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Movie Metropolis (309 KP) rated A Monster Calls (2016) in Movies
Jun 10, 2019
A Masterpiece
J.A. Bayona is one of the most exciting rising stars behind the camera lens. His knack for creating superbly shot, engaging films like The Orphanage and The Impossible has meant many in Hollywood have been keeping an intrigued eye on him.
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
Aviation Dictionary
Reference and Education
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Aviation is an industry full of terms, acronyms and technical language. This Aviation Dictionary app...
Kristin (149 KP) rated Making Wishes in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Elloree is a wife and a mother to two darling boys. However, she feels like something's still missing. That something jumps out at her one day in the form of her old boss Mark calling her up, asking her to come back to Wishes, the company they helped build up together. She's an artist, and her designs will help push the company to new heights; however, her husband is not too keen on the idea of her going back to work. Eventually, she makes up her mind to dive back into Wishes, spending more and more time there as she does so. This leaves Tom, her husband, to pick up the slack at home, but instead HE works even more, until their family starts to pull apart around them. Will they be able to pick up the pieces, or will they continue down this path of destruction, one step at a time?
I rather enjoyed this book, as it's something that I'm sure happens every day, all around the world: Family dynamics are tested based on outside influences, such as going back to work after being a stay-at-home parent. It's incredibly easy to identify with at least one character in the book, whether it's Elloree, the one trying to get back her passion for doing something she loves; Tom, who's trying to keep his family the way he's become used to; or the children, who just don't understand why Mommy isn't around all the time anymore. I found myself invested in the story and the characters almost from the start, especially as time progressed and the family unit became less cohesive. I was eager to see what would become of them, but also a little afraid for them, especially the boys, as they seemed to be having a difficult time of it. Understandable and relatable feelings and emotions were definitely at the forefront, and I could easily see myself as a bystander, watching and waiting for the inevitable outcome.
I would definitely like to read more from this author, and I will certainly be on the lookout for any new works by her.
5 stars
Elloree is a wife and a mother to two darling boys. However, she feels like something's still missing. That something jumps out at her one day in the form of her old boss Mark calling her up, asking her to come back to Wishes, the company they helped build up together. She's an artist, and her designs will help push the company to new heights; however, her husband is not too keen on the idea of her going back to work. Eventually, she makes up her mind to dive back into Wishes, spending more and more time there as she does so. This leaves Tom, her husband, to pick up the slack at home, but instead HE works even more, until their family starts to pull apart around them. Will they be able to pick up the pieces, or will they continue down this path of destruction, one step at a time?
I rather enjoyed this book, as it's something that I'm sure happens every day, all around the world: Family dynamics are tested based on outside influences, such as going back to work after being a stay-at-home parent. It's incredibly easy to identify with at least one character in the book, whether it's Elloree, the one trying to get back her passion for doing something she loves; Tom, who's trying to keep his family the way he's become used to; or the children, who just don't understand why Mommy isn't around all the time anymore. I found myself invested in the story and the characters almost from the start, especially as time progressed and the family unit became less cohesive. I was eager to see what would become of them, but also a little afraid for them, especially the boys, as they seemed to be having a difficult time of it. Understandable and relatable feelings and emotions were definitely at the forefront, and I could easily see myself as a bystander, watching and waiting for the inevitable outcome.
I would definitely like to read more from this author, and I will certainly be on the lookout for any new works by her.
5 stars
Globalisation and Services-Driven Economic Growth: Perspectives from the Global North and South
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Deliberately, accidentally, or consequentially, first responders and waste site workers handle...
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My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles
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BASED ON LONG-LOST RECORDINGS, A SET OF RIVETING AND REVEALING CONVERSATIONS WITH AMERICA'S GREAT...
Kristy H (1252 KP) rated With or Without You in Books
Sep 17, 2020
Stella and Simon have been together nearly twenty years. Simon, a rock musician, has spent most of those waiting for his one big break. He thinks he's found it now, but right before he and Stella are set to leave for California for the show that could change his life, she falls into a coma. Now Simon faces a choice: get on the plane with his band, or remain behind with his love. As for Stella, she's aware of the world around her while in the coma, and when she emerges, she's different, with a newfound artistic talent. Together, Simon and Stella must reexamine their relationship and figure out the path forward.
What a beautiful and striking novel. I discovered Caroline Leavitt through the power of ARCs in 2016, falling in love with her work through Cruel Beautiful World. She gives us another book filled with compelling characters here. I so enjoyed reading a book with a different plot, especially knowing that the coma story was somewhat based on Leavitt's own life. She's a remarkable writer in so many ways.
With or Without You is incredibly well-written--almost poetic at times. It's told from both Simon and Stella's perspectives, including while Stella's in her coma, and some of those moments are quite profound and touching. Both Stella's realizations as she struggles to realize where she is, and Simon's, as he tries to grapple with the idea of his partner being ill, as well as the awareness that he may be losing his last chance at fame and fortune as his band moves on without him.
"It's a kind of blankness. She's been erased for a while and then redrawn. When she comes back, she always feels a little bit better..."
Even worse for both Simon and Stella is the fact that they fought shortly before she fell into the coma. What kind of relationship, each wonders, would they come back into should Stella awake? In this way, Leavitt gives a beautiful character study: an in-depth observation into a flawed relationship. It just happens to be a relationship where a woman enters and exits a coma. It's an amazing look into love, loyalty, and loss. The novel makes you think, drawing you into the characters. What would you do in Simon's situation, you think? Or Stella's?
"Mostly she thought of all the things that she herself wanted, and like Simon's dreams, they had an expiration date she couldn't ignore."
Overall, I quite enjoyed this novel. It's so well-done and such a different and intriguing look at two people trying to find happiness. I love Leavitt's way with words. 4 stars.
What a beautiful and striking novel. I discovered Caroline Leavitt through the power of ARCs in 2016, falling in love with her work through Cruel Beautiful World. She gives us another book filled with compelling characters here. I so enjoyed reading a book with a different plot, especially knowing that the coma story was somewhat based on Leavitt's own life. She's a remarkable writer in so many ways.
With or Without You is incredibly well-written--almost poetic at times. It's told from both Simon and Stella's perspectives, including while Stella's in her coma, and some of those moments are quite profound and touching. Both Stella's realizations as she struggles to realize where she is, and Simon's, as he tries to grapple with the idea of his partner being ill, as well as the awareness that he may be losing his last chance at fame and fortune as his band moves on without him.
"It's a kind of blankness. She's been erased for a while and then redrawn. When she comes back, she always feels a little bit better..."
Even worse for both Simon and Stella is the fact that they fought shortly before she fell into the coma. What kind of relationship, each wonders, would they come back into should Stella awake? In this way, Leavitt gives a beautiful character study: an in-depth observation into a flawed relationship. It just happens to be a relationship where a woman enters and exits a coma. It's an amazing look into love, loyalty, and loss. The novel makes you think, drawing you into the characters. What would you do in Simon's situation, you think? Or Stella's?
"Mostly she thought of all the things that she herself wanted, and like Simon's dreams, they had an expiration date she couldn't ignore."
Overall, I quite enjoyed this novel. It's so well-done and such a different and intriguing look at two people trying to find happiness. I love Leavitt's way with words. 4 stars.
Emma @ The Movies (1786 KP) rated The Children Act (2018) in Movies
Sep 25, 2019
Emma Thompson and Stanley Tucci in a movie together... yeeeees. Get me a ticket immediately. Based on a book by Ian McEwan, and no of course I haven't read it. I was exoecting something run of the mill, good, but nothing with a wow factor. I certainly wasn't expecting to be having to stiffle sobs and tears.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.