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Jonathan Alpert and Alison Bowman
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Psychotherapist Jonathan Alpert wants readers to know one thing: you can face your fear and create...

Two Truths About Love: The Art and Wisdom of Extraordinary Relationships
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Some relationships remain unchanged, others fall apart, and others seem to thrive and grow as the...

Managing Built Heritage: The Role of Cultural Values and Significance
Derek Worthing and Stephen Bond
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This new edition examines management of built heritage through the use of values-led decision...
I do not agree with the main argument of this biography: that William Shakespeare was, in fact, only a pen name for Edward de Vere, the Earl of Oxford. No. I do not agree with this claim, like so many other Shakespeare scholars and lovers because the "facts" put forth are just very thinly stretched ideas and concepts that cannot be proven.
This book, instead of pushing me to think about how this fact could even possibly be true, is more about the life of Edward de Vere and how some of the circumstances in his life would be able to loosely connect to the plays Shakespeare had written. In tying in the plays, Anderson thinks he is making a stronger claim for his argument, but is honestly just trying to connect things that are unalike to "prove" what he is thinking. As an English major, I don't really like that way of thinking much.
Most of what he was trying to argue could have been left out and, instead, just have the appendices left in there. In the approximately sixty pages of the four appendices, he stated what over three hundred pages could not. No, I do not agree with the argument he is making, but it seems like it is stronger and more coherent in the appendix.
I want to point out a specific quotation from the Appendix A on page 381 to make a point about this book. It states: The thesis of this book, the "Oxfordian" proposition that Edward de Vere was Shake-speare, is a theory built on circumstantial evidence. There is no single "smoking gun" document that leads one inexorably to the conclusion that de Vere wrote Hamlet, King Lear, the Sonnets, etc." I understand that it is difficult to try to prove a theory that many argue against (myself included), but basing your argument solely on circumstantial evidence is not the way to go. It makes the argument, at least to me, seem less realistic and, in all honesty, difficult to agree with. If you cannot prove someone is guilty solely based on circumstantial evidence, you should not try to prove a complex argument that a famous playwright was not a real person, but, in fact, a pseudonym for another historical figure around the same time.
The "facts" that de Vere's life has similar qualities to the plays written by Shakespeare leading to the thought that de Vere, himself, is Shakespeare is a stretch, and not a convincing one at that.
Overall, I did not enjoy this book and I did not find it convincing at all. It felt more like a history lesson about the background of Edward de Vere rather than any kind of argument towards the idea that he could have been Shakespeare.
In my heart of hearts, I will always believe that William Shakespeare was, in fact, a real man by the name of William Shakespeare, not some made up name for a man who wanted to keep his private life separate from the public.

Awix (3310 KP) rated Pacific Rim (2013) in Movies
Feb 25, 2018
Anyway: big monsters lumber out of the sea, get smacked in the mouth by giant robots. Story isn't really anything special, but the background details of this slightly cartoony world are engaging, as are some of the supporting performances. Film subscribes to the prevailing American dogma, which is that giant monster fights must take place at night and preferably in bad weather: apparently this makes them much more believable. The Hong Kong battle is terrific, the others not so much. In the end I think the premise of this movie is really much better than the way it is realised; maybe the sequel will address some of the shortcomings here.

Matthew Krueger (10051 KP) rated World War Z (2013) in Movies
Mar 3, 2020
When former U.N. investigator Gerry Lane (Brad Pitt) and his family get stuck in urban gridlock, he senses that it's no ordinary traffic jam. His suspicions are confirmed when, suddenly, the city erupts into chaos. A lethal virus, spread through a single bite, is turning healthy people into something vicious, unthinking and feral. As the pandemic threatens to consume humanity, Gerry leads a worldwide search to find the source of the infection and, with luck, a way to halt its spread.
Also Marc Foster directed this film, he also directed "Monster's Ball", "Finding Neverland", "Stay", "Quantum of Solace" and "Christopher Robin". So if you like this film, go watch his other films.
Advances in Accounting Education: Teaching and Curriculum Innovations
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All articles in this book explain how teaching methods or curricula/programs can be improved....

Sports Chaplaincy: Trends, Issues and Debates
Andrew Parker, Nick J. Watson and John B. White
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This ground-breaking book provides an in-depth analysis of the theory and practice of sports...

Sports Chaplaincy: Trends, Issues and Debates
Andrew Parker, Nick J. Watson and John B. White
Book
This ground-breaking book provides an in-depth analysis of the theory and practice of sports...

Foundations of Symmetric Spaces of Measurable Functions: Lorentz, Marcinkiewicz and Orlicz Spaces: 2017
Ben-Zion A. Rubshtein, Genady Ya. Grabarnik, Mustafa A. Muratov and Yulia S. Pashkova
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Key definitions and results in symmetric spaces, particularly Lp, Lorentz, Marcinkiewicz and Orlicz...