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IB Business Management Course Book: Oxford IB Diploma Programme: 2014
Martin Mwenda Muchena, Loykie Lomine and Robert Pierce
Book
Written by experienced IB teachers and workshop leaders, this fully updated edition offers...
Social Enterprise and Special Events
Book
During the past twenty years, the field of nonprofit management has grown significantly in terms of...
Elmo Loves You!
Book and Education
6.0
Rate It
App
This is a storybook and early-learning reading app, which will help teach your child about love and...
Gareth von Kallenbach (980 KP) rated The Blind Side (2009) in Movies
Aug 8, 2019
“The Blind Side” tells the unique story of Leigh Anne Touhy (Sandra Bullock) a rich sassy southern mother who makes a snap decision to take in Michael Oher (Quinton Aaron), a destitute high school student who is failing his classes. As Michael struggles to overcome his past, Leigh Anne becomes increasingly aware of the world around her. Even with differing backgrounds Leigh Anne and Michael connect through the sport they both love.
Based primarily on one of the two stories within the book, The Blind Side: Evolution of a Game by Micheal Lewis, “The Blind Side” is a football infused feel good story offering something for everyone. Sports fans will like the football terminology and game history. And sentimental hearts will enjoy this tale of overcoming obstacles and beating the odds.
Undeniably representing southern charm, Bullock pulls off one of her best performances ever. Similarly Aaron’s portrayal of Michael brings instant likeability and depth to the character. The other notable performances such as Leigh Anne’s extremely hip son, S.J. Touhy (Jae Head), and Michael’s one of a kind tutor Miss Sue (Kathy Bates), fill the film with equal parts of comedy and heart.
While a it is a film for the whole family, “The Blind Side” directly tackles the issues faced by people who come from different backgrounds, races, and even political parties. Funny, honest, and more willing than most to take a stand on the unspoken racial and class tensions “The Blind Side” takes an honest look at the world we live in.
A funny heartfelt southern tale about family, differences, and football “The Blind Side” is a touchdown.
Based primarily on one of the two stories within the book, The Blind Side: Evolution of a Game by Micheal Lewis, “The Blind Side” is a football infused feel good story offering something for everyone. Sports fans will like the football terminology and game history. And sentimental hearts will enjoy this tale of overcoming obstacles and beating the odds.
Undeniably representing southern charm, Bullock pulls off one of her best performances ever. Similarly Aaron’s portrayal of Michael brings instant likeability and depth to the character. The other notable performances such as Leigh Anne’s extremely hip son, S.J. Touhy (Jae Head), and Michael’s one of a kind tutor Miss Sue (Kathy Bates), fill the film with equal parts of comedy and heart.
While a it is a film for the whole family, “The Blind Side” directly tackles the issues faced by people who come from different backgrounds, races, and even political parties. Funny, honest, and more willing than most to take a stand on the unspoken racial and class tensions “The Blind Side” takes an honest look at the world we live in.
A funny heartfelt southern tale about family, differences, and football “The Blind Side” is a touchdown.
Men and Cats
Book
Based on the chic French Tumblr Des Hommes et des Chatons, created by Marie-Eva Gatuingt and Alice...
Leanne Crabtree (480 KP) rated The Last Piece of My Heart in Books
Aug 26, 2019 (Updated Sep 3, 2019)
Paige Toon has always been an author I'll buy. I've pretty much read all of her books apart from her last two or three--which I own but haven't gotten around to reading yet. I always tend to find Toon's books easy to get through and once I start, it's a case of full steam ahead.
So Bridget is a travel journalist who is also writing a blog about reclaiming the pieces of her heart that she lost to past boyfriends who she fell in love with, flying all over the world to meet up with them and asking for the pieces back. At the same time, she's been tasked with finishing writing a sequel to a bestselling novel after the author died suddenly half way through writing it.
It was interesting to read the authors journals and to see that a lot of her story was based on her own experiences when she was younger. I enjoyed Bridget's time getting to know Nicki--the author who had sadly passed away--through the stories told in notebooks and from her husband, Charlie.
Then there's Nicki and Charlie's baby daughter, April. I've got a serious weakness for cute babies/children in stories. She's used as a pretty focal character in the book and I think, like Bridget, that we start to fall in love with her from early on.
I think Toon did a good job of writing a grieving husband (and other family members) and the tenderness of finding new love after such a big loss.
I'm looking forward to reading those other books I mentioned above.
So Bridget is a travel journalist who is also writing a blog about reclaiming the pieces of her heart that she lost to past boyfriends who she fell in love with, flying all over the world to meet up with them and asking for the pieces back. At the same time, she's been tasked with finishing writing a sequel to a bestselling novel after the author died suddenly half way through writing it.
It was interesting to read the authors journals and to see that a lot of her story was based on her own experiences when she was younger. I enjoyed Bridget's time getting to know Nicki--the author who had sadly passed away--through the stories told in notebooks and from her husband, Charlie.
Then there's Nicki and Charlie's baby daughter, April. I've got a serious weakness for cute babies/children in stories. She's used as a pretty focal character in the book and I think, like Bridget, that we start to fall in love with her from early on.
I think Toon did a good job of writing a grieving husband (and other family members) and the tenderness of finding new love after such a big loss.
I'm looking forward to reading those other books I mentioned above.
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Wine Tourism Around the World: Development, Management and Markets
C. Michael Hall, Brock Cambourne, Liz Sharples and Niki Macionis
Book
Wine tourism is a rapidly growing field of industry and academic interest with changes in the...
BankofMarquis (1832 KP) rated Greyhound (2020) in Movies
Mar 11, 2021
Hanks Does It Again
Tom Hanks interest in the men who fought in WWII is well known. From his starring role as Capt. Miller is what is (arguably) the definitive film about D-Day, SAVING PRIVATE RYAN, to his Executive Producing role in, arguably, the best mini-series ever produced about WWII, BAND OF BROTHERS, Hanks has brought a face to the nameless heroes who fought in the middle of the last century.
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Integrating Clinical Hypnosis and CBT: Treating Depression, Anxiety, and Fears
Book
This workbook describes a method that combines one of the newest treatments in behavioural...
Vicki Gleave D'Aunay (12 KP) Aug 8, 2019