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Eleanor Luhar (47 KP) rated The Manifesto on How to be Interesting in Books
Jun 24, 2019
I fell in love with Holly Bourne's writing after reading Am I Normal Yet? and immediately decided to check out some of her other work. Hence me reading this novel.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
Acanthea Grimscythe (300 KP) rated Long Black Veil in Books
May 16, 2018
Last month, I received my first physical review copy of a book: Long Black Veil by Jennifer Finney Boylan. I heard about the title through a friend of mine and, after I reading its synopsis, I felt excited. Despite the story's label as a thriller, the majority of the story focuses on Judith Carrigan and her secrets. The plot's so-called mystery is a minor detail in this narrative.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
Sophia (Bookwyrming Thoughts) (530 KP) rated Seizure (Virals, #2) in Books
Jan 23, 2020
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/03/review-seizure-by-kathy-reichs.html">Bookwyrming Thoughts</a>
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
The Business Blockchain: Promise, Practice, and Application of the Next Internet Technology
William Mougayar and Vitalik Buterin
Book
The definitive pioneering blueprint covering the what, why and how of the blockchain. Blockchains...
BIGVU Teleprompter Video Maker
Photo & Video
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BIGVU is a professional TV studio in your pocket. It’s a teleprompter app to help you remember...
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Heather Cranmer (2721 KP) rated Shantallow in Books
Aug 31, 2019
Supernatural horror is one of my favorite genres. Through the blogging universe, I came across Shantallow by Cara Martin. After reading the synopsis, I was hooked. When the opportunity arose to review Shantallow, I couldn't turn it down. Luckily, I enjoyed it!
I felt like the plot of Shantallow was a little confused to begin with. It started out as a teen love story between to high school kids gone wrong thanks to jealousy. However, after about thirty percent through the book, it quickly became a supernatural horror story about an evil haunted house. I thought this would focus on the nightmare that the main character, Misha, has about Tanvi. The nightmare, to me, only seems brushed upon. This didn't take away my enjoyment from the story though. I will admit that the whole love story in the beginning was a bit slow, and I did find myself wondering if I should continue. I'm really glad I persevered because after the love story, this book really takes off. It was as if Shantallow sank it's teeth into my attention span and didn't let go. I couldn't wait to see what would happen next in the evil house known as Shantallow. The creepy factor was definitely there throughout!
The ending of Shantallow felt a little as if the author didn't know how to end the book. It seemed rushed and too quick to end without being explained. Although Shantallow didn't end in any cliffhangers, I was still left with unanswered questions. Perhaps Shantallow will end up being a series, and my questions about the house will be answered.
The diversity of characters in Shantallow was done fantastically. I also enjoyed each of the characters once this book got going. Tanvi was an interesting character throughout the book. Although I could picture all the characters in my mind, Tanvi was the easiest one to bring alive in my head. She felt so realistic and like she could be someone I know. Misha comes across as really selfish, jealous, and controlling to being with. However, he redeems himself during his time in the Shantallow house with how protective he is over everyone. Lauren was my favorite character. I loved scenes that she was in. She seemed like such a sweet innocent kid.
Trigger warnings for Shantallow include violence, jealousy, murder, death, attempted murder, profanity, sex between teens (although not graphic), evil spirits, and underage drinking.
Despite the hurried ending, Shantallow really is a good read. It's got a very spooky plot and great characters once you get past the love story. I would recommend Shantallow by Cara Martin to older teens and adults aged 17+. If you love scary stories that will keep you up late at night reading with the lights on, Shantallow is the book for you! It definitely made my nights scarier (but I enjoy being scared)!
--
(A special thank you to Xpresso Book Tours for providing me with an eBook of Shantallow by Cara Martin in exchange for an honest and unbiased review.)
I felt like the plot of Shantallow was a little confused to begin with. It started out as a teen love story between to high school kids gone wrong thanks to jealousy. However, after about thirty percent through the book, it quickly became a supernatural horror story about an evil haunted house. I thought this would focus on the nightmare that the main character, Misha, has about Tanvi. The nightmare, to me, only seems brushed upon. This didn't take away my enjoyment from the story though. I will admit that the whole love story in the beginning was a bit slow, and I did find myself wondering if I should continue. I'm really glad I persevered because after the love story, this book really takes off. It was as if Shantallow sank it's teeth into my attention span and didn't let go. I couldn't wait to see what would happen next in the evil house known as Shantallow. The creepy factor was definitely there throughout!
The ending of Shantallow felt a little as if the author didn't know how to end the book. It seemed rushed and too quick to end without being explained. Although Shantallow didn't end in any cliffhangers, I was still left with unanswered questions. Perhaps Shantallow will end up being a series, and my questions about the house will be answered.
The diversity of characters in Shantallow was done fantastically. I also enjoyed each of the characters once this book got going. Tanvi was an interesting character throughout the book. Although I could picture all the characters in my mind, Tanvi was the easiest one to bring alive in my head. She felt so realistic and like she could be someone I know. Misha comes across as really selfish, jealous, and controlling to being with. However, he redeems himself during his time in the Shantallow house with how protective he is over everyone. Lauren was my favorite character. I loved scenes that she was in. She seemed like such a sweet innocent kid.
Trigger warnings for Shantallow include violence, jealousy, murder, death, attempted murder, profanity, sex between teens (although not graphic), evil spirits, and underage drinking.
Despite the hurried ending, Shantallow really is a good read. It's got a very spooky plot and great characters once you get past the love story. I would recommend Shantallow by Cara Martin to older teens and adults aged 17+. If you love scary stories that will keep you up late at night reading with the lights on, Shantallow is the book for you! It definitely made my nights scarier (but I enjoy being scared)!
--
(A special thank you to Xpresso Book Tours for providing me with an eBook of Shantallow by Cara Martin in exchange for an honest and unbiased review.)