"This is an amazing work of art and history—a three-part graphic novel that dives deep into some of the struggle, strategy, beauty, and brutality that defined our country’s Civil Rights Movement. A vital tool for people, young and old, to learn about the past and be inspired about the future."

"I was playing Scott 3 quite a lot at Christmas and there’s something about this song that’s more Christmassy than Christmas songs. It’s just kind of magical, that’s how I’d describe ‘Copenhagen’, it’s magical. “I think this song is my highlight from Scott 3, there’s something about ‘Copenhagen’ for me. I think it’s the instrumentation and the orchestration on it, it’s utterly gorgeous, the sound of it is really, really beautiful and then there’s his voice over the top, the lyrics and his delivery. I guess it’s rooted in that crooner area but there’s a tenderness to it. ‘Copenhagen’ has a delicacy to it and I’ve always loved the vulnerability of it as well, like there’s crack in his voice. I’m just in love with this song. “I think a lot of people like Scott Walker songs because they touch on stylistic elements that could be seen as more commercial or just normal or standard in some way, but they’re not. When you hear how he delivers this there’s an off-kilter feel to it, an oddness to it. It’s got a beauty but it’s not really an obvious beauty and he manages to walk that line really well, between darkness and beauty. “That’s another thing that I love about the whole album Scott 3, it is quite dark, but it’s dark and beautiful and those two things are something that I’m really in tune with, a sort of dark beauty and that’s what Scott Walker does really well."

"Hitchcock’s best movie? It certainly is as close to perfect as you can get. Brains—the story, dialogue, and direction. Beauty—Ingrid Bergman and Cary Grant. Plus, thrills, romance, uranium, and Nazis. And another laugh line I’ll never forget, from Claude Rains’s mother to him: “Luckily, we were protected by the enormity of your stupidity.”"