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ClareR (6134 KP) rated The Familiars in Books
Jul 14, 2019 (Updated Jul 14, 2019)
The fact that this book is based on true events makes it all the more harrowing, in my opinion. When people ask “What era would you like to visit or live in?”, I pretty much always answer “I’m fine just where I am. I rather like the antibiotics, general freedom and option not to be hung and/ or burned as a witch, thanks very much”. I do however, very much like reading about the past, and this gives a fascinating insight to the Pendle Hill Witch Trials.
Fleetwood is seventeen years old and pregnant for the fourth time. Her three previous pregnancies have all resulted in stillbirth or miscarriage, and she has found letters from a doctor to her husband, saying that she will not survive another. She meets Alice Grey, who is a midwife, by chance. Alice promises to help her give birth to a living child, and assures her that she will survive the birth.
The fact that Alice is a midwife leaves her vulnerable to accusations of witchcraft, and accused she is. Fleetwood is adamant that she will save her as she is her friend and the only person who will be able to save hers and her baby’s lives. No one takes Fleetwood seriously though; when they do take her seriously, they expect her to go home and knuckle down to the more womanly pursuits of child bearing and being a wife.
Fleetwoods frustration is described so well - no one will listen, and no one will help. It’s such a tense atmosphere - Fleetwood just wants to help,her friend, and there are so many obstacles in the way. Even her social standing is no deterrent if someone were to accuse her of witchcraft if she becomes too troublesome (there’s the example of Margaret Pearson in the story, whose maid accused her of having a toad as a familiar, and spent time in the stocks before being imprisoned)
I really enjoyed this book, and I’ll be waiting for whatever the author writes next (I’m on the mailing list!).
Many thanks to Readers First for my copy of this book.
Fleetwood is seventeen years old and pregnant for the fourth time. Her three previous pregnancies have all resulted in stillbirth or miscarriage, and she has found letters from a doctor to her husband, saying that she will not survive another. She meets Alice Grey, who is a midwife, by chance. Alice promises to help her give birth to a living child, and assures her that she will survive the birth.
The fact that Alice is a midwife leaves her vulnerable to accusations of witchcraft, and accused she is. Fleetwood is adamant that she will save her as she is her friend and the only person who will be able to save hers and her baby’s lives. No one takes Fleetwood seriously though; when they do take her seriously, they expect her to go home and knuckle down to the more womanly pursuits of child bearing and being a wife.
Fleetwoods frustration is described so well - no one will listen, and no one will help. It’s such a tense atmosphere - Fleetwood just wants to help,her friend, and there are so many obstacles in the way. Even her social standing is no deterrent if someone were to accuse her of witchcraft if she becomes too troublesome (there’s the example of Margaret Pearson in the story, whose maid accused her of having a toad as a familiar, and spent time in the stocks before being imprisoned)
I really enjoyed this book, and I’ll be waiting for whatever the author writes next (I’m on the mailing list!).
Many thanks to Readers First for my copy of this book.
Trotskyists on Trial: Free Speech and Political Persecution Since the Age of FDR
Book
Passed in June 1940, the Smith Act was a peacetime anti-sedition law that marked a dramatic shift in...
Game Play: Paratextuality in Contemporary Board Games
Book
The 21st century has seen a board game renaissance. At a time when streaming television finds...
Terri Wiltshire (21 KP) rated The Lord of the Rings in Books
Sep 1, 2019
Tolkein created a complete detailed universe complete with its own mythology and lore (2 more)
Varied and rounded characters
Epic journey of good verses evil and the grey areas in between
Masterpiece
There is little I can say that has not already been said about The Lord of the Rings. It is an epic story of friendship, love, betrayal, war and essentially a coming of age journey. Middle earth and all its inhabitants come alive in your hands...you are transported to a world in chaos, a world of change where nothing is certain. Battle with dwarfs and elves, fight along side men who are impossibly brave and flawed and cry as the tiniest of people carry the biggest of burdens.
This book and the subsequent movies based on the world have been well quoted and are almost inbedded in British culture.
I envy those who haven't read them yet..you have a fantastic journey ahead. It will not be easy (this is not light reading) but it will be more than worth it. Enjoy, and give the elves my love.
This book and the subsequent movies based on the world have been well quoted and are almost inbedded in British culture.
I envy those who haven't read them yet..you have a fantastic journey ahead. It will not be easy (this is not light reading) but it will be more than worth it. Enjoy, and give the elves my love.
Mathematics Explained for Primary Teachers
Derek Haylock and Ralph Manning
8.0
Rate It
Book
Get access to an interactive eBook* when you buy the paperback! (Print paperback version only, ISBN...
What's the Use of Economics?: Teaching the Dismal Science After the Crisis
Book
With the financial crisis continuing after five years, people are questioning why economics failed...
Ross (3284 KP) rated Perfect Death in Books
Sep 28, 2018
Contains spoilers, click to show
I have debated with myself over a rating for this, the third in the "DI Luc Callanach" series of Edinburgh police procedurals. While the overall story is definitely a 4 star, verging on 5, certain aspects of the dialogue in this one were a little jarring at times, and the plot hinged on a couple of very out of character decisions on the part of the murderer.
As with the previous two books, we join the story at the start of two independent investigations, which inevitably expand and take up the whole team's efforts (it's almost as if there was no crime in the city before these came along as no other cases seem to be mentioned or worked on!). We have the apparent death by misadventure of a young girl on the hills around Arthur's Seat, and the apparent suicide of former DCI Begbie.
Both cases are interesting and very different, the former being a more typical murder investigation, the latter being more focused on police corruption and the Glasgow gangland (I do enjoy the fact that any nasty gangsters in these Edinburgh-based stories have to be based in Glasgow, almost like they are sponsored by the Edinburgh tourist board, or someone with an anti-East Coast agenda).
While the murder investigation is decent, a number of clangers really spoiled it for me. We have a young man who appears to be poisoning people after having ingratiated themselves into their lives and the lives of their loved ones under different false names. However, as is so often the case in these stories, the killer is made too clever to be caught (at least too clever to be caught in under 300 pages!), and so the slightest mistake or piece of luck is what the investigation hinges on. Here it transpires that, while the killer has used false names in every interaction, in one of them he seems to have for some reason used the name of someone who leads the police directly to his backstory and hence uncovering his real identity. This piece of Batman vs Superman ("Your Mom was called Martha?!") level plot pivot was just so jarring and so out of character for this supposedly clever murderer. And yet without it there was pretty much no way of the murderer being found. For a secret poisoner to then start waving a gun around was also a bit hard to accept.
And also, all characters seem to be very well spoken. We have a young man who grew up in care homes from the age of 5, a Glasgow gangster and his henchmen and numerous bad sorts along the way and all are very well spoken, to the point that none of them have a voice and are just ... there. And, of course everyone refers to the police in the same way as the police refer to themselves - I cannot imagine anyone referring to a policeman as "DI something" or ""your DCI said this". It just totally jars and again comes across as the author simply inserting their voice into the mouths of characters that they could not be bothered to properly consider.
This brings me on to the dialogue gripe. I have always struggled to accept the formality in the way fictional detectives speak to members of the public. I get that interviews etc have to be carried out in a certain way, but at one point DCI Turner is speaking to a 17 year old boy about the death of his mother and she says "I cannot leave someone who might be a danger to themselves without establishing first-hand contact". This just struck me as the author inserting a piece of research into dialogue rather than considering how that point would be addressed in a human conversation. Similarly, at one point a DC refers to one of the victims as "she" and Callanach snapped at her "We use victims' names not pronouns", which just struck me as an odd thing to say, and at several times throughout the book he himself refers to victims with pronouns.
And finally, while there was never a great deal of swearing in the first two books, it was believable swearing. Here we have the occasional use of "frigging" instead of the other "f" word, which I cannot think I have ever heard a Scottish person say, unless singing along to the Sex Pistols sea shanty.
Overall, I give this book 4 stars for the plot, 3 stars for the writing, then averaged out and rounded down for the annoying little things.
A definite step down from the second book, and a more slapdash feel to it.
As with the previous two books, we join the story at the start of two independent investigations, which inevitably expand and take up the whole team's efforts (it's almost as if there was no crime in the city before these came along as no other cases seem to be mentioned or worked on!). We have the apparent death by misadventure of a young girl on the hills around Arthur's Seat, and the apparent suicide of former DCI Begbie.
Both cases are interesting and very different, the former being a more typical murder investigation, the latter being more focused on police corruption and the Glasgow gangland (I do enjoy the fact that any nasty gangsters in these Edinburgh-based stories have to be based in Glasgow, almost like they are sponsored by the Edinburgh tourist board, or someone with an anti-East Coast agenda).
While the murder investigation is decent, a number of clangers really spoiled it for me. We have a young man who appears to be poisoning people after having ingratiated themselves into their lives and the lives of their loved ones under different false names. However, as is so often the case in these stories, the killer is made too clever to be caught (at least too clever to be caught in under 300 pages!), and so the slightest mistake or piece of luck is what the investigation hinges on. Here it transpires that, while the killer has used false names in every interaction, in one of them he seems to have for some reason used the name of someone who leads the police directly to his backstory and hence uncovering his real identity. This piece of Batman vs Superman ("Your Mom was called Martha?!") level plot pivot was just so jarring and so out of character for this supposedly clever murderer. And yet without it there was pretty much no way of the murderer being found. For a secret poisoner to then start waving a gun around was also a bit hard to accept.
And also, all characters seem to be very well spoken. We have a young man who grew up in care homes from the age of 5, a Glasgow gangster and his henchmen and numerous bad sorts along the way and all are very well spoken, to the point that none of them have a voice and are just ... there. And, of course everyone refers to the police in the same way as the police refer to themselves - I cannot imagine anyone referring to a policeman as "DI something" or ""your DCI said this". It just totally jars and again comes across as the author simply inserting their voice into the mouths of characters that they could not be bothered to properly consider.
This brings me on to the dialogue gripe. I have always struggled to accept the formality in the way fictional detectives speak to members of the public. I get that interviews etc have to be carried out in a certain way, but at one point DCI Turner is speaking to a 17 year old boy about the death of his mother and she says "I cannot leave someone who might be a danger to themselves without establishing first-hand contact". This just struck me as the author inserting a piece of research into dialogue rather than considering how that point would be addressed in a human conversation. Similarly, at one point a DC refers to one of the victims as "she" and Callanach snapped at her "We use victims' names not pronouns", which just struck me as an odd thing to say, and at several times throughout the book he himself refers to victims with pronouns.
And finally, while there was never a great deal of swearing in the first two books, it was believable swearing. Here we have the occasional use of "frigging" instead of the other "f" word, which I cannot think I have ever heard a Scottish person say, unless singing along to the Sex Pistols sea shanty.
Overall, I give this book 4 stars for the plot, 3 stars for the writing, then averaged out and rounded down for the annoying little things.
A definite step down from the second book, and a more slapdash feel to it.
Sophia (Bookwyrming Thoughts) (530 KP) rated Fury of the Phoenix (Kingdom of Xia, #2) in Books
Jan 23, 2020
Original Review posted on <a title="'Fury of the Phoenix by Cindy Pon'" href="http://bookwyrming-thoughts.blogspot.com/2013/05/review-fury-of-the-phoenix-by-cindy-pon.html">Bookwyrming Thoughts</a>
Note: Formatting is lost due to copy and paste.
*Warning: May contain minor spoilers from the previous novel*
Remember the evil sorcerer by the name of Zhong Ye from the previous novel, Silver Phoenix? In Fury of the Phoenix, the sequel to Silver Phoenix, it's been a few months after Zhong Ye's death and Ai Ling receives warning from a dream that Chen Yong is in danger. Knowing that, Ai Ling finds a way to try and find him.
During Ai Ling's journey, we go through a few flashbacks throughout the book entering Zhong Ye's life when he's just a worker in the Emperor's Palace (I'm not talking about the buffet) trying to climb up in rank to how he came to be in Silver Phoenix. Ai Ling and Chen Yong have also changed a lot and matured a bit (maybe a lot?) since the previous novel.
I'm not exactly sure what to make of the second (and I think final?) component to the Kingdom of Xia series. I personally picked up the series because it was based on Ancient China (just in general terms there are fictional stuff as well) and thought it would be really interesting to read. But staying away from the series actually, I never even knew a sequel existed until I joined Goodreads and then coming back to it has made me realize that I'm missing out in the world that Cindy Pon creates in Silver Phoenix and Fury of the Phoenix. In fact, I even miss the dumplings and buns. And that's coming from someone who has those often... :p I also want to visit China one day, though I certainly don't want to meet some of the unpleasant creatures both Ai Ling, Chen Yong and Zhong Ye encounter in the book.
Note: Formatting is lost due to copy and paste.
*Warning: May contain minor spoilers from the previous novel*
Remember the evil sorcerer by the name of Zhong Ye from the previous novel, Silver Phoenix? In Fury of the Phoenix, the sequel to Silver Phoenix, it's been a few months after Zhong Ye's death and Ai Ling receives warning from a dream that Chen Yong is in danger. Knowing that, Ai Ling finds a way to try and find him.
During Ai Ling's journey, we go through a few flashbacks throughout the book entering Zhong Ye's life when he's just a worker in the Emperor's Palace (I'm not talking about the buffet) trying to climb up in rank to how he came to be in Silver Phoenix. Ai Ling and Chen Yong have also changed a lot and matured a bit (maybe a lot?) since the previous novel.
I'm not exactly sure what to make of the second (and I think final?) component to the Kingdom of Xia series. I personally picked up the series because it was based on Ancient China (just in general terms there are fictional stuff as well) and thought it would be really interesting to read. But staying away from the series actually, I never even knew a sequel existed until I joined Goodreads and then coming back to it has made me realize that I'm missing out in the world that Cindy Pon creates in Silver Phoenix and Fury of the Phoenix. In fact, I even miss the dumplings and buns. And that's coming from someone who has those often... :p I also want to visit China one day, though I certainly don't want to meet some of the unpleasant creatures both Ai Ling, Chen Yong and Zhong Ye encounter in the book.
IB Business Management Course Book: Oxford IB Diploma Programme: 2014
Martin Mwenda Muchena, Loykie Lomine and Robert Pierce
Book
Written by experienced IB teachers and workshop leaders, this fully updated edition offers...
Social Enterprise and Special Events
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During the past twenty years, the field of nonprofit management has grown significantly in terms of...