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Lee (2222 KP) rated Pet Sematary (2019) in Movies

Apr 2, 2019 (Updated Apr 5, 2019)  
Pet Sematary (2019)
Pet Sematary (2019)
2019 | Horror
Not only have I not read the Stephen King book that Pet Sematary is based on, I haven't even seen the original 1989 movie either. As much as I feel ashamed for completely missing out on both of those, it also meant that I was able to head into this movie with nothing to compare it to and no idea of what to expect, other than a bit of creepy-burial-ground-raising-the-dead type stuff that the first trailer covered. One quick note on the trailers before I begin though - the most recent one, which luckily I only saw after I had seen the movie, pretty much gives away the entire plot. Granted, if you're a fan of Stephen Kings work, or even the original movie, then you're going to know what to expect anyway. But, if you're like me - someone who enjoys a good horror movie, but doesn't read books and has gaping holes in his movie viewing history, then try and give the trailers a miss on this occasion before heading into the cinema.

Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jeté Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.

The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".

After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.

Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
  
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Sarah (7800 KP) Apr 2, 2019

Did the trailer ruin the film at all? I've just seen the trailer for the first time before a showing of Us, and it looked like it spoilt the whole thing!

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Lee (2222 KP) Apr 3, 2019

@Sarah yes, it does! Luckily I only watched the latest trailer after seeing the movie, I don't think the first trailer, which was the only one I'd seen, had any spoilers in it. Unbelievable really, maybe they think everybody already knows the exact plot so they can just happily reference all the plot points in the trailer

The Stars Are Fire
The Stars Are Fire
Anita Shreve | 2017 | Fiction & Poetry, History & Politics
8
8.0 (1 Ratings)
Book Rating
Grace Holland is living a fairly ordinary-if not particularly happy-life with her husband Gene and their two young children in Maine. It's the late 1940s, and Grace's life revolves around Gene and her family. She cannot drive, she does not have a job, and her role in life is pretty clearly laid out: serve her husband and their children. All that changes when an awful drought hits Maine. As a horrible string of fires burns near Bar Harbor, where Grace and her family live, Gene joins a group of other men to help fight the blazes. Suddenly, Grace is awoken in the night by little Claire: the fire is upon the house. Gene is still gone, so Claire rushes to save Claire and baby Tom, as well as her best friend Rosie and Rosie's two young children. They huddle in the sand near the ocean for hours, and when they are finally rescued, nothing will ever be the same.

<i>This was an amazing book. </i> I'm not always an historical fiction fan (the story is based on actual fire that occurred in Maine), but I'll make an exception for Shreve, whom I've loved since her beautiful novel, [b:The Pilot's Wife|5191|The Pilot's Wife|Anita Shreve|https://images.gr-assets.com/books/1435011220s/5191.jpg|3131254]. There is just something poignant and touching about this novel. I was immediately drawn into Grace's story, and I read the novel quickly over the course of a day or so. Shreve creates a fierce and wonderful character in Grace, and you cannot help but root for her.

Grace is held back by so much in her life: her gender, her financial circumstances, her husband. After experiencing such a terrible loss: her entire town is basically burned to the ground, including her home, it's amazing to watch her resilience in the face of such horror. In many ways, it's not as if a lot happens in this novel, yet I feel like so much occurs during Grace's journey. I so loved her spirit, and I also wanted to swoop in and take away all the horrible things that occurred in her life.

I don't want to go into much detail and ruin the details of the plot, but I'll just say that this is a lovely book, with well-drawn characters--led by the tough and wonderful Grace. I was captivated by the story, and I would certainly recommend the novel. 4 stars.

<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
  
Jefferson’s Treasure, by Gregory May, details, “how Albert Gallatin saved the new nation from debt.” Appointed by President Thomas Jefferson to be his Treasury Secretary, Gallatin continued under President Madison, maintaining that position for twelve years. During his tenure, he abolished internal revenue taxes in peacetime, slashed federal spending, and repaid half of the national debt.

So who was this man that undid Alexander Hamilton’s fiscal system, rejecting it along with Madison and Jefferson? Because both Presidents did not understand the financial system, they depended on Gallatin to reform it. Gallatin arrived in America in 1790 from Geneva and rose up to become a trusted advisor of the Republicans. Six years before Jefferson was elected President, Gallatin’s Pennsylvania neighbors rebelled against the tax on whiskey. He supported them in principle but opposed the violence that ensued, burning the local tax collector’s house, robbing the mail, and marching on Pittsburgh.

The play “Hamilton” uses revisionist history. The real Hamilton believed in big government and wanted to continue funding federal deficits. He based his theories on the British who used the money to fund their large military conflicts, believing that the ability to borrow endless amounts of money would allow the new United States to become a great nation. Jefferson and Madison thought Hamilton’s system, straight from the British way, was tainted with tyranny. As May noted, “It made the people pay obnoxious taxes in order to fund interest payments on a mounting federal debt and the costs of an expensive military establishment. It shifted money from ordinary taxpayers to the relatively few rich men who held the government’s bonds. That was just the sort of thing that had led Americans to revolt against Britain in the first place.”

May believes, “The hip-hop immigrant hero of the Broadway musical is a myth. The musical might be a great work of art, but is relies on misconceptions of Hamilton. He was not an immigrant, but a migrant within the British Empire. Also, he was not a man of the people, as Gallatin was, but an elitist.”

While Hamilton committed to paying only the interest on the government’s debt, Gallatin committed the government to repaying fixed amounts of the principal each year. He also insisted that the government should never spend more than it earned except in times of war. By slashing federal expenses, Gallatin was able to get rid of the tax on whiskey and abolish the entire internal revenue service.

The Republicans, an agrarian society, distrusted these elitists where two-thirds of the government debt belonged to a few hundred very wealthy men residing mainly in Philadelphia, New York, and other mercantile cities. They saw Hamilton’s plan of collecting taxes from ordinary citizens as a way for a few rich men to become even wealthier. Implementing these excise taxes required government officials to inspect, quantify, and mark the items subject to tax.

The Hamilton system benefited the wealthy debt holders and spectators at the expense of the average taxpayer who had to pay the interest. The government would borrow more than the people could pay. Hamilton tried to hide how much money the government was actually spending and spiraled the debt higher and higher.

This was an important part of the British tax base, and “I wanted to show how unpopular it was. Hamilton and company were resented because they created a tax collection network that affected the lives of ordinary citizens. The excise tax is a form of internal taxation, while tariffs are a form of external taxation that fell on the well to do. Remember mostly the well to do bought imports. The Republicans once they came to power relied on import duties rather than excise taxes.”

May further explained, “When Jefferson and his administration came to power it was Gallatin who got rid of Hamilton’s deficit finance system and cut taxes. By the time he has left office he has repaid half the federal debt and set up a program for repaying the rest.”

Anyone who wants to understand the early economic systems of the Founding Fathers will enjoy this book. It shows how Gallatin, by killing Hamilton’s financial system, abolished internal revenue taxes in peacetime, slashed federal spending, and repaid half of the national debt.
  
The Silent Patient
The Silent Patient
Alex Michaelides | 2019 | Crime, Mystery, Thriller
8
8.3 (39 Ratings)
Book Rating
Alicia Berenson is a well-known painter married to a famous photographer, Gabriel. They have a picture-perfect life, so-to-speak. But all that changes when Gabriel returns home from work one evening and Alicia shoots him five times. Then she goes silent, refusing to speak. Her silence makes her case even more famous, causing intense public speculation. Her paintings become coveted objects. Alicia, meanwhile, is sent to the Grove, a secluded psychiatric forensic unit, for treatment. There, Theo Faber, a psychotherapist, gains a job primarily just to work with Alicia, determined to be the one to help her speak again. But he becomes consumed with her case--something that may put his own health and safety into jeopardy.

This is a book that I read solely based on the recommendations of Goodreads and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.

It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.


"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"


I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.

Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!