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Darren (1599 KP) rated Shallow Hal (2001) in Movies
Nov 28, 2019
Verdict: Sweet Little Comedy
Story: Shallow Hal starts as we meet Hal (Black) who was given advice from his father to never settle always shot for the stars when trying to meet women. Now in adult life he is a nice guy but he only targets models, always striking out, even if his friends try to convince him to learn about the women first.
After getting trapped in an elevator with Anthony Robbins a television hypnotist, he pulls a trick on him to see women for their inner beauty, which sees him meeting Rosemary (Paltrow) seeing her as a beautiful women, when she is really a bigger women, somebody Hal would never give a second glance to, Hal’s best friend Mauricio (Alexander) is getting worried his friend has changed.
Thoughts on Shallow Hal
Characters – Hal saw his father die young giving him one piece of advice, never settle when it comes to the ladies. Keeping that in his mind he has only ever tried to date models, without much success. He gets hypnotised into seeing the inner beauty only which to meet Rosemary a bigger woman he only sees as a beautiful woman, which sees him learn the lesson in life that people are not just what the outside shows. Rosemary is the woman Hal sees as a beautiful model, but she is a bigger girl with a heart of gold, which under the spell that Hal is under he doesn’t see, she is reluctant to let Hal into her life, but eventually believes him to be good. Mauricio is the shallow best friend of Hal’s, they have both only tried to date the beautiful women, he sees something wrong with his friend and tries to fix it. Steve Shanahan is Rosemary’s father and Hal’s boss who sees the positives in Hal, but will protect his daughter at any cost.
Performances – Jack Black in the lead of a comedy like this works wonders, he can play both sides with ease being the charmer that isn’t afraid whether he strikes out or not. Gwyneth Paltrow is great too showing she can handle comedy without needing to be the one running with the jokes. Jason Alexander provides fun supporting role that shows his skills in comedy.
Story – The story here follows a man Hal that believes he can only date models after being raised to never settle for less, when he gets hypnotised he learns to admire the inner beauty in women never seeing any of their outside flaws like the rest of the world, we are left to see if he can learn to just ignore everything once the spell wears off. This is an interesting look at romance, it shows us just how important trying to find love can be and getting to know a person is more important than anything else. This aside we do seem to have one flaw in the story and that is only some of the people change, while others remain completely the same, which does seem strange and it also only seems to show people that volunteer being less attractive, while the career driven women more than men are seen to be ugly inside. That aside we are focusing more on the struggles that Hal’s friend is facing with his change, more than Hal needing to learn about his changes.
Comedy/Romance – The comedy largely comes from Jack Black, while some of the lines seem awkward when we know the difference between the two Rosemary’s he delivers his comedy in such a confident way it shines through, with the romance being about how falling in love can happen with the person you least expect at times.
Settings – The film is set in the big city and shows how people can be ignored at times, while other times they could be right there in your life.
Scene of the Movie – Leaving Party.
That Moment That Annoyed Me – We do seem to imply that women who volunteer are beautiful on the inside, not career women.
Final Thoughts – This is a comedy that hits most of its marks, it plays into Jack Black’s strengths proving that giving him the right material he can improve any movie.
Overall: Funny for the Most Part.
After getting trapped in an elevator with Anthony Robbins a television hypnotist, he pulls a trick on him to see women for their inner beauty, which sees him meeting Rosemary (Paltrow) seeing her as a beautiful women, when she is really a bigger women, somebody Hal would never give a second glance to, Hal’s best friend Mauricio (Alexander) is getting worried his friend has changed.
Thoughts on Shallow Hal
Characters – Hal saw his father die young giving him one piece of advice, never settle when it comes to the ladies. Keeping that in his mind he has only ever tried to date models, without much success. He gets hypnotised into seeing the inner beauty only which to meet Rosemary a bigger woman he only sees as a beautiful woman, which sees him learn the lesson in life that people are not just what the outside shows. Rosemary is the woman Hal sees as a beautiful model, but she is a bigger girl with a heart of gold, which under the spell that Hal is under he doesn’t see, she is reluctant to let Hal into her life, but eventually believes him to be good. Mauricio is the shallow best friend of Hal’s, they have both only tried to date the beautiful women, he sees something wrong with his friend and tries to fix it. Steve Shanahan is Rosemary’s father and Hal’s boss who sees the positives in Hal, but will protect his daughter at any cost.
Performances – Jack Black in the lead of a comedy like this works wonders, he can play both sides with ease being the charmer that isn’t afraid whether he strikes out or not. Gwyneth Paltrow is great too showing she can handle comedy without needing to be the one running with the jokes. Jason Alexander provides fun supporting role that shows his skills in comedy.
Story – The story here follows a man Hal that believes he can only date models after being raised to never settle for less, when he gets hypnotised he learns to admire the inner beauty in women never seeing any of their outside flaws like the rest of the world, we are left to see if he can learn to just ignore everything once the spell wears off. This is an interesting look at romance, it shows us just how important trying to find love can be and getting to know a person is more important than anything else. This aside we do seem to have one flaw in the story and that is only some of the people change, while others remain completely the same, which does seem strange and it also only seems to show people that volunteer being less attractive, while the career driven women more than men are seen to be ugly inside. That aside we are focusing more on the struggles that Hal’s friend is facing with his change, more than Hal needing to learn about his changes.
Comedy/Romance – The comedy largely comes from Jack Black, while some of the lines seem awkward when we know the difference between the two Rosemary’s he delivers his comedy in such a confident way it shines through, with the romance being about how falling in love can happen with the person you least expect at times.
Settings – The film is set in the big city and shows how people can be ignored at times, while other times they could be right there in your life.
Scene of the Movie – Leaving Party.
That Moment That Annoyed Me – We do seem to imply that women who volunteer are beautiful on the inside, not career women.
Final Thoughts – This is a comedy that hits most of its marks, it plays into Jack Black’s strengths proving that giving him the right material he can improve any movie.
Overall: Funny for the Most Part.
Chris Columbus recommended Horse Feathers (1932) in Movies (curated)
Gareth von Kallenbach (971 KP) rated Get Out (2017) in Movies
Jul 12, 2019
ritten and directed by Jordan Peele, “Get Out” is not so much an actual horror film but more of a dark comedy. The plot is filled with political undertones, spotlighting awkward racial interactions that are shadowed by systemic inequality.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.
Lee KM Pallatina (951 KP) rated Clerks (1994) in Movies
Jun 11, 2019
CLERKS
Clerks is an indie comedy shot in black and white about dante hicks (Brian O'Halloran) a man reluctantly left in charge of the Quick Stop. His place of work...on his day off! Working with his best friend Randall (Jeff Anderson) at the adjoined video store (when it suits him) who's hate for his job and its customers become problematic for dantes attempt at a customer service a nice guy,
Problems continue as dantes continuous fight with girlfriend veronica and feeble attempts at getting back with his ex caitlyn, not to mention local dealers Jay (jason mewes) and silent Bob (kevin smith).
Released in 1994, and spawning a sequel and multiple spin offs, written and directed by Kevin Smith, CLERKS is a magic cult hit with characters we can all identify ourselves with.
Problems continue as dantes continuous fight with girlfriend veronica and feeble attempts at getting back with his ex caitlyn, not to mention local dealers Jay (jason mewes) and silent Bob (kevin smith).
Released in 1994, and spawning a sequel and multiple spin offs, written and directed by Kevin Smith, CLERKS is a magic cult hit with characters we can all identify ourselves with.
Tim McGuire (301 KP) rated 68 Kill (2017) in Movies
Apr 20, 2020
Girl problems
413. 68 Kill. Chip's girlfriend Liza is gorgeous. Liza's sugar daddy has 68 thousand bucks in a safe that she wants to steal. Oh yea Liza is a prostitute and more than likely a sociopath. I know, you shouldn't make judgements about people based on only a few observations... With that, Liza also murders her sugar daddy and his wife, ooops and apparently they had another guest over, beauty, Violet that witnesses the whole thing. Now a sociopath would probably just kill the witness right? Liza does not, Chip is very relieved at this. Liza informs Chip that they'll just sell Violet to her brother Dwayne. Hmm. What to do? Love, makes you do crazy things... That kicks off quite the night for Chip in this violent black comedy. Filmbufftim on FB!
Bob Mann (459 KP) rated Deerskin (Le Daim) (2019) in Movies
Jul 15, 2021
Anarchic concept and lots of surprises (1 more)
Dujardin and Haenel act well
Killer style… but bloody bonkers.
This French movie (with subtitles) by Quentin Dupieux is a black comedy that veers towards the violently absurd. So it certainly won't be for everyone.
Positives:
- There's an anarchy to the black comedy on show in Deerskin that's mildly exhilarating. It really IS bloody bonkers. But the absurd story, of a man spiralling into a deerskin-lined black hole, is delivered in an extremely entertaining way.
- It's all delivered with a straight face by Dujardin (famous of course as the Oscar-winner from "The Artist"). And very good he is at it too.
- Adèle Haenel was one of the two lovers in "Portrait of a Lady on Fire" (actually completed after this movie, which has been on the Covid-shelf since 2019). Here she again shows star-power as the barmaid with dreams of hitting the movie-making big-time. Every absurd twist and turn seems to be believable in her hands, once you understand that she is "into it".
Negatives:
- The anarchic story and the extreme violence will not be for everyone. There were 2 walk-outs in my cinema (about 10% of the Cineworld Unlimited audience).
- A few of the lines irritate: Georges mistakenly saying "creditor" instead of "editor" was an example.
Summary Thoughts on "Deerskin": Based on the trailer, I really wasn't sure I was going to enjoy this one. But it has a style about it that is unmistakable. I had no idea where it was going, and the denouement was surprising and satisfying.
It'll be a "marmite" film for sure - some will love it; many will hate it. I doubt there will be much middle ground for this one.
BTW, there is a mid-credits scene, a few seconds into the end credits. Doesn't add much, to be honest.
(For the full graphical review, please check out One Mann's Movies on t'interweb here - https://bob-the-movie-man.com/2021/07/15/deerskin-killer-style-but-bloody-bonkers/ . There's also a new Tiktok channel at @onemannsmovies. Thanks).
Positives:
- There's an anarchy to the black comedy on show in Deerskin that's mildly exhilarating. It really IS bloody bonkers. But the absurd story, of a man spiralling into a deerskin-lined black hole, is delivered in an extremely entertaining way.
- It's all delivered with a straight face by Dujardin (famous of course as the Oscar-winner from "The Artist"). And very good he is at it too.
- Adèle Haenel was one of the two lovers in "Portrait of a Lady on Fire" (actually completed after this movie, which has been on the Covid-shelf since 2019). Here she again shows star-power as the barmaid with dreams of hitting the movie-making big-time. Every absurd twist and turn seems to be believable in her hands, once you understand that she is "into it".
Negatives:
- The anarchic story and the extreme violence will not be for everyone. There were 2 walk-outs in my cinema (about 10% of the Cineworld Unlimited audience).
- A few of the lines irritate: Georges mistakenly saying "creditor" instead of "editor" was an example.
Summary Thoughts on "Deerskin": Based on the trailer, I really wasn't sure I was going to enjoy this one. But it has a style about it that is unmistakable. I had no idea where it was going, and the denouement was surprising and satisfying.
It'll be a "marmite" film for sure - some will love it; many will hate it. I doubt there will be much middle ground for this one.
BTW, there is a mid-credits scene, a few seconds into the end credits. Doesn't add much, to be honest.
(For the full graphical review, please check out One Mann's Movies on t'interweb here - https://bob-the-movie-man.com/2021/07/15/deerskin-killer-style-but-bloody-bonkers/ . There's also a new Tiktok channel at @onemannsmovies. Thanks).
Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Awix (3310 KP) rated The Sisters Brothers (2018) in Movies
Apr 7, 2019 (Updated Apr 7, 2019)
Unorthodox black comedy western. Quarrelsome but proficient hired killers the Sisters brothers (Reilly and Phoenix) are sent to assist in the capture of a mild-mannered chemist with valuable knowledge (Ahmed), but everyone involved finds their priorities starting to shift...
Another one of them there revisionist westerns, probably, which basically means that no-one wears a white hat and everyone probably smells quite bad. This benefits a lot from some really good performances and a good script, for the first three quarters at least. The end is the kind of thing that proper critics tend to enjoy but audiences don't, which may be why this has not done well at the box office. Not sure about the start of the journey or the destination, but there is a lot of fun to be had along the way.
Another one of them there revisionist westerns, probably, which basically means that no-one wears a white hat and everyone probably smells quite bad. This benefits a lot from some really good performances and a good script, for the first three quarters at least. The end is the kind of thing that proper critics tend to enjoy but audiences don't, which may be why this has not done well at the box office. Not sure about the start of the journey or the destination, but there is a lot of fun to be had along the way.
Awix (3310 KP) rated Game Night (2018) in Movies
Mar 5, 2018 (Updated Mar 22, 2019)
Knowingly absurd black comedy thriller is powered along by engaging performances and some good gags. A group of affluent friends think they're participating in a kind of murder mystery role-playing game; in fact the situation is in deadly earnest.
The script goes into overdrive to sustain this fairly preposterous premise for 100 minutes - it just about manages it but the first half inevitably feels a bit less forced than the conclusion. Still very funny indeed in places; there's a bit of tonal uncertainty - the thriller element is quite dark, with some graphic violence - but not enough to make the film uncomfortable to watch. Bateman and McAdams are particularly good, but lots of good turns here, both comic and straight. I laughed a lot, which is pretty unusual when it comes to me and modern comedies.
The script goes into overdrive to sustain this fairly preposterous premise for 100 minutes - it just about manages it but the first half inevitably feels a bit less forced than the conclusion. Still very funny indeed in places; there's a bit of tonal uncertainty - the thriller element is quite dark, with some graphic violence - but not enough to make the film uncomfortable to watch. Bateman and McAdams are particularly good, but lots of good turns here, both comic and straight. I laughed a lot, which is pretty unusual when it comes to me and modern comedies.
Awix (3310 KP) rated Robocop (1987) in Movies
Feb 12, 2018
Murphy's Law
Heavy metal action satire from Dutch director Paul Verhoeven that established him as one of the world's leading SF directors. The story is functional, if hardly original - dedicated cop is shot to pieces by bad guys, rebuilt as an armoured cyborg by heartless corporation, struggles to reclaim his humanity - but what makes it special is Verhoeven's ability to turn the movie on a dime, switching the mood from black comedy to sincere drama in a moment.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.