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Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
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Gareth von Kallenbach (980 KP) rated Julie & Julia (2009) in Movies
Aug 9, 2019
Julie & Julia’ is an intertwined tale based on the two true stories of cooking legend Julia Child (Meryl Streep) and that of author Julie Powell (Amy Adams). It is a story of non-traditional mentoring and the value of hard work and dedication, covering the process Child went through creating the 1961 classic Mastering the Art of French Cooking alongside the tale of Powell who was made famous when she blogged her way through Child’s book.
The films leads do nothing but deliver. Amy Adams, sporting a spunky new haircut, creates a character that is both soul searching and fun to watch. Meryl Streep amazingly transforms into Child, having perfected the subtleties of her personality so well that I found myself remising back to my single digit years.
The costumes are delightful and manage to seamlessly separate the two women’s tales while uniting them into a bigger story. The use of color and pacing make this a film that displays not only a change in time and lifestyle, but also the uniting human values that are entirely timeless.
A story of relationships and personal growth, combined with moments of laughter and hardship, I found myself in the mood I enjoyed through ‘Chocolat’ and ‘The Pursuit of Happyness’.
The film could have used more food imagery and I felt like the character of Eric Powell (Chris Messina) could have been better developed. But the delightful relationship between Julia and her husband Paul Child, played by the ever-enchanting Stanley Tucci, made this film a wildly entertaining journey.
On top of being a well-told tale, ‘Julie & Julia’ has that je ne sais quoi which make it a truly exceptional piece of film, and I know this because even my action loving husband enjoyed it. Well worth the price of admission ‘Julie & Julia’ is a time traveling felicity that is sure to win your heart, as it has mine.
The films leads do nothing but deliver. Amy Adams, sporting a spunky new haircut, creates a character that is both soul searching and fun to watch. Meryl Streep amazingly transforms into Child, having perfected the subtleties of her personality so well that I found myself remising back to my single digit years.
The costumes are delightful and manage to seamlessly separate the two women’s tales while uniting them into a bigger story. The use of color and pacing make this a film that displays not only a change in time and lifestyle, but also the uniting human values that are entirely timeless.
A story of relationships and personal growth, combined with moments of laughter and hardship, I found myself in the mood I enjoyed through ‘Chocolat’ and ‘The Pursuit of Happyness’.
The film could have used more food imagery and I felt like the character of Eric Powell (Chris Messina) could have been better developed. But the delightful relationship between Julia and her husband Paul Child, played by the ever-enchanting Stanley Tucci, made this film a wildly entertaining journey.
On top of being a well-told tale, ‘Julie & Julia’ has that je ne sais quoi which make it a truly exceptional piece of film, and I know this because even my action loving husband enjoyed it. Well worth the price of admission ‘Julie & Julia’ is a time traveling felicity that is sure to win your heart, as it has mine.
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Deborah (162 KP) rated The Queen's Governess in Books
Dec 21, 2018
This is the first book I've read by this author but I thought the concept sounded interesting, even if I do think that perhaps the Tudors are starting to be a bit done to death! The story is in many ways about Elizabeth I, but the narrative character is Kat Ashley, Elizabeth's governess (as from the title!) and later her chief lady of the bedchamber.
The novel is written in the first person, which can be a little clumsy in the hands of an unskilled author, but Harper carried it off well. I was interested in her historical note at the end, as Kat Ashley's origins are a little obscure - I do like to know what is fact and what the author's imagination, but of course fact is often stranger than fiction! I'm not totally sure if the relationship with Cromwell as shown in the novel is based on historical fact or more on conjecture on the author's part.
I did spot a couple of errors in the text - I know they do move county boundaries now and then, but I do beleive that Stamford is in Lincolnshire and not Northamptonshire. Yes, I know it's picky, but it's that sort of thing that makes me stop and think "Are you sure?".
The novel starts with the demise of Anne Boleyn and then takes us back to Kat's earlier life in Devon, leading up to the moment we see in the prologue. We are carried through all the trials and tribulations of the reigns of her half siblings finally followed by Elizabeth's accession and some way into her reign.
The novel is written in the first person, which can be a little clumsy in the hands of an unskilled author, but Harper carried it off well. I was interested in her historical note at the end, as Kat Ashley's origins are a little obscure - I do like to know what is fact and what the author's imagination, but of course fact is often stranger than fiction! I'm not totally sure if the relationship with Cromwell as shown in the novel is based on historical fact or more on conjecture on the author's part.
I did spot a couple of errors in the text - I know they do move county boundaries now and then, but I do beleive that Stamford is in Lincolnshire and not Northamptonshire. Yes, I know it's picky, but it's that sort of thing that makes me stop and think "Are you sure?".
The novel starts with the demise of Anne Boleyn and then takes us back to Kat's earlier life in Devon, leading up to the moment we see in the prologue. We are carried through all the trials and tribulations of the reigns of her half siblings finally followed by Elizabeth's accession and some way into her reign.
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