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Mothergamer (1568 KP) rated the PC version of Kingdoms of Amalur: Reckoning in Video Games
Apr 3, 2019
Say Fable, Skyrim, and Dragon Age have a baby and Kingdoms of Amalur: Reckoning is the result and what a brilliant result it is. Not only is there a fantastic in depth story created by R.A. Salvatore, there is amazing art work done by Todd McFarlane and an incredible musical score by Grant Kirkhope. Last but not least, there is of course the game's executive designer, Ken Rolston. Together, these individuals made one hell of a RPG video game, that was not only fun to play, it's worth playing through again and again.
The story begins with your character finding himself or herself revived from death by a creation known as the Well Of Souls. This event has disrupted the threads of fate that affect the people and events of Amalur leaving you with no determined fate. This opens you up to many possibilities and of course there are those who would exploit it for their own personal gain.
With an opening like this, Kingdoms Of Amalur's story has a lot of depth and there are many possibilities that one can take as it progresses. There is so much to explore on the map and there is a freedom to it as you can explore as much as you like. The story line itself leads to you exploring the kingdom of Amalur even further opening up new areas and you are not isolated to just one location.
All the areas are beautifully done and are different from each other. No similarities or one map used repeatedly here. There is even a dangerous beauty and creativity to all the fantasy monsters that are a threat to you such as mountain trolls. Although you will see some of the same monsters in different areas as well as types of NPCs and other characters, it mixes together so well it doesn't hinder the game play or the story. The dialogue with characters is well written and even more refreshing, well acted. It's never boring and in some dialogues it even adds more to the tale.
One flaw Kingdoms Of Amalur has is a couple of the quests had a few bugs, such as the Shine And Shadow quest. The quest couldn't be finished because of the quest items not being in the inventory or the Boss for this particular quest just didn't show up. It wasn't a terribly trying ordeal, but it was something that was noticed and something that could and should be fixed. Other than that, there was no other technical issues with the game for me. The game didn't freeze once during all the hours of game play and the frame rate didn't drop, and because of how much fun I had with the game, a couple of quest bugs didn't bother me at all. But, let's move on to the rest of the good.
The core of Kingdoms Of Amalur is the combat throughout the game along with the ability to fully customize your character and play to your character's strengths due to your fate or lack of one. The possibilities are endless and you can even open up new job classes as your character levels up as the game progresses. Award points earned after leveling up can be put into three categories: Might, Finesse, and Sorcery giving you added abilities and status boosts associated with whichever job class you have chosen. Combine this with all the questing and yes, that includes all the side quests, five guild story arcs, and the downloadable content of The Legend Of Dead Kel, that could easily give you 100 hours or more of game time. To sum up, Kingdoms Of Amalur isn't just a run of the mill RPG. It's something more. It has a great mix of excellent story telling, amazing game play, and an exciting world to explore that promises tons of great adventure. Overall, it is a game worth having in a gamer's collection.
The story begins with your character finding himself or herself revived from death by a creation known as the Well Of Souls. This event has disrupted the threads of fate that affect the people and events of Amalur leaving you with no determined fate. This opens you up to many possibilities and of course there are those who would exploit it for their own personal gain.
With an opening like this, Kingdoms Of Amalur's story has a lot of depth and there are many possibilities that one can take as it progresses. There is so much to explore on the map and there is a freedom to it as you can explore as much as you like. The story line itself leads to you exploring the kingdom of Amalur even further opening up new areas and you are not isolated to just one location.
All the areas are beautifully done and are different from each other. No similarities or one map used repeatedly here. There is even a dangerous beauty and creativity to all the fantasy monsters that are a threat to you such as mountain trolls. Although you will see some of the same monsters in different areas as well as types of NPCs and other characters, it mixes together so well it doesn't hinder the game play or the story. The dialogue with characters is well written and even more refreshing, well acted. It's never boring and in some dialogues it even adds more to the tale.
One flaw Kingdoms Of Amalur has is a couple of the quests had a few bugs, such as the Shine And Shadow quest. The quest couldn't be finished because of the quest items not being in the inventory or the Boss for this particular quest just didn't show up. It wasn't a terribly trying ordeal, but it was something that was noticed and something that could and should be fixed. Other than that, there was no other technical issues with the game for me. The game didn't freeze once during all the hours of game play and the frame rate didn't drop, and because of how much fun I had with the game, a couple of quest bugs didn't bother me at all. But, let's move on to the rest of the good.
The core of Kingdoms Of Amalur is the combat throughout the game along with the ability to fully customize your character and play to your character's strengths due to your fate or lack of one. The possibilities are endless and you can even open up new job classes as your character levels up as the game progresses. Award points earned after leveling up can be put into three categories: Might, Finesse, and Sorcery giving you added abilities and status boosts associated with whichever job class you have chosen. Combine this with all the questing and yes, that includes all the side quests, five guild story arcs, and the downloadable content of The Legend Of Dead Kel, that could easily give you 100 hours or more of game time. To sum up, Kingdoms Of Amalur isn't just a run of the mill RPG. It's something more. It has a great mix of excellent story telling, amazing game play, and an exciting world to explore that promises tons of great adventure. Overall, it is a game worth having in a gamer's collection.
Movie Metropolis (309 KP) rated Jurassic World (2015) in Movies
Jun 10, 2019
A Trip down memory lane
Can you believe it’s been 14 years since genetically modified dinosaurs rampaged across our screens in Joe Johnston’s underwhelming Jurassic Park III?
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 1 (2014) in Movies
Jun 10, 2019
Too slow in parts
The Hunger Games series has become something of a worldwide phenomenon over the last few years, with over $1bn in takings between two films, success is a bit of an understatement.
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/
Purple Phoenix Games (2266 KP) rated Onitama in Tabletop Games
Jun 12, 2019
Who knew that a game, whose loose translation in English is “Ogre Ball” or “Demon Spirit, ” could pack such a 2-player punch, have a checkersesque simplicity, but also the depth in strategy that can be found only in its inspired creation. PPG encourages you to try, what we find to be anyway, the most inspiring Chess spin-off since Chess itself. If you are like us, you are super busy with everyday life and just can’t seem to find the chance to learn how to play the age old classic quintessential board game. Well, get your pawns ready because Onitama will suck you in, and 3 games later, you’ll still have another half hour free to play!
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
While at first glance, Onitama seems to be another little guy trying its darndest to bring down the classic giant. However, this is where the genius of this game really kicks in. It doesn’t try to take down the giant, but yet streamlines it in a way you would never expect. Onitama brilliantly finds a way to keep the grandeur and thick strategy you would expect from Chess, but eliminates the amount of time needed to craft your next move. Okay, so how is this possible you ask!? Well, in Onitama, you are provided 2 cards on each turn that include a set of possible paths that ANY pawn on the board can take. Seems limiting at first right? That’s the beauty. It’s not. You will be planning your moves quite quickly as the card you just used will trade hands around the table once played. So while a certain card may be your absolute best move in that moment, it may also be the key to your opponent winning the game if you pass it to them. Enter strategic bliss! While you don’t have to remember which way the Knight moves again, you do need to think on your feet potentially 2-3 turns ahead so that you don’t play into your opponent’s plans to victory!
A few other glowing graces this board game includes is its low price point, high quality cards, components (playmat included!), and visually beautiful artwork inside and out. While not imperative to the gameplay of Onitama, you will love the clever naming of the potential move cards. The shape of the move on the card plays a certain role in its naming. E.X. a longer squiggle type move on a card might have the name of “Snake.” Or, a card with the name “Dragon” let’s you leap across the board numerous spaces at a time as if in flight to exert your winged dominance.
We here at Purple Phoenix Games really love Onitama; it’s one of our highest rated 2-player board games! While it can act as a quick filler game between other heavier board games, it can also be played numerous times one after another without the loss of fun or strategic opportunities. I personally cannot think of a time I have ever sat down and played Onitama just once. This game keeps you coming back for more. We hope you will consider picking up a copy soon! As I write this, there are already a few expansions out there or in the works. Check back soon for some exciting updates to this already great board game! Purple Phoenix Games gives this one a calculated 19 / 24.
https://purplephoenixgames.wordpress.com/2019/04/12/onitama-review/
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
While at first glance, Onitama seems to be another little guy trying its darndest to bring down the classic giant. However, this is where the genius of this game really kicks in. It doesn’t try to take down the giant, but yet streamlines it in a way you would never expect. Onitama brilliantly finds a way to keep the grandeur and thick strategy you would expect from Chess, but eliminates the amount of time needed to craft your next move. Okay, so how is this possible you ask!? Well, in Onitama, you are provided 2 cards on each turn that include a set of possible paths that ANY pawn on the board can take. Seems limiting at first right? That’s the beauty. It’s not. You will be planning your moves quite quickly as the card you just used will trade hands around the table once played. So while a certain card may be your absolute best move in that moment, it may also be the key to your opponent winning the game if you pass it to them. Enter strategic bliss! While you don’t have to remember which way the Knight moves again, you do need to think on your feet potentially 2-3 turns ahead so that you don’t play into your opponent’s plans to victory!
A few other glowing graces this board game includes is its low price point, high quality cards, components (playmat included!), and visually beautiful artwork inside and out. While not imperative to the gameplay of Onitama, you will love the clever naming of the potential move cards. The shape of the move on the card plays a certain role in its naming. E.X. a longer squiggle type move on a card might have the name of “Snake.” Or, a card with the name “Dragon” let’s you leap across the board numerous spaces at a time as if in flight to exert your winged dominance.
We here at Purple Phoenix Games really love Onitama; it’s one of our highest rated 2-player board games! While it can act as a quick filler game between other heavier board games, it can also be played numerous times one after another without the loss of fun or strategic opportunities. I personally cannot think of a time I have ever sat down and played Onitama just once. This game keeps you coming back for more. We hope you will consider picking up a copy soon! As I write this, there are already a few expansions out there or in the works. Check back soon for some exciting updates to this already great board game! Purple Phoenix Games gives this one a calculated 19 / 24.
https://purplephoenixgames.wordpress.com/2019/04/12/onitama-review/
ArecRain (8 KP) rated Goddess of Yesterday in Books
Jan 18, 2018
First off, I should say that I absolutely love Greek mythology. I do not consider myself sufficiently schooled in the subject, but it is a passion of mine. I do not, however, like reading about the Trojan War. Therefore, I was a bit iffy when I request this book from book swap on goodreads.com . After reading it, I was pleased that the novel barely touched on the war.
There are so many thing that I love about this book that I dont know if I can even fit it all into one review. I normally do not like narratives, but I think this novel wouldnt have been the same if it hadnt been. When it first starts, the main character, Anaxandra, is only 5 years old and , thus, narrates through the eyes of a five year old (who knows how to express herself very well ). As the story progresses and Anaxandra grows older, the way she thinks and talks also evolves. You almost feel as if you grow with her, learning the things that she does and experiencing what she does with such clarity.
From page one, the plot unfolds, another thing I adore about any book. There is no excessive detail or long drawn out explanations of anything. Cooney wastes no time with excessive writing when she can sufficiently say it in a few sentences. Something I thought was very realistic considering the narrator. It almost reads like a stream on consciousness. It isnt staccato and rough like Hemingways writing, reading smoothing while still sounding like what is going through a young girl's mind during the time.
The plot actually wasnt too complicated. A young girl is given to a king as a companion for his daughter. Their village is sacked when she is older and she lies to Menalaus to save herself and thus becomes a companion for his young daughter. Helen meets Paris, and the rest is history. It sounds simple enough, but every page had something on it that progressed the storyline. It seemed that something was always happening.
Cooney's Helen of Troy had me clutching my book firmly in my claws, trying not to through it across the room in rage. I always picture Helen of Troy as a narcisstic woman who should have been put in her place. Cooney portrayed just that: a woman so caught in her own supposed birthright, beauty, and self bestowed power that, at time, Helen acted as if she was a goddess herself. She had accepted her life but was bored with it. It wasn't until someone as equally gorgeous and captivating as her came along, Paris, did she gain the courage to finally defy her husband.
I equally agreed with Cooney's portrayal of Paris. The young prince, who was also known to be quite the stud of his time, just bragged about his conquests and skills, of which, in truth, he had none.
What is not to love about two people wrapped up in themselves actually falling in love with each other? I wondered if they were only in love with the idea of them having a mate that compared to their unsurpassable looks.
All in all, there were far to many things in this novel that made me place it back on my shelf instead of donating it once I had finished. It lacks a certain maturity that I had grown use to from the other novels I have been reading as of late, but considering it is a young adult novel, I think Cooney can be forgiven for such a triviality.
If you like fiction about ancient Greece and Greek Mythology, I whole-heartedly recommend this little gem.
There are so many thing that I love about this book that I dont know if I can even fit it all into one review. I normally do not like narratives, but I think this novel wouldnt have been the same if it hadnt been. When it first starts, the main character, Anaxandra, is only 5 years old and , thus, narrates through the eyes of a five year old (who knows how to express herself very well ). As the story progresses and Anaxandra grows older, the way she thinks and talks also evolves. You almost feel as if you grow with her, learning the things that she does and experiencing what she does with such clarity.
From page one, the plot unfolds, another thing I adore about any book. There is no excessive detail or long drawn out explanations of anything. Cooney wastes no time with excessive writing when she can sufficiently say it in a few sentences. Something I thought was very realistic considering the narrator. It almost reads like a stream on consciousness. It isnt staccato and rough like Hemingways writing, reading smoothing while still sounding like what is going through a young girl's mind during the time.
The plot actually wasnt too complicated. A young girl is given to a king as a companion for his daughter. Their village is sacked when she is older and she lies to Menalaus to save herself and thus becomes a companion for his young daughter. Helen meets Paris, and the rest is history. It sounds simple enough, but every page had something on it that progressed the storyline. It seemed that something was always happening.
Cooney's Helen of Troy had me clutching my book firmly in my claws, trying not to through it across the room in rage. I always picture Helen of Troy as a narcisstic woman who should have been put in her place. Cooney portrayed just that: a woman so caught in her own supposed birthright, beauty, and self bestowed power that, at time, Helen acted as if she was a goddess herself. She had accepted her life but was bored with it. It wasn't until someone as equally gorgeous and captivating as her came along, Paris, did she gain the courage to finally defy her husband.
I equally agreed with Cooney's portrayal of Paris. The young prince, who was also known to be quite the stud of his time, just bragged about his conquests and skills, of which, in truth, he had none.
What is not to love about two people wrapped up in themselves actually falling in love with each other? I wondered if they were only in love with the idea of them having a mate that compared to their unsurpassable looks.
All in all, there were far to many things in this novel that made me place it back on my shelf instead of donating it once I had finished. It lacks a certain maturity that I had grown use to from the other novels I have been reading as of late, but considering it is a young adult novel, I think Cooney can be forgiven for such a triviality.
If you like fiction about ancient Greece and Greek Mythology, I whole-heartedly recommend this little gem.
Becca Major (96 KP) rated The Nutcracker Prince (1990) in Movies
Jan 20, 2018
Decent writing (3 more)
Good animation
Semi-active heroine
Loyal to the book
Dance sequence, especially the Pas de Deux (3 more)
Music placement
Weak and confusing ending
Marie
The Nutcracker Prince
Contains spoilers, click to show
Summary:
The Nutcracker Prince is an enjoyable little children's movie that is a strange mashup of the novel by E.T.A. Hoffman and the popular ballet. The story is fairly simple and follows Clara as she interacts with her family at the yearly Christmas party, where she and her siblings receive the titular Nutcracker from their Uncle Drosselmeyer, as well as a golden castle. He then proceeds to tell Clara about the Nutcracker’s backstory. Then Fritz, Clara’s little brother, breaks the Nutcracker and she scolds him.
Later that night, the Mouse King attacks, attempting to kill the Nutcracker, and Clara watches the toys do battle with the Mouse King’s army. Clara ends up tripping and hurting herself, which makes her bedridden. During this time, Fritz brings her a partially eaten box of chocolates, which she puts in her nightstand drawer. Later that night, the Mouse King approaches her and threatens her. Clara offers him the box of chocolates and when he hops in the drawer to eat them, she shuts him in. She runs downstairs to protect the Nutcracker, which transitions to the second attack of the Mouse King and his army. The toys and mice battle, and eventually the Nutcracker runs the Mouse King through (off-screen of course), and the day is won.
The Nutcracker invites Clara to visit the Land of the Dolls. She does and is impressed by the beauty around her, and the Nutcracker asks her to stay and become his Queen. She turns him down, for good reasons, and everyone in the Land of the Dolls starts to turn back into lifeless objects. Then, to make everything weirder, the “dead” Mouse King shows up for one more hurrah and fights with Clara. He ends up falling over the balcony and dying. Clara returns home via “It was just a dream,” freaks out, runs to her Uncle Drosselmeyer’s house, and meets his nephew, who looks exactly like the Nutcracker, but not really.
Overall:
When all is said and done, I would have to say that I like the beginning of the movie a lot more than the end. The rules for how the magic works make sense, and the characters are pretty well defined. Clara is competitive with her siblings and thinks they are weird, and she is basically about as active as the material allows her to be. The Nutcracker himself is pretty bland and soft-spoken in comparison, but he does try his best with the situation he’s in, so I can’t dislike him. The Mouse King is somewhat threatening, if one dimensional. There isn’t much to say about the side characters. Clara’s siblings are fine, as are most of the side characters. With the exception of Marie, none of them are particularly annoying.
The music is fine, if occasionally distracting. It is Tschaikowsky, after all.
The animation is pretty good for a direct to VHS movie. The run-cycles are pretty goofy, but it flows and has detail.
I like the obvious nods to the aspects of the book that the writers changed, such as naming the new doll Marie. As someone who read the book recently, it was nice to know that they cared about the material they were adapting.
In the end, I feel that considering the movie is twenty-eight years old, it holds up pretty good. I would definitely watch it again and probably share it with the students in my class, or with my nephew.
The Nutcracker Prince is an enjoyable little children's movie that is a strange mashup of the novel by E.T.A. Hoffman and the popular ballet. The story is fairly simple and follows Clara as she interacts with her family at the yearly Christmas party, where she and her siblings receive the titular Nutcracker from their Uncle Drosselmeyer, as well as a golden castle. He then proceeds to tell Clara about the Nutcracker’s backstory. Then Fritz, Clara’s little brother, breaks the Nutcracker and she scolds him.
Later that night, the Mouse King attacks, attempting to kill the Nutcracker, and Clara watches the toys do battle with the Mouse King’s army. Clara ends up tripping and hurting herself, which makes her bedridden. During this time, Fritz brings her a partially eaten box of chocolates, which she puts in her nightstand drawer. Later that night, the Mouse King approaches her and threatens her. Clara offers him the box of chocolates and when he hops in the drawer to eat them, she shuts him in. She runs downstairs to protect the Nutcracker, which transitions to the second attack of the Mouse King and his army. The toys and mice battle, and eventually the Nutcracker runs the Mouse King through (off-screen of course), and the day is won.
The Nutcracker invites Clara to visit the Land of the Dolls. She does and is impressed by the beauty around her, and the Nutcracker asks her to stay and become his Queen. She turns him down, for good reasons, and everyone in the Land of the Dolls starts to turn back into lifeless objects. Then, to make everything weirder, the “dead” Mouse King shows up for one more hurrah and fights with Clara. He ends up falling over the balcony and dying. Clara returns home via “It was just a dream,” freaks out, runs to her Uncle Drosselmeyer’s house, and meets his nephew, who looks exactly like the Nutcracker, but not really.
Overall:
When all is said and done, I would have to say that I like the beginning of the movie a lot more than the end. The rules for how the magic works make sense, and the characters are pretty well defined. Clara is competitive with her siblings and thinks they are weird, and she is basically about as active as the material allows her to be. The Nutcracker himself is pretty bland and soft-spoken in comparison, but he does try his best with the situation he’s in, so I can’t dislike him. The Mouse King is somewhat threatening, if one dimensional. There isn’t much to say about the side characters. Clara’s siblings are fine, as are most of the side characters. With the exception of Marie, none of them are particularly annoying.
The music is fine, if occasionally distracting. It is Tschaikowsky, after all.
The animation is pretty good for a direct to VHS movie. The run-cycles are pretty goofy, but it flows and has detail.
I like the obvious nods to the aspects of the book that the writers changed, such as naming the new doll Marie. As someone who read the book recently, it was nice to know that they cared about the material they were adapting.
In the end, I feel that considering the movie is twenty-eight years old, it holds up pretty good. I would definitely watch it again and probably share it with the students in my class, or with my nephew.
Dana (24 KP) rated Shatter Me in Books
Mar 23, 2018
This is my second time reading this book. I have been wanting to do a re-read of this series for a long while, so when I got the audiobooks, I started reading almost immediately. There will most definitely be spoilers for this book and the rest of the series in this review, so if you have not read (or listened to) it, stop reading this review now and come back after. I promise, it is worth it!!
This book is so much more heartbreaking than I originally remembered. Seeing the depths of Juliette's pain whenever she is about to break apart is just so beautifully written. It makes the character sympathetic, but also gives her a hidden amount of strength that she doesn't even see in herself. Being able to look for beauty in the world is something not all people can do, especially people who have been left and hurt so much in their lives as Juliette has been.
Since Juliette has lived only through stories, that is how she knows how to describe the world. It's all so romantic and new to her in every action and experience. I love seeing how she creates relationships and her desperation to find connections. After being alone for so long (long before her stay in the asylum) she latches onto any kind of love she can get.
It is definitely interesting to see the relationships in their baby forms, especially since I know how the series sends. Knowing this, it's really cool to look at the little hints to the characters' true personalities. Hints at Adam's overbearing entitlement he feels over Juliette, Juliette's hidden strength (as I said before), Kenji's awesomeness (just because I freaking love him).
There are also hints about the white bird with the golden crown that are hidden throughout the series and is not what one would think it would be.
I love seeing Warner in these early parts of the story because he is such an arrogant ass. He hasn't shown anyone his humanity, so there is no way for any of the characters (especially Juliette) to know who and what he really is. Ugh. Why couldn't he be the cool version of his self throughout? Oh and when Warner finds out he can touch Juliette, holy hell! When I first read that, my heart was skyrocketing! I was so scared for her and Adam, but also for Warner because what did that mean for him? When he first touches her, he is writhing on the floor, in a moment of pure terror and pain because he cannot have the one thing he wants more than everything. While that's a very entitled thing to think, to want to have another person, it must have been a terrifying moment for the both of them. By the way, I am in no way condoning his actions throughout the series. He did horrible things that cannot be forgiven so easily, but I do find him a fascinating character.
Kenji is still my favorite side character and will always be. He is an idiotic, crass, sarcastic ass hat, but I wouldn't have him any other way.
I love the writing style in this book. I love how it is written like it is Juliette's journal she keeps throughout this book. I am remembering why I loved this series so much when I first read it.
It did move a bit too quickly for me toward the end, but I understand the necessity to do it that way. Because in war, it is fast paced and difficult to drink in the descriptions of the world around you. It's hard to focus on a singular thing, which is how the last section of this book was written. It is just freaking brilliant.
This book is so much more heartbreaking than I originally remembered. Seeing the depths of Juliette's pain whenever she is about to break apart is just so beautifully written. It makes the character sympathetic, but also gives her a hidden amount of strength that she doesn't even see in herself. Being able to look for beauty in the world is something not all people can do, especially people who have been left and hurt so much in their lives as Juliette has been.
Since Juliette has lived only through stories, that is how she knows how to describe the world. It's all so romantic and new to her in every action and experience. I love seeing how she creates relationships and her desperation to find connections. After being alone for so long (long before her stay in the asylum) she latches onto any kind of love she can get.
It is definitely interesting to see the relationships in their baby forms, especially since I know how the series sends. Knowing this, it's really cool to look at the little hints to the characters' true personalities. Hints at Adam's overbearing entitlement he feels over Juliette, Juliette's hidden strength (as I said before), Kenji's awesomeness (just because I freaking love him).
There are also hints about the white bird with the golden crown that are hidden throughout the series and is not what one would think it would be.
I love seeing Warner in these early parts of the story because he is such an arrogant ass. He hasn't shown anyone his humanity, so there is no way for any of the characters (especially Juliette) to know who and what he really is. Ugh. Why couldn't he be the cool version of his self throughout? Oh and when Warner finds out he can touch Juliette, holy hell! When I first read that, my heart was skyrocketing! I was so scared for her and Adam, but also for Warner because what did that mean for him? When he first touches her, he is writhing on the floor, in a moment of pure terror and pain because he cannot have the one thing he wants more than everything. While that's a very entitled thing to think, to want to have another person, it must have been a terrifying moment for the both of them. By the way, I am in no way condoning his actions throughout the series. He did horrible things that cannot be forgiven so easily, but I do find him a fascinating character.
Kenji is still my favorite side character and will always be. He is an idiotic, crass, sarcastic ass hat, but I wouldn't have him any other way.
I love the writing style in this book. I love how it is written like it is Juliette's journal she keeps throughout this book. I am remembering why I loved this series so much when I first read it.
It did move a bit too quickly for me toward the end, but I understand the necessity to do it that way. Because in war, it is fast paced and difficult to drink in the descriptions of the world around you. It's hard to focus on a singular thing, which is how the last section of this book was written. It is just freaking brilliant.
Heather Cranmer (2721 KP) rated The Treachery of Beautiful Things in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I had been wanting to read this book since I had first heard about it. I was lucky enough to win it in a blog competition. I'm so glad I did because I loved every second of this book!! It reminded me a little bit like Snow White; not the Disney version but the Grimm's Fairy Tales version.
Jenny is 10 years old when she sees the forest swallow her older brother into the ground. She tries to tell everyone around her that the forest took her brother, but yet, no one believes her. Seven years later, Jenny is walking by the forest when she hears flute music like her brother used to play. Thinking she may be able to find him, she ventures into the very same forest. Little does she know what danger lurks in the forest. Will she be able to save her brother or will she be too late?
The Treachery of Beautiful Things is such a wonderful title for this book! Beautiful things can be dangerous despite their beauty, and how right that is!! The forest is full of beautiful creatures, but not everything is as it seems.
The cover of this book is absolutely gorgeous!! Instead of being just some random picture on the cover, the cover is from a scene in the book, and it fits in beautifully with the title. Well done to the cover artist and the author for choosing this cover. I am entranced by it!
The world building and setting of the forest where the majority of this story takes place is done really well. The author uses great descriptions to make the reader feel as if he/she is a part of it. I easily lost myself in this book and in the forest thanks to the fantastic world building.
The pacing in The Treachery of Beautiful Things is absolutely fantastic! Not once in the story did I feel my attention waning. I was enthralled in the story from the very first page. I reluctantly had to put the book down to do real life things. However, when I had free time, I was devouring this book!
The dialogue is perfect for readers of teen years on up. The dialogue between the characters was very interesting. I especially loved the dialogue between Puck and Jenny.
The author does a great job with character building. I felt the characters were well-developed, and each had their own unique personalities. I loved the character of Jenny. I loved how determined she was to stop at nothing to protect those she loved. Jack was a fantastic character as well. I love how the author made him out to be conflicted but in a believable way. Jack comes across as being a real person instead of a character in a book. Puck was definitely my favourite character by far. He was the one who interjected a lot of humour into this story. I'm thinking the author got the inspiration for Puck from A Midsummer's Night's Dream by Shakespeare. Puck was loyal to a fault to the king, yet he has a heart of gold. Tatania/Mab made an excellent baddie. She reminded me a lot of the queen from Snow White. Oberon was a great baddie as well although he didn't feature as much as Tatania/Mab. We don't learn much about his character until towards the end of the book.
The Treachery of Beautiful Things by Ruth Frances Long is a fantastic story of romance, fairy tale, and suspense. It will keep you wanting more long after you've finished the book.
I'd recommend this book to everyone aged 13+. It's such a lovely read!
I had been wanting to read this book since I had first heard about it. I was lucky enough to win it in a blog competition. I'm so glad I did because I loved every second of this book!! It reminded me a little bit like Snow White; not the Disney version but the Grimm's Fairy Tales version.
Jenny is 10 years old when she sees the forest swallow her older brother into the ground. She tries to tell everyone around her that the forest took her brother, but yet, no one believes her. Seven years later, Jenny is walking by the forest when she hears flute music like her brother used to play. Thinking she may be able to find him, she ventures into the very same forest. Little does she know what danger lurks in the forest. Will she be able to save her brother or will she be too late?
The Treachery of Beautiful Things is such a wonderful title for this book! Beautiful things can be dangerous despite their beauty, and how right that is!! The forest is full of beautiful creatures, but not everything is as it seems.
The cover of this book is absolutely gorgeous!! Instead of being just some random picture on the cover, the cover is from a scene in the book, and it fits in beautifully with the title. Well done to the cover artist and the author for choosing this cover. I am entranced by it!
The world building and setting of the forest where the majority of this story takes place is done really well. The author uses great descriptions to make the reader feel as if he/she is a part of it. I easily lost myself in this book and in the forest thanks to the fantastic world building.
The pacing in The Treachery of Beautiful Things is absolutely fantastic! Not once in the story did I feel my attention waning. I was enthralled in the story from the very first page. I reluctantly had to put the book down to do real life things. However, when I had free time, I was devouring this book!
The dialogue is perfect for readers of teen years on up. The dialogue between the characters was very interesting. I especially loved the dialogue between Puck and Jenny.
The author does a great job with character building. I felt the characters were well-developed, and each had their own unique personalities. I loved the character of Jenny. I loved how determined she was to stop at nothing to protect those she loved. Jack was a fantastic character as well. I love how the author made him out to be conflicted but in a believable way. Jack comes across as being a real person instead of a character in a book. Puck was definitely my favourite character by far. He was the one who interjected a lot of humour into this story. I'm thinking the author got the inspiration for Puck from A Midsummer's Night's Dream by Shakespeare. Puck was loyal to a fault to the king, yet he has a heart of gold. Tatania/Mab made an excellent baddie. She reminded me a lot of the queen from Snow White. Oberon was a great baddie as well although he didn't feature as much as Tatania/Mab. We don't learn much about his character until towards the end of the book.
The Treachery of Beautiful Things by Ruth Frances Long is a fantastic story of romance, fairy tale, and suspense. It will keep you wanting more long after you've finished the book.
I'd recommend this book to everyone aged 13+. It's such a lovely read!
Goddess in the Stacks (553 KP) rated Little Bee in Books
Jun 20, 2018
Today, June 20, is World Refugee Day. First observed in 2001, it is dedicated to raising awareness of the plight of refugees all across the world. African Refugee Day had been observed in some countries prior to the UN declaring it World Refugee Day, but the Organization of African Unity agreed to have the two days coincide.
To honor World Refugee Day, today I'm going to talk about Little Bee. Little Bee is a Nigerian refugee in the United Kingdom. She and her sister witnessed the destruction of their village by an oil company's thugs, and were hunted down to eliminate the witnesses. In a chance encounter on a Nigerian beach, she met Sarah and Andrew, a couple from London trying to save their marriage by going on an exotic holiday. The encounter changes the lives of all three of them, and when Little Bee makes it to the United Kingdom, they are the only people she knows. She arrives at their home on the day of Andrew's funeral, and Sarah takes her in.
The book switches between the viewpoints of Sarah and Little Bee, and it does suffer from that, a bit. I couldn't wait for Sarah's chapters to be done so I could get back to Little Bee. Her viewpoint - her voice - was enthralling. Some first-person views are just the person thinking to themselves, while some first-person views are the person talking to the reader. Sarah was the first type, and Little Bee the second. Reading her explanations of the differences between her old life and her new life, and how the girls from her village wouldn't understand things, was amazing. I was hooked within the first ten pages of the book, specifically her note about scars:
"I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived."
The events Little Bee talks about having witnessed are horrifying. And she recognizes that. She could be bitter, she could be depressed, she could be insane, but she is not. She manages to have hope, and even joy. She sees other refugees around her commit suicide, and in fact always has a plan for how to kill herself "if the men come." Because the stories of refugees always begin with "the men came and they..." and she'd rather kill herself than let herself be taken. Despite this, she has hope for a future. Or perhaps she simply takes joy in the present.
The book is not a happy one. Like Sing, Unburied, Sing, it's an important book but not exactly an enjoyable one. There are enjoyable parts. But there are very hard parts, too. (I should note, here, a TRIGGER WARNING for a graphic description of rape, when Little Bee tells Sarah what happened to Little Bee's older sister.) It did not end the way I wanted it to, though it ended in an unexpected way. I suppose it was too much to hope for a Happy Ever After when the vast majority of refugees don't get one.
For all that there were very tough scenes to get through in this book, I'm still putting it on my Best of 2018 list. Little Bee's voice and viewpoint is amazing, the story is well researched, and the plot absorbing. This is a book I'd like to have on my shelf.
You can find all my reviews at http://goddessinthestacks.wordpress.com
To honor World Refugee Day, today I'm going to talk about Little Bee. Little Bee is a Nigerian refugee in the United Kingdom. She and her sister witnessed the destruction of their village by an oil company's thugs, and were hunted down to eliminate the witnesses. In a chance encounter on a Nigerian beach, she met Sarah and Andrew, a couple from London trying to save their marriage by going on an exotic holiday. The encounter changes the lives of all three of them, and when Little Bee makes it to the United Kingdom, they are the only people she knows. She arrives at their home on the day of Andrew's funeral, and Sarah takes her in.
The book switches between the viewpoints of Sarah and Little Bee, and it does suffer from that, a bit. I couldn't wait for Sarah's chapters to be done so I could get back to Little Bee. Her viewpoint - her voice - was enthralling. Some first-person views are just the person thinking to themselves, while some first-person views are the person talking to the reader. Sarah was the first type, and Little Bee the second. Reading her explanations of the differences between her old life and her new life, and how the girls from her village wouldn't understand things, was amazing. I was hooked within the first ten pages of the book, specifically her note about scars:
"I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived."
The events Little Bee talks about having witnessed are horrifying. And she recognizes that. She could be bitter, she could be depressed, she could be insane, but she is not. She manages to have hope, and even joy. She sees other refugees around her commit suicide, and in fact always has a plan for how to kill herself "if the men come." Because the stories of refugees always begin with "the men came and they..." and she'd rather kill herself than let herself be taken. Despite this, she has hope for a future. Or perhaps she simply takes joy in the present.
The book is not a happy one. Like Sing, Unburied, Sing, it's an important book but not exactly an enjoyable one. There are enjoyable parts. But there are very hard parts, too. (I should note, here, a TRIGGER WARNING for a graphic description of rape, when Little Bee tells Sarah what happened to Little Bee's older sister.) It did not end the way I wanted it to, though it ended in an unexpected way. I suppose it was too much to hope for a Happy Ever After when the vast majority of refugees don't get one.
For all that there were very tough scenes to get through in this book, I'm still putting it on my Best of 2018 list. Little Bee's voice and viewpoint is amazing, the story is well researched, and the plot absorbing. This is a book I'd like to have on my shelf.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hazel (1853 KP) rated The Inexplicable Logic of My Life in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award winning novel, <i>Aristotle and Dante Discover the Secrets of the Universe</i>. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels.
When I saw an ARC of <i>The Inexplicable Logic of My Life</i> was available for request on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. And I am truly glad I did. What, from the blurb and book cover, could result in a mundane Young Adult novel, turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story, it makes you feel it too.
The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend Sam. Normally, the first day of school is something he looks forward to, however he feels differently this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.
Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in the back of his mind: who is his birth father?
Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like to not truly know who you are, as does Fito, another friend, with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood related.
Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and the encouragement to carry on.
<i>The Inexplicable Logic of My Life</i> covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?
With great efficacy, Sáenz explains through Sal’s voice, the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize that they always have belonged.
<i>The Inexplicable Logic of My Life</i> is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical, narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.
Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award winning novel, <i>Aristotle and Dante Discover the Secrets of the Universe</i>. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels.
When I saw an ARC of <i>The Inexplicable Logic of My Life</i> was available for request on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. And I am truly glad I did. What, from the blurb and book cover, could result in a mundane Young Adult novel, turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story, it makes you feel it too.
The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend Sam. Normally, the first day of school is something he looks forward to, however he feels differently this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.
Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in the back of his mind: who is his birth father?
Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like to not truly know who you are, as does Fito, another friend, with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood related.
Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and the encouragement to carry on.
<i>The Inexplicable Logic of My Life</i> covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?
With great efficacy, Sáenz explains through Sal’s voice, the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize that they always have belonged.
<i>The Inexplicable Logic of My Life</i> is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical, narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.