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Acanthea Grimscythe (300 KP) rated The Jesus Man in Books
May 16, 2018
The Jesus Man by Keith Anthony Baird is a tough book for me to rate, if I’m being honest. It’s part of why, despite completing it last week, I’ve taken so long to write up my review. The book isn’t an easy read by any means, especially with its vast amounts of purple prose. It does, however, have a uniquely intriguing plot.
One of the major deciding factors for me when I read a book is its ability to make me feel emotion. I want a connection with the characters, even if it’s a seething hatred that I feel in the depths of my heart. With The Jesus Man, I felt loathing and disdain, but nothing beyond that. I felt disconnected, for the most part. The characters seemed to me as if they were in limbo between fully and halfway developed.
In regards to plot, Baird does an excellent job. As a horror fan, I end up reading a lot of apocalyptic books. Most of the time, the cause is a viral outbreak of zombies. It’s a cliché we deal with far too often and it’s been beaten to death time and time again. Baird goes an entirely new route, with the dredges of Hell returning to claim what should be theirs. Described as the Fallen, we know these creatures as the angels cast from Heaven in the wake of God’s love for mankind stoking rebellion among them. It’s an interesting take on the world’s post-nuclear was end and I feel that Baird did a wonderful job in this area of his book.
I do have to take a moment to appreciate one beautiful perk to Baird’s ornate writing style: his depiction of gory acts is absolutely stunning. I’m a sucker for splatterpunk, so this served as a nice treat for me. While his characters felt lacking to me (which I discovered was the author’s intent post-read), his vivid descriptions (even if heavy-handed) are breathtaking and nightmare invoking.
I’ve danced between a two and four for this book several times, so ultimately I’m going to go with a three. While I loved the concept, the difficulty of reading this book made it hard for me to enjoy.
I would like to thank the author for providing me with a copy of this book in exchange for an honest review.
One of the major deciding factors for me when I read a book is its ability to make me feel emotion. I want a connection with the characters, even if it’s a seething hatred that I feel in the depths of my heart. With The Jesus Man, I felt loathing and disdain, but nothing beyond that. I felt disconnected, for the most part. The characters seemed to me as if they were in limbo between fully and halfway developed.
In regards to plot, Baird does an excellent job. As a horror fan, I end up reading a lot of apocalyptic books. Most of the time, the cause is a viral outbreak of zombies. It’s a cliché we deal with far too often and it’s been beaten to death time and time again. Baird goes an entirely new route, with the dredges of Hell returning to claim what should be theirs. Described as the Fallen, we know these creatures as the angels cast from Heaven in the wake of God’s love for mankind stoking rebellion among them. It’s an interesting take on the world’s post-nuclear was end and I feel that Baird did a wonderful job in this area of his book.
I do have to take a moment to appreciate one beautiful perk to Baird’s ornate writing style: his depiction of gory acts is absolutely stunning. I’m a sucker for splatterpunk, so this served as a nice treat for me. While his characters felt lacking to me (which I discovered was the author’s intent post-read), his vivid descriptions (even if heavy-handed) are breathtaking and nightmare invoking.
I’ve danced between a two and four for this book several times, so ultimately I’m going to go with a three. While I loved the concept, the difficulty of reading this book made it hard for me to enjoy.
I would like to thank the author for providing me with a copy of this book in exchange for an honest review.
LeftSideCut (3778 KP) rated The Witcher - Season 1 in TV
Jan 9, 2020 (Updated Jan 22, 2020)
An exceptional start to the show
The Witcher is a show I've been excited about for some time.
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
JT (287 KP) rated Rogue (2008) in Movies
Mar 10, 2020
Along the quiet river banks of the Australian outback, buried deep within the baron red plains that surround desolate bush, lies a fear, a fear that lurks beneath the murky waters. Greg McLean does to boat trips what backpacking did for Wolf Creek, after seeing it you’re going to want to steer well clear of ever doing it.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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Sophia (Bookwyrming Thoughts) (530 KP) rated Unbreakable (The Legion, #1) in Books
Jan 23, 2020
Obviously choosing to dissect Kami Garcia's solo series as my next audiobook victim was a bad idea... a very bad idea...
Basically, I'm saying I give up on Kami Garcia. No offense, but after my horrid experience with the first couple of books of her <i>Beautiful Creatures</i> series she wrote with Margaret Stohl and then <i>Unbreakable</i>, I'm not sure I want to read another of her books (aside from maybe reading <i>Dangerous Creatures</i>).
<i>Unbreakable</i> sort of has a good idea – emphasis on sort of. Garcia's first debut solo novel follows Kennedy Waters, a girl who doesn't actually believe in ghosts until she finds her mother dead. Shortly after, a ghost makes an attempt to kill her as well, and is stopped by Lukas and Jared Lockhart, two brothers who are part of a centuries-old secret society made up of five members trying to stop a demon released by their ancestors hundreds of years ago. However, Kennedy isn't entirely too sure about whether or not she really belongs with this secret society called the Legion of the Black Dove.
For a person who doesn't watch <i>Supernatural</i> much, it's really weird when I get though, oh... 33 pages, that I realize a book is almost an exact carbon copy of the few episodes I watched.
For instance, there are two brothers in <i>Supernatural</i> and there are two brothers in <i>Unbreakable</i>. Are Sam and his brother identical? No.... not that I'm aware, which is only a small difference between the two books. Brother Pair 1 (<i>Supernatural</i>) and Brother Pair 2 (Unbreakable) apparently hunt demons for a living. At least, that's what I think Pair 1 did – correct me if I'm wrong, avid fans who are bound to be more accurate than me.
Oh, and there's a demon hunting around for a certain person... or a certain group of people. I'm pretty sure there was a demon hunting Brother Pair 1 for quite awhile in the episodes I actually watched (give me a break. I was bored. <i>Supernatural</i> just seemed interesting). Fun fact: possession involved in both TV show and book.
The mere fact that <i>Unbreakable</i> matched the few episodes (I believe they were reruns) I watched didn't bother me too much – it was a potential love triangle between Kennedy, Jared, and Lukas that eventually drove me up the wall. If Garcia isn't careful enough, the tension between Jared and Lukas could eventually set the book on fire – Lukas spends a good part of his time between fighting vengeful spirits and other things rubbing something that Jared did wrong in his face. It gets bad enough that both brothers reach the point of throttling each other's throats and Kennedy going between them and stopping them.
I felt like I was watching a scene from a <i>Twilight</i> (I'm starting to appreciate this series). <i>Lux</i> (because I totally snuck a few peeks in the third one), and pretty much any other book that has a love triangle in which 66% of them nearly start a brawl while the rest of the 33% pretty much yells, "STOP!"
By then, I was definitely not sticking around for five to go down to four just because of a mistake.
I did, however, like the world of Legion. It's certainly not a life I would want, but I definitely enjoyed the basic idea behind the series, Candice Accola's narration of <i>Unbreakable</i>, and the sound effects used in the audiobook.
<a href="https://bookwyrmingthoughts.com/dnf-audiobook-review-unbreakable-by-kami-garcia/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Basically, I'm saying I give up on Kami Garcia. No offense, but after my horrid experience with the first couple of books of her <i>Beautiful Creatures</i> series she wrote with Margaret Stohl and then <i>Unbreakable</i>, I'm not sure I want to read another of her books (aside from maybe reading <i>Dangerous Creatures</i>).
<i>Unbreakable</i> sort of has a good idea – emphasis on sort of. Garcia's first debut solo novel follows Kennedy Waters, a girl who doesn't actually believe in ghosts until she finds her mother dead. Shortly after, a ghost makes an attempt to kill her as well, and is stopped by Lukas and Jared Lockhart, two brothers who are part of a centuries-old secret society made up of five members trying to stop a demon released by their ancestors hundreds of years ago. However, Kennedy isn't entirely too sure about whether or not she really belongs with this secret society called the Legion of the Black Dove.
For a person who doesn't watch <i>Supernatural</i> much, it's really weird when I get though, oh... 33 pages, that I realize a book is almost an exact carbon copy of the few episodes I watched.
For instance, there are two brothers in <i>Supernatural</i> and there are two brothers in <i>Unbreakable</i>. Are Sam and his brother identical? No.... not that I'm aware, which is only a small difference between the two books. Brother Pair 1 (<i>Supernatural</i>) and Brother Pair 2 (Unbreakable) apparently hunt demons for a living. At least, that's what I think Pair 1 did – correct me if I'm wrong, avid fans who are bound to be more accurate than me.
Oh, and there's a demon hunting around for a certain person... or a certain group of people. I'm pretty sure there was a demon hunting Brother Pair 1 for quite awhile in the episodes I actually watched (give me a break. I was bored. <i>Supernatural</i> just seemed interesting). Fun fact: possession involved in both TV show and book.
The mere fact that <i>Unbreakable</i> matched the few episodes (I believe they were reruns) I watched didn't bother me too much – it was a potential love triangle between Kennedy, Jared, and Lukas that eventually drove me up the wall. If Garcia isn't careful enough, the tension between Jared and Lukas could eventually set the book on fire – Lukas spends a good part of his time between fighting vengeful spirits and other things rubbing something that Jared did wrong in his face. It gets bad enough that both brothers reach the point of throttling each other's throats and Kennedy going between them and stopping them.
I felt like I was watching a scene from a <i>Twilight</i> (I'm starting to appreciate this series). <i>Lux</i> (because I totally snuck a few peeks in the third one), and pretty much any other book that has a love triangle in which 66% of them nearly start a brawl while the rest of the 33% pretty much yells, "STOP!"
By then, I was definitely not sticking around for five to go down to four just because of a mistake.
I did, however, like the world of Legion. It's certainly not a life I would want, but I definitely enjoyed the basic idea behind the series, Candice Accola's narration of <i>Unbreakable</i>, and the sound effects used in the audiobook.
<a href="https://bookwyrmingthoughts.com/dnf-audiobook-review-unbreakable-by-kami-garcia/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>