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Awix (3310 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 3, 2021
Approximately sixty-seventh Marvel Studios project to date starts off as a pretty good king fu movie, as parking attendant Simu Liu is forced to come clean to his best friend that he is in fact the renegade son of an immortal warlord, before turning into a not quite so good fantasy movie (immortal warlord wants to invade a magic kingdom, which may inadvertently cause the end of the universe).
Good martial arts choreography, but the non-stop CGI of the climax isn't nearly as interesting or fun to watch, and the movie seems to lose its edge and sense of humour as it goes on. Feels very much like an attempt to do something akin to Black Panther, but with Chinese culture; may well do very good business in Asian markets. The usual links and references to other Marvel movies are a mixed bag; some of them feel very contrived and gratuitous. Still, they're integral to the Marvel project and I doubt this movie will disappoint the faithful.
Good martial arts choreography, but the non-stop CGI of the climax isn't nearly as interesting or fun to watch, and the movie seems to lose its edge and sense of humour as it goes on. Feels very much like an attempt to do something akin to Black Panther, but with Chinese culture; may well do very good business in Asian markets. The usual links and references to other Marvel movies are a mixed bag; some of them feel very contrived and gratuitous. Still, they're integral to the Marvel project and I doubt this movie will disappoint the faithful.
Kingdom of Souls
7.5
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Marvel Dice Throne
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David McK (3425 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Jan 8, 2023
Wakanda Forever!
In late 2020 the actor Chadwick Boseman died, after a long - and private - battle with cancer, aged 43.
He was the original Black Panther.
That meant there was a lot of talk at the time about what Marvel was going to do: re-cast, or not?
The answer was 'not', with a pre-credits sequence in this movie dealing with his (and the characters off-screen) passing, before the usual Marvel logo montage concentrates solely on him.
His on-screen sister Shuri then takes the lead for the rest of this movie, ably supported by on-screen mum Angela Bassett, as the nation of Wakanda struggles to accept his passing and as the rest of the world start looking for their own supplies of Vibranium, encroaching on a secret underwater civilization who then also approach Wakanda with a threat couched as an offer of cooperation.
The loss of T'Challa is felt throughout the movie, with Shuri railing against his passing and unable to accept what has happened for the most part of it, right up until the (somewhat moving) very final scenes of the film.
He was the original Black Panther.
That meant there was a lot of talk at the time about what Marvel was going to do: re-cast, or not?
The answer was 'not', with a pre-credits sequence in this movie dealing with his (and the characters off-screen) passing, before the usual Marvel logo montage concentrates solely on him.
His on-screen sister Shuri then takes the lead for the rest of this movie, ably supported by on-screen mum Angela Bassett, as the nation of Wakanda struggles to accept his passing and as the rest of the world start looking for their own supplies of Vibranium, encroaching on a secret underwater civilization who then also approach Wakanda with a threat couched as an offer of cooperation.
The loss of T'Challa is felt throughout the movie, with Shuri railing against his passing and unable to accept what has happened for the most part of it, right up until the (somewhat moving) very final scenes of the film.
Both Sides of the Bench
Book
Barrington Black was for many years one of the UK's best-known criminal defence lawyers and founder...
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
Erika (17788 KP) rated Aquaman (2018) in Movies
Dec 22, 2018 (Updated Dec 22, 2018)
I was expecting this movie to be a clusterf*** if I'm being honest. the trailers made it look really hokey. BUT, this movie was super entertaining. Of course, it was predictable, as most mainstream films are, but I wasn't super annoyed by it. It was a big, slightly dumb, fun film.
The action was good. The VFX/CGI made this entire film, and... cough, cough, Marvel take note because the CGI in the last 3rd of Black Panther and last battle scene in IW were a cluster from a VFX standpoint.
Do you want fighting underwater? Some dude in a weird helmet with daddy issues? A slight Indiana Jones vibe for around 30 minutes? Some big d*** energy from Aquaman? Then, this is the film for you.
I don't even like Amber Heard, but she was one of my favorite characters. I don't think Aquaman really had to save her throughout the movie. Jason Momoa was definitely the right person to pull off Aquaman without making him super weird.
The only weird casting decision was Patrick Wilson... Anytime I see him in films, I think of that super weird/awkward sex scene in Watchmen, which forever scarred me...I will gladly go see this at least one more time before it leaves theaters.
The action was good. The VFX/CGI made this entire film, and... cough, cough, Marvel take note because the CGI in the last 3rd of Black Panther and last battle scene in IW were a cluster from a VFX standpoint.
Do you want fighting underwater? Some dude in a weird helmet with daddy issues? A slight Indiana Jones vibe for around 30 minutes? Some big d*** energy from Aquaman? Then, this is the film for you.
I don't even like Amber Heard, but she was one of my favorite characters. I don't think Aquaman really had to save her throughout the movie. Jason Momoa was definitely the right person to pull off Aquaman without making him super weird.
The only weird casting decision was Patrick Wilson... Anytime I see him in films, I think of that super weird/awkward sex scene in Watchmen, which forever scarred me...I will gladly go see this at least one more time before it leaves theaters.
Veronica Pena (690 KP) rated Spenser Confidential (2020) in Movies
Apr 2, 2020
I had such high hopes for this film. I didn't necessarily think it was bad, but it's one of those movies where the trailer really makes it seem so much better than it actually is. You know the ones. I love Winston Duke in this, I think he really shines - especially in contrast with his role in Black Panther as M'Baku.
As much as I didn't really LOVE this film, I am hoping there will be a sequel, especially after the ending of this one left it open for one. I really like the cast they chose, the dynamic is really cool. I think my biggest problem with this film is the pacing. Some parts move very slowly and other parts feel so quick. I also didn't really understand the roles of the Feds they had. Like I get it in the context of the film, but it felt unnecessary to actually have them named and have lines and that whole thing. Maybe that's just me though.
Overall, I think it's a relatively decent film. Definitely not going to win any Academy Awards or probably any recognition from the film world, but it's still a good watch. At least to say you did, if not to say you like it.
As much as I didn't really LOVE this film, I am hoping there will be a sequel, especially after the ending of this one left it open for one. I really like the cast they chose, the dynamic is really cool. I think my biggest problem with this film is the pacing. Some parts move very slowly and other parts feel so quick. I also didn't really understand the roles of the Feds they had. Like I get it in the context of the film, but it felt unnecessary to actually have them named and have lines and that whole thing. Maybe that's just me though.
Overall, I think it's a relatively decent film. Definitely not going to win any Academy Awards or probably any recognition from the film world, but it's still a good watch. At least to say you did, if not to say you like it.
LeftSideCut (3778 KP) rated Rise of the Superheroes (2018) in Movies
Oct 2, 2020
Rise of the Superheroes is a "good enough" look into the history of comic book movies if you have a couple of hours to kill.
It covers a lot of ground from the 40s Batman serial series, all the way up to 2018s Black Panther, and has some notable comic book alumni amongst the interviewers, including the likes of Chris Claremont, Chuck Dixon, Scott Beauty, and Neal Adams.
The problem is however, a genre as big as comic book movies needs a big budget documentary to go with it. It would be nice to see some of the actors involved in the interviews, it would benefit from flashier graphics, it would benefit from a longer run time or even a series to properly explore the ever growing number of properties making the jump from page to screen.
The boom of comic movies from X-Men (2000) onwards is all crammed into the last 30 minutes as the feature rushes to wrap up, and as a result, Rise of the Superheroes doesn't feel that comprehensive, and offers nothing new to an audience who will likely already know what is talked about here.
It's an easy and casual watch if you have an interest in the subject, but nothing more.
It covers a lot of ground from the 40s Batman serial series, all the way up to 2018s Black Panther, and has some notable comic book alumni amongst the interviewers, including the likes of Chris Claremont, Chuck Dixon, Scott Beauty, and Neal Adams.
The problem is however, a genre as big as comic book movies needs a big budget documentary to go with it. It would be nice to see some of the actors involved in the interviews, it would benefit from flashier graphics, it would benefit from a longer run time or even a series to properly explore the ever growing number of properties making the jump from page to screen.
The boom of comic movies from X-Men (2000) onwards is all crammed into the last 30 minutes as the feature rushes to wrap up, and as a result, Rise of the Superheroes doesn't feel that comprehensive, and offers nothing new to an audience who will likely already know what is talked about here.
It's an easy and casual watch if you have an interest in the subject, but nothing more.