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Emma @ The Movies (1786 KP) rated Marshall (2017) in Movies
Sep 25, 2019
Marshall is the biopic of Thurgood Marshall, the first African-American Supreme Court Justice, and it focuses on one of the first cases of his career.
I was enthralled by this film. It popped up on my listings and I went to it without knowing anything more than the fact it was a biopic. Just like Hidden Figures, this was an interesting, heart-breaking and moving tale.
Chadwick Boseman, who some of us will know as Black Panther in the Marvel Universe, was a brilliant lead. Josh Gad felt like such an odd choice, I've only ever seen him in comedy films or staring as our favourite feathered or Frozen friends, but the two of them together brought this powerful story to life on the screen.
There aren't many films where I come out knowing that I didn't miss a second of what happened, but this one had me on the edge of my seat. Not so much for the guy across the aisle though, I'm fairly certain that he was snoring at one point.
I was enthralled by this film. It popped up on my listings and I went to it without knowing anything more than the fact it was a biopic. Just like Hidden Figures, this was an interesting, heart-breaking and moving tale.
Chadwick Boseman, who some of us will know as Black Panther in the Marvel Universe, was a brilliant lead. Josh Gad felt like such an odd choice, I've only ever seen him in comedy films or staring as our favourite feathered or Frozen friends, but the two of them together brought this powerful story to life on the screen.
There aren't many films where I come out knowing that I didn't miss a second of what happened, but this one had me on the edge of my seat. Not so much for the guy across the aisle though, I'm fairly certain that he was snoring at one point.
Ben (2351 KP) rated Walk the Line (2005) in Movies
Apr 10, 2020 (Updated Apr 10, 2020)
Great acting (1 more)
Great singing
A very good film about the life of Johnny Cash
A great biopic that follows the life and career of Johnny Cash. It follows the singer from his early life growing up in Arkansas until his famous performance at Folsom prison. Brilliant lead performances from Joaquin Phoenix as Johnny Cash and Reese Witherspoon as June Carter make this movie a good watch for anyone, even if your not a big fan of Johnny Cash.
I’d highly recommend!
I’d highly recommend!
#Wordsareourgreatestweapon (32 KP) rated Bohemian Rhapsody - The Soundtrack by Queen in Music
Dec 18, 2018 (Updated Dec 18, 2018)
I mean... It's QUEEN! and they made an amazing job of the Film ... thumbs up from me
And....Rami Malek stepped into the role of Freddie AMAZINGLY! It would've taken one hell of an actor to fill such a personality and he did it FLAWLESSLY and i have always said doing a biopic would be difficult, as you have to get it right..... and BOY DID THEY!
I aim to remind everyone that these are MY opinions, which i am entitled to, you do no have to agree...
And....Rami Malek stepped into the role of Freddie AMAZINGLY! It would've taken one hell of an actor to fill such a personality and he did it FLAWLESSLY and i have always said doing a biopic would be difficult, as you have to get it right..... and BOY DID THEY!
I aim to remind everyone that these are MY opinions, which i am entitled to, you do no have to agree...
The Craggus (360 KP) rated First Man (2018) in Movies
Oct 16, 2018
First Man (2018) brings down-to-earth intimacy to the story of mankind’s giant leap. #Review
Opening with Neil Armstrong (Ryan Gosling) test piloting an X-15 rocket ship so high you fear he may crash in to the orbiting Universal Logo which went past mere seconds before, Damien Chazelle’s quietly absorbing biopic is something of an antithesis to the usual stars ‘n’ stripes bombastic heroic portrayal the US space program usually receives. Instead, the focus here puts the man in the foreground while the mission is pushed to the back...
FULL REVIEW: http://bit.ly/CraggusFirstMan
FULL REVIEW: http://bit.ly/CraggusFirstMan
Darren (1599 KP) rated Ned Kelly (2003) in Movies
Nov 24, 2019
Verdict: Biopic 101
Story: Ned Kelly starts in 1871 Australia where an Irish family the Kelly’s have settled in with the eldest son Ned (Ledger) ends up getting into trouble with the law, that has always targeted his family, seeing him placed in prison for a couple of years. Once out Ned does start to try and turn his family’s luck around with his friends Joseph Byrne (Bloom) and Aaron Sherritt (Edgerton), while working for an English family where Ned falls for Julia (Watts).
When Ned gets framed for assault by the constable that has always been out for his blood, his family gets targeted, but not the police are not going to stop until they have his head, forcing Ned to go on the run to protect his family, making him one of the most wanted criminals in the world.
Thoughts on Ned Kelly
Characters – Ned Kelly is a young Irish man that has always seen his family targeted by the law, he has gotten himself in trouble because of this, which sees him falsely accused and becoming a target. Ned refused to back down from the law needing to go on the run, leading to him becoming an outlaw taking from the rich inspiring the poor as he fights for what is right and his family’s pride. Joseph Byrne is Ned’s best friend, he will stand by his side through his battles, needing to do the right thing. Superintendent Francis Hare is the man charged with capturing the Kelly gang, he doesn’t want to hear the story, he just wants them gone. Julia Cook is an English woman that Ned was working for, she is one of the few that will help him seeing the good in his nature, but being held back by her own family.
Performances – Heath Ledger does a great job here showing how he wanted to break his pretty boy image, this performance makes this happen with ease. Orlando Bloom in the supporting role is strong without being truly great, while Geoffrey Rush feels wasted, with him being involved but not getting too much screen time, same goes for Naomi Watts, she just doesn’t get enough time to shine.
Story – The story here follows the innocent man that gets forced into become an outlaw who becomes the most wanted man in Australia. This story shows how settlers in other countries would always be unfairly targeted by the locals who saw them as threats, how people’s words could create outlaws because nobody would listen or understand the truths within a world. The story is only really told from Ned’s which will always make him look like the innocent man he was, but we do hear and see that most of the group have served time, so they might not be as innocent as they look (this is only from what the film shows, not what I know about the truth).
Action/Biopic/Western – The action is everything you would expect from a western, we have seen the shooting like always. The biopic does only show one side of the story and it does feel like there is more to tell.
Settings – The film utilises the location to show how Ned Kelly has to go into hiding and including the showdown.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – It does seem one sided.
Final Thoughts – This is a by the book biopic that showed one of the most famous outlaws in Australia, though it doesn’t seem to reach an intensity level that it could have.
Overall: Nice biopic.
Story: Ned Kelly starts in 1871 Australia where an Irish family the Kelly’s have settled in with the eldest son Ned (Ledger) ends up getting into trouble with the law, that has always targeted his family, seeing him placed in prison for a couple of years. Once out Ned does start to try and turn his family’s luck around with his friends Joseph Byrne (Bloom) and Aaron Sherritt (Edgerton), while working for an English family where Ned falls for Julia (Watts).
When Ned gets framed for assault by the constable that has always been out for his blood, his family gets targeted, but not the police are not going to stop until they have his head, forcing Ned to go on the run to protect his family, making him one of the most wanted criminals in the world.
Thoughts on Ned Kelly
Characters – Ned Kelly is a young Irish man that has always seen his family targeted by the law, he has gotten himself in trouble because of this, which sees him falsely accused and becoming a target. Ned refused to back down from the law needing to go on the run, leading to him becoming an outlaw taking from the rich inspiring the poor as he fights for what is right and his family’s pride. Joseph Byrne is Ned’s best friend, he will stand by his side through his battles, needing to do the right thing. Superintendent Francis Hare is the man charged with capturing the Kelly gang, he doesn’t want to hear the story, he just wants them gone. Julia Cook is an English woman that Ned was working for, she is one of the few that will help him seeing the good in his nature, but being held back by her own family.
Performances – Heath Ledger does a great job here showing how he wanted to break his pretty boy image, this performance makes this happen with ease. Orlando Bloom in the supporting role is strong without being truly great, while Geoffrey Rush feels wasted, with him being involved but not getting too much screen time, same goes for Naomi Watts, she just doesn’t get enough time to shine.
Story – The story here follows the innocent man that gets forced into become an outlaw who becomes the most wanted man in Australia. This story shows how settlers in other countries would always be unfairly targeted by the locals who saw them as threats, how people’s words could create outlaws because nobody would listen or understand the truths within a world. The story is only really told from Ned’s which will always make him look like the innocent man he was, but we do hear and see that most of the group have served time, so they might not be as innocent as they look (this is only from what the film shows, not what I know about the truth).
Action/Biopic/Western – The action is everything you would expect from a western, we have seen the shooting like always. The biopic does only show one side of the story and it does feel like there is more to tell.
Settings – The film utilises the location to show how Ned Kelly has to go into hiding and including the showdown.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – It does seem one sided.
Final Thoughts – This is a by the book biopic that showed one of the most famous outlaws in Australia, though it doesn’t seem to reach an intensity level that it could have.
Overall: Nice biopic.
Bob Mann (459 KP) rated Judy (2019) in Movies
Sep 28, 2021
Neither a true biopic nor a musical, a very sad and sombre film worth seeing for a sure-fire nominee for Zellweger for the Oscars.
Decline and Fall (Part 1).
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
Jake Vogelsang (2 KP) rated Rocketman (2019) in Movies
May 22, 2019
He's still standing
Where do i start when it comes to a film about to excentric yet turbulent years in elton john's life. Everyone was cast to perfection with lead star taron with a knockout elton. Dexter fletcher's brilliant mix of song and mixed with his personal life troubles. Just goes to what a talented director (and the right one) to pull of and entertaining. Joyus with heart. The film also showcases the long lasting to this day relarionship with his musical collabarator bernie turpin (played by jaime bell). All in all a must see for rock and music fans everywhere.
Sonofdel (6238 KP) rated Billy Connolly: Made In Scotland in TV
Jul 23, 2019 (Updated Jul 23, 2019)
A Wonderful Journey
I have loved Billy Connolly for many years and have watched most if not all of his television series. I decided to watch this as it shows just how he became the Big Yin. It shows his childhood on the streets of Glasgow, his brief, yet insightful working life, and his love of music, drama, art and all things entertainment. This was done last year and he speaks openly and frankly about his Parkinsons Disease and how it affects him. I loved this show and its both funny and moving and there will be tears i am sure when you watch it.
MelanieTheresa (997 KP) rated Rocketman (2019) in Movies
Aug 21, 2019 (Updated Aug 21, 2019)
I absolutely LOVED this movie! A musical biopic during which the characters may break into an Elton John song at any moment? Sign me up.
If I hadn't already been half in love with Taron Egerton, I would be now. Major kudos to him for the performance, the singing, and the flair with which he portrayed Sir Elton.
My only quibble is that the movie only goes up to the late 80s. I would have liked to have seen it go further, into the 90s and beyond, but I understand why it didn't.
Was Bohemian Rhapsody a better movie? Maybe. But Rocketman was so much more fun.
If I hadn't already been half in love with Taron Egerton, I would be now. Major kudos to him for the performance, the singing, and the flair with which he portrayed Sir Elton.
My only quibble is that the movie only goes up to the late 80s. I would have liked to have seen it go further, into the 90s and beyond, but I understand why it didn't.
Was Bohemian Rhapsody a better movie? Maybe. But Rocketman was so much more fun.
Blazing Minds (92 KP) rated Stan & Ollie (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Stan & Ollie is a beautifully produced movie and one that many fans of the comedy duo will enjoy watching as Coogan and Reilly play the lead roles with such passion that during the movie you feel as almost as if you are watching the actually Laurel & Hardy.
With the film being based more around the latter part of their career with them embarking on their final tour, we are introduced to the older Stan & Ollie, John C. Reilly looks great as Oliver Hardy throughout the movie as does Steve Coogan as Stan Laurel which all adds to the look and feel of this biopic work of wonder.
With the film being based more around the latter part of their career with them embarking on their final tour, we are introduced to the older Stan & Ollie, John C. Reilly looks great as Oliver Hardy throughout the movie as does Steve Coogan as Stan Laurel which all adds to the look and feel of this biopic work of wonder.