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Caitlin Ann Cherniak (85 KP) rated Voyage of the Heart in Books
Oct 5, 2018
Taken from my review on Goodreads:
As a romance, I wasn't sure if it was gonna go the stereotypical route or a more serious route. After giving this a five-star rating, yeah, this went a route that I didn't expect at all. You have four women from England who married four different men from America during World War II so that when WWII ended, they would finally come to America and live happier married lives. Some of them are promised wonderful lives, but wonderful doesn't come without challenges. June is happily married but is struggling to have children, her one dream she always wanted. Alice's husband, suffering from PTSD, has become an alcoholic, leaving Alice being given attention by her womanizing, married boss. Betty, who had just given birth on the boat coming into the US, learns that her husband was killed while on a mission, so she's under the care of her late husband's brother. Madeline becomes a farmer's wife and is abused by her husband and the rest of his family because of her upbringing. All of these women are 100% relatable, and you sympathize with their struggles. While I kinda question Alice's not being there for her husband when he's clearly suffering, at the same time, I do understand that she doesn't get what being a soldier's wife is really like, and at least her husband does acknowledge that he has a problem. However, my favorite character is Betty because instead of focusing on how miserable she is after finding out her husband died, though I still sympathize with her for that, her main focus is her newborn son because he is the legacy that her husband left behind for her to remember him. Plus, her husband's brother is a doll! I wish I knew more about June. Her life is the more boring one because she has a very great husband and her main issue is the baby thing, but I expected more drama to happen there while the rest of the drama is poured onto Alice, Betty, and Madeline. Either way, I enjoyed this book, and I highly recommend that you guys read it if you are history and romance buffs.
As a romance, I wasn't sure if it was gonna go the stereotypical route or a more serious route. After giving this a five-star rating, yeah, this went a route that I didn't expect at all. You have four women from England who married four different men from America during World War II so that when WWII ended, they would finally come to America and live happier married lives. Some of them are promised wonderful lives, but wonderful doesn't come without challenges. June is happily married but is struggling to have children, her one dream she always wanted. Alice's husband, suffering from PTSD, has become an alcoholic, leaving Alice being given attention by her womanizing, married boss. Betty, who had just given birth on the boat coming into the US, learns that her husband was killed while on a mission, so she's under the care of her late husband's brother. Madeline becomes a farmer's wife and is abused by her husband and the rest of his family because of her upbringing. All of these women are 100% relatable, and you sympathize with their struggles. While I kinda question Alice's not being there for her husband when he's clearly suffering, at the same time, I do understand that she doesn't get what being a soldier's wife is really like, and at least her husband does acknowledge that he has a problem. However, my favorite character is Betty because instead of focusing on how miserable she is after finding out her husband died, though I still sympathize with her for that, her main focus is her newborn son because he is the legacy that her husband left behind for her to remember him. Plus, her husband's brother is a doll! I wish I knew more about June. Her life is the more boring one because she has a very great husband and her main issue is the baby thing, but I expected more drama to happen there while the rest of the drama is poured onto Alice, Betty, and Madeline. Either way, I enjoyed this book, and I highly recommend that you guys read it if you are history and romance buffs.
BookblogbyCari (345 KP) rated The Corset in Books
Oct 16, 2018
This haunting tale will have you spellbound right to the shocking end!
Its set in Victorian times, linking 2 central characters. Lady Dorothea takes up charitable work visiting Ruth Butterham, a self-confessed murderess, in the local prison. Dorothea is a student of phrenology and is fascinated by how the shape of a person’s skull can “apparently” signify aspects of their personality.
Through successive visits, Ruth tells Dorothea her story. It all begins with Ruth as a victim; a victim of poverty, bullying and a physical attack. She becomes angry, hateful and vengeful. She is then pulled out of school to bring in a wage for her growing family. All her energy goes into sewing, sewing for money and sewing items for her soon to be born sister.
There are several macabre scenes at this point. Shortly after her sister’s birth, Ruth sews her a blanket with an angel embroidered in the corner. And it’s while she’s wrapped in the blanket that the new born dies, and the reason for the death is described by the slang “taken by the strangling angel”.
Ruth believes that she has the power to curse people to death with her sewing, and this is a belief that grows stronger with each garment that she sews. Ruth secretly enacts vengeance on her growing list of enemies, as more people die who are connected to Ruth and her sewing. The story intensifies as Ruth’s circumstances deteriorate at every turn.
While Ruth’s story becomes increasingly gothic, Dorothea’s chapters are light and breezy, concerned with finding the right suitor. With regards to her visits with Ruth, Dorothea’s attention diverts somewhat from her phrenology as she listens to her story - but she listens as a sceptic. She sees how bitter Ruth has been but does not see her as a murderess.
Towards the end of the book, Ruth faces her trial. But that is not the end of the drama! I did not see that ending coming!
The language of the book befits the era in which its set; and I often came across words I was unfamiliar with. This did not put me off at all. The book may be odd in its premise, but is more dark and sinister than most – thoroughly recommended!
Through successive visits, Ruth tells Dorothea her story. It all begins with Ruth as a victim; a victim of poverty, bullying and a physical attack. She becomes angry, hateful and vengeful. She is then pulled out of school to bring in a wage for her growing family. All her energy goes into sewing, sewing for money and sewing items for her soon to be born sister.
There are several macabre scenes at this point. Shortly after her sister’s birth, Ruth sews her a blanket with an angel embroidered in the corner. And it’s while she’s wrapped in the blanket that the new born dies, and the reason for the death is described by the slang “taken by the strangling angel”.
Ruth believes that she has the power to curse people to death with her sewing, and this is a belief that grows stronger with each garment that she sews. Ruth secretly enacts vengeance on her growing list of enemies, as more people die who are connected to Ruth and her sewing. The story intensifies as Ruth’s circumstances deteriorate at every turn.
While Ruth’s story becomes increasingly gothic, Dorothea’s chapters are light and breezy, concerned with finding the right suitor. With regards to her visits with Ruth, Dorothea’s attention diverts somewhat from her phrenology as she listens to her story - but she listens as a sceptic. She sees how bitter Ruth has been but does not see her as a murderess.
Towards the end of the book, Ruth faces her trial. But that is not the end of the drama! I did not see that ending coming!
The language of the book befits the era in which its set; and I often came across words I was unfamiliar with. This did not put me off at all. The book may be odd in its premise, but is more dark and sinister than most – thoroughly recommended!
Merissa (13822 KP) rated Violet Souls (The Evoxian Legacies #1) in Books
Oct 19, 2018
Violet Souls (The Evoxian Legacies #1) by Abbey MacMunn
Violet Souls is the first book in The Evoxian Legacies, which tells us about violet-eyed aliens living amongst the humans here on Earth. Bree is one such alien, although she doesn't know it. She has always felt differently to the others, but never knew why. She wears blue contact lenses to hide her violet eyes, as she was teased when she was younger. When she searches for more information on her birth parents, it opens up a whole new world of which she was unaware.
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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