Ross (3284 KP) rated Perfect Remains: A Gripping Thriller That Will Leave You Breathless in Books
Aug 30, 2018 (Updated Aug 30, 2018)
As the reader is made aware of the "murderer"'s identity from very early on, this feels more like an early Mark Billingham book than an Ian Rankin or Ed James. Not a true whodunit, more of a case of watching the story unfold, which is thrilling and you get to see the criminal and the detective's view of the events, but may put others off.
While the story is very well crafted, the pacing is top notch and the action exciting, a few aspects irritated me at times. Luc Callanach seems to have coped very well with his change in circumstances, and at times it is almost like he (or the author) has forgotten he is French completely! And also the attitude and conclusions of what was supposed to be a very experienced psychological profiler just didn't feel plausible. And finally, as so often happens with "detective x crime series" books - if the main character didn't see it, it didn't happen. This means that Callanach has to abandon his massive case and oddly decide to go off with another detective in order to discuss something, purely as a plot device - i.e. he has to be involved in it for it to be an important part of the story. In places this worked, and got to the point, but at other times his actions just seemed so unusual as to be ludicrous, just to meet a plot point. Why the lesser characters can't have a PoV chapter is beyond me. It works perfectly well in fantasy fiction, why not in crime?!
However these were minor quibbles, an otherwise great book.
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Hazel (1853 KP) rated How to Draw Anything in Books
Dec 17, 2018
First of all an artist needs to be able to look properly. Without studying the subject or object properly, no one would be able to produce an accurate sketch. Starting with landscapes, Linley tells the reader how to and what to look for when beginning a drawing in order to get a basic outline. It is only after this is down on paper that specific details can be added.
Linley explains various methods of shading and line marks to give a suggestion of perspective, and emphasises that an illustration does not need to be 100% accurate – that is what cameras are for. After landscapes, Linley takes the reader/future artist through plants, animals, people and cartoons in a similar manner.
Each chapter provides the reader with a few assignments to undertake based on what they have read, or the example illustrations. Many of these tasks are to copy Linley’s own examples, however he stresses that the outcome does not need to – or rather should not – look exactly like his. Each artist needs to develop their own style.
I found <i>How To Draw Anything</i> a lot more useful than the ever popular step-by-step guides that most people gravitate to. In those types of books we are NOT taught to draw, we are taught to copy. You may be able to accurately draw the same cat as the artist/author of the book, but you would not know where to start when face with a real life cat. Linley tells us what to look out for and where to start in these situations – you feel like you are actually learning something.
Mark Linley comes across as a humorous individual – his writing is full of puns and quips, intending to make the reader smile or laugh out loud, thus making them feel more relaxed about the subject. Linley does not only attempt to teach people how to draw, he tries to make each of us feel more comfortable about our abilities and encourages us to keep on trying.
Before reading this book I had already begun developing my own illustration style, however I gave a few of Linley’s assignments a try (see <a href="https://hazelstainer.wordpress.com/2016/02/19/how-to-draw-anything-a-review/">here</a>). I am pleased with my outcomes and feel inspired to try more landscape drawings in the future.

