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The Craggus (360 KP) rated The Mule (2018) in Movies
Jan 30, 2019 (Updated Jan 30, 2019)
The law may be an ass, but The Mule (2019) is a real donkey. #Review
It’s someone disingenuous for something this uninspired to proclaim it's ‘inspired by a true story’ but that doesn’t seem to discourage notorious empty chair haranguer Clint Eastwood from making a film for reactionary old men who like to yell at clouds. It’s a wannabe “Sicario – The Greatest Generation”, or the demographic antithesis of “Black Panther”: white fossil...
FULL REVIEW: http://bit.ly/CraggusTheMule
FULL REVIEW: http://bit.ly/CraggusTheMule
World Wildlife Patterns for the Scroll Saw: 60 Wild Portraits for Lions, Pandas, Koalas, Gorillas and More
Book
Scrollers of all skill levels will delight in these scroll saw patterns that celebrate wildlife from...
Fatoumata Diawara recommended Djitoumou by Idrissa Soumaoro in Music (curated)
Daniel Boyd (1066 KP) rated Black Panther (2018) in Movies
Mar 5, 2018 (Updated Mar 5, 2018)
Cool For Cats
Marvel's latest hotly anticipated superhero epic Black Panther, has arrived. Chadwick Boseman stars as the titular hero and gives a subdued, collected performance, which I didn't expect. The first time that we saw this character was in Civil War and while I understand he was on a revenge quest in that movie, he conveyed an sense of energy that is isn't present in Black Panther. I don't think that this was Chadwick Boseman's decision, but is instead based on what Ryan Coogler's vision of who Black Panther should be.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
Andy K (10823 KP) created a poll about in Movies are the shiz!
Apr 28, 2018
Movie Metropolis (309 KP) rated Black Panther (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Is the MCU all out of surprises?
The Marvel Cinematic Universe has become one of the most successful movie franchises ever made, and it’s easy to see why. Featuring incredible actors, up-and-coming directors and that trademark sense of humour, each film in the MCU has something to offer.
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
Assata: An Autobiography
Assata Shakur and Angela Davis
Book
'Deftly written...a spellbinding tale.' The New York Times In 2013 Assata Shakur, founding member of...
Andy K (10823 KP) created a post in Movies are the shiz!
Apr 3, 2018
Marvel Unlimited Comics
Book, Comics and Entertainment
8.5
Rate It
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Get Instant Access to over 20,000 digital comics with Marvel Unlimited, Marvel’s digital comics...
Suswatibasu (1702 KP) rated The White Album in Books
Sep 1, 2017
Disappointing, writing from an elitist bubble
This was rather disappointing. While Joan Didion is obviously a good writer, she is too much of a cynic and writes from the perspective of upper class privilege. She has more enthusiasm for high end elitist social circles than the civil rights movements taking place in 1960s, even criticising Nobel Prize winner of Literature, Doris Lessing. She prefers the company of Charles Manson associates than she does of leading feminists and Black Panther leaders. It sounded like a long winded rant about her own troubles than the troubles of the time.