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Zuky the BookBum (15 KP) rated To Die in Spring in Books
Mar 15, 2018
Let me start this review with this: <b>I cried on the train because of this novel.</b>
Towards the end of WWII, the Russians and the Americans were closing in and Germany were desperate. Boys, as young as 8 !!, were being forced into becoming soldiers and pushed to the front to fight for a country that were losing, brutally. Thousands of children’s lives were lost.
In this book we meet Walter and Fiete, both young men, aged 17, who are forced into becoming SS soldiers. They are best friends, but they’re very different. Walter is reserved and respectful, Fiete is loud, sarcastic and happy to voice his opinion on what he thinks of the war. Unfortunately, Fiete gets pushed on the front line, fighting a war he thinks is idiotic, so he attempts to desert. Deserters get executed by their own men.
This novel is so beautiful yet so horrible. You can’t really think of this novel as fiction when you know the contents within probably happened to thousands of teenagers. It’s so distressing when you think about how people were treated and how they lived during the war and this book represents it perfectly.
Reading this book, the fear and melancholy of being a soldier fighting a losing battle creeps through your bones. You’re there, stuck in a rotting basement, scared of death yet willing it on, just to get out. I applaud Rothmann for making those feelings so real in me… A young woman, sat on her train going into another day of work, of safety, but with goosebumps, because in her mind, she’s stuck outside in the cold, desperately trying to find a hiding place from the American war planes flying over.
This novel is an emotionally charged story about the brutality of war and the awful things young men were forced to do, just to have their pathetic Fuhrer shamefully kill himself and the battle be lost. I urge any person who likes to read war books, to read this one. The writing is stunning, the characters are real, and the story is harrowing.
<i>Thanks to Picador Books for providing me with an arc copy of this book in exchange for an honest review.</i>
Towards the end of WWII, the Russians and the Americans were closing in and Germany were desperate. Boys, as young as 8 !!, were being forced into becoming soldiers and pushed to the front to fight for a country that were losing, brutally. Thousands of children’s lives were lost.
In this book we meet Walter and Fiete, both young men, aged 17, who are forced into becoming SS soldiers. They are best friends, but they’re very different. Walter is reserved and respectful, Fiete is loud, sarcastic and happy to voice his opinion on what he thinks of the war. Unfortunately, Fiete gets pushed on the front line, fighting a war he thinks is idiotic, so he attempts to desert. Deserters get executed by their own men.
This novel is so beautiful yet so horrible. You can’t really think of this novel as fiction when you know the contents within probably happened to thousands of teenagers. It’s so distressing when you think about how people were treated and how they lived during the war and this book represents it perfectly.
Reading this book, the fear and melancholy of being a soldier fighting a losing battle creeps through your bones. You’re there, stuck in a rotting basement, scared of death yet willing it on, just to get out. I applaud Rothmann for making those feelings so real in me… A young woman, sat on her train going into another day of work, of safety, but with goosebumps, because in her mind, she’s stuck outside in the cold, desperately trying to find a hiding place from the American war planes flying over.
This novel is an emotionally charged story about the brutality of war and the awful things young men were forced to do, just to have their pathetic Fuhrer shamefully kill himself and the battle be lost. I urge any person who likes to read war books, to read this one. The writing is stunning, the characters are real, and the story is harrowing.
<i>Thanks to Picador Books for providing me with an arc copy of this book in exchange for an honest review.</i>
Gareth von Kallenbach (980 KP) rated Splatoon in Video Games
Jun 19, 2019
Nintendo continues their recent impressive run of exclusive titles with the quirky and addictive Splatoon which combines the color and fun of Paintball with a customizable shooter.
Playing either solo or multiplay, players compete in various arenas to battle it out for control of key locales and to score more points that the other team. That sounds simple enough, but when you factor in the ability to turn into a squid to hide yourself in one of the many paint puddles you can create or to scale a wall, then you have something entirely new.
Splatoon also offers a campaign mode where players go through a training course as well as get to enjoy leaping from one launch point to another to battle enemy forces. Clever trimming can be required as there is not an infinite supply of paint, so gamers will have to reload which is key when you’re laying down your colors in an effort to control and area.
I especially liked the paint bombs you could throw at an enemy as the colorful nature of the game is really one of the most unique action shooter elements in recent memory.
The multiplay matching was fast and in no time I found myself on a team battling it out. The motion control aspects did take some getting used to as tilting the control up, down, left, and right to aim while using the control sticks to move did take some adjustment and this is not a game you want to play standing for long periods of time, as the action is fast.
The social area of the game allows players to customize their characters with new clothes and weapons so players have an incentive to do well in their games for more than simple bragging rights.
While the graphics will not set new standards, they are in keeping with what players expect from Nintendo and the action and fun of the game makes Splatoon a must own for Wii U owners and one that any shooter fan, especially those with younger gamers will want to experience.
http://sknr.net/2015/10/21/splatoon/
Playing either solo or multiplay, players compete in various arenas to battle it out for control of key locales and to score more points that the other team. That sounds simple enough, but when you factor in the ability to turn into a squid to hide yourself in one of the many paint puddles you can create or to scale a wall, then you have something entirely new.
Splatoon also offers a campaign mode where players go through a training course as well as get to enjoy leaping from one launch point to another to battle enemy forces. Clever trimming can be required as there is not an infinite supply of paint, so gamers will have to reload which is key when you’re laying down your colors in an effort to control and area.
I especially liked the paint bombs you could throw at an enemy as the colorful nature of the game is really one of the most unique action shooter elements in recent memory.
The multiplay matching was fast and in no time I found myself on a team battling it out. The motion control aspects did take some getting used to as tilting the control up, down, left, and right to aim while using the control sticks to move did take some adjustment and this is not a game you want to play standing for long periods of time, as the action is fast.
The social area of the game allows players to customize their characters with new clothes and weapons so players have an incentive to do well in their games for more than simple bragging rights.
While the graphics will not set new standards, they are in keeping with what players expect from Nintendo and the action and fun of the game makes Splatoon a must own for Wii U owners and one that any shooter fan, especially those with younger gamers will want to experience.
http://sknr.net/2015/10/21/splatoon/
Shadow Wars®
Games, Entertainment and Stickers
App
Fierce battles, ruthless monsters, and intense strategy. Enter the Shadow Wars. Monsters are real. ...
Napoleon the Great
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NOW A MAJOR BBC2 TV SERIES AWARDED THE PRIX DU JURY DES GRANDS PRIX DE LA FONDATION NAPOLEON 2014...
Helmand to the Himalayas: One Soldier's Inspirational Journey
David Wiseman and Nick Harding
10.0
Rate It
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"From the war torn valleys of Afghanistan to the frozen peaks of the Himalayas, David Wiseman's...
Metal Fist
Games and Entertainment
App
Metal Fist is intense arena fighting – wield crazy weapons, pick up power-ups and use your...
A Seeker After Truths: The Life and Times of G. A. Studdert Kennedy ('Woodbine Willie') 1883-1929
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Geoffrey Studdert Kennedy became one of the most famous army chaplains of the First World War,...
Ascent
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Sir Chris Bonington is Britain's premier mountain man. Ascent will chart his childhood, and...
LeftSideCut (3776 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.