century women. Ultimately it raises the question: Was witch hunting really just women hunting?
I absolutely loved it! Completely devoured it in 1 day! I’ve always loved the stories that are based on the Pendall witch trials and this was so so good!
The characters and story kept me glued to they book.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Neuroscience for Organizational Change: An Evidence-Based Practical Guide to Managing Change
Book
Understanding how employees' brains work has lasting impact in terms of meeting business objectives...