Gareth von Kallenbach (971 KP) rated Rings (2017) in Movies
Jul 12, 2019
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
Dinosaurs
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Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones
10.0
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Evo (second edition)
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In Evo, you play a nomadic people in symbiosis with a primitive reptilian species. You travel the...
Rachel King (13 KP) rated A Pointed Death in Books
Feb 11, 2019
Many of the characters are unique, if a bit cliche - such as Nola's southern belle mother, Janie Belle. I also found it odd that Nola mostly referred to her mother by her first name instead of simply calling her Mother or Mom. Nola's pointer dog, Skootch, often stole the show with his antics, but the plot seems to depend on Skootch's behavior for its progression.
Other parts of the book that I enjoyed for their own sake was the details that Russell used to bring the setting of San Francisco to life, such as the California cuisine. The polarization of Nola's choice of foods in comparison to her mother's southern cooking made for some interesting situations, and one scene at a crab festival had me salivating in jealousy. Russell is very good with details and descriptions across the board.
As for the plot, there was very little to disappoint. There was not much I could predict, no matter how many times I thought I knew what would happen next. The action was intense at times, but it was interspersed with bits of humor and romance to lighten the tension. Most of the subplots wrapped up nicely, with only a bit left over for a second book in the series to pick up. The only real question that I had that was never answered was what Nola's dot-com company actually did before it crashed. This likely was not relevant enough to the plot to be worth including.
On the whole, I was delighted that this book was a much better read than I expected it to be.
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