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Deep Sea Adventure
Tabletop Game
From the rulebook: A group of poor explorers hoping to get rich quickly heads out to recover...

Walk the Plank!
Tabletop Game
In Walk the Plank!, players represent the worst pirates in a captain's crew. The captain has rounded...

Dingo's Dreams
Tabletop Game
Dingo and his friends have gotten lost on Walkabout! Visit their dreams to lead them home! ...

VENOM Assault
Tabletop Game
In the year 2050 the United Nations made a startling discovery that changed the course of the...

LeftSideCut (3776 KP) rated Dune (2021) in Movies
Oct 25, 2021
As I'm writing this, it's been a few days since I watched Dune and I still don't fully know how to process it.
I will start by saying that it's visually stunning. Dune is extremely pleasing to look at from start to finish, from the lush greens and blues of Caladan, to the harsh firey desserts of Arrakis, all of these pallettes jump off the screen. These settings are utilised frequently in countless wide shots and make for do e wonderful vistas. In fact, the whole film is shit beautifully, and I'd expect nothing less from Denis Villeneuve.
All of this works hand in hand with an incredible music score Hans Zimmer. As is standard from Zimmer, every musical point is huge, and turns Dune from a movie into an experience.
The cast is stacked of course. Timothée Chamalet and Rebecca Ferguson absolutely steal the show, and all if the characters are engaging and interesting.
All of this being said, Dune did leave me feeling a little cold. I'm not overly familiar with the source material, so I can accept that I'm not necessarily the target audience, but I felt a lot of the lore was muddied. Maybe I just wasn't in the right frame of mind to fully appreciate the finished product, but I just felt exhausted when the credits rolled, and not in a good way. It's certainly one I'm going to have to revisit to from a proper opinion on.
Despite my reservations, I still appreciate the epic scale of Dune, and I can fully see why it's been getting glowing reviews across the board. Keeping my fingers crossed for part two!
I will start by saying that it's visually stunning. Dune is extremely pleasing to look at from start to finish, from the lush greens and blues of Caladan, to the harsh firey desserts of Arrakis, all of these pallettes jump off the screen. These settings are utilised frequently in countless wide shots and make for do e wonderful vistas. In fact, the whole film is shit beautifully, and I'd expect nothing less from Denis Villeneuve.
All of this works hand in hand with an incredible music score Hans Zimmer. As is standard from Zimmer, every musical point is huge, and turns Dune from a movie into an experience.
The cast is stacked of course. Timothée Chamalet and Rebecca Ferguson absolutely steal the show, and all if the characters are engaging and interesting.
All of this being said, Dune did leave me feeling a little cold. I'm not overly familiar with the source material, so I can accept that I'm not necessarily the target audience, but I felt a lot of the lore was muddied. Maybe I just wasn't in the right frame of mind to fully appreciate the finished product, but I just felt exhausted when the credits rolled, and not in a good way. It's certainly one I'm going to have to revisit to from a proper opinion on.
Despite my reservations, I still appreciate the epic scale of Dune, and I can fully see why it's been getting glowing reviews across the board. Keeping my fingers crossed for part two!

ClareR (5906 KP) rated The Night Ship in Books
Dec 12, 2022
The Night Ship is a wonderful story told from two different perspectives: Mayken is travelling to the Dutch East Indies on board the Batavia in 1629; in 1989, Gil is sent to live with his grandfather after he death of his mother. Gil finds out about the shipwreck of the Batavia when he meets some archaeologists, and becomes really interested in what happened.
The story switches between the two children, and I couldn’t wait to read about each perspective. Mayken is a happy, curious child, who is desperate to explore the world below decks - which due to her status, she isn’t supposed to do. So she enlists the help of a cabin boy and disguises herself. Mayken searches for a monster below decks, the Bullebak, as things start to go wrong on the ship. But it soon becomes apparent that the threat doesn’t come from a monster.
Gil doesn’t want to live with his uncommunicative, distant grandfather. He doesn’t want to fish with him either. And her certainly doesn’t want to talk about what happened with his mother. He finds solace in his friendships with an ancient tortoise called Enkidu, and Silvia Zanetti, the wife and mother of his grandfathers enemies, Frank and Roper (the latter sounds like he should be locked up, to be honest).
I absolutely loved this book. Mayken and Gil are both such tragic characters who only need someone to care for them. It’s a magical story, made more so by the imaginations of the two children. It’s a shame that the real world has to encroach on them.
Highly recommended.
The story switches between the two children, and I couldn’t wait to read about each perspective. Mayken is a happy, curious child, who is desperate to explore the world below decks - which due to her status, she isn’t supposed to do. So she enlists the help of a cabin boy and disguises herself. Mayken searches for a monster below decks, the Bullebak, as things start to go wrong on the ship. But it soon becomes apparent that the threat doesn’t come from a monster.
Gil doesn’t want to live with his uncommunicative, distant grandfather. He doesn’t want to fish with him either. And her certainly doesn’t want to talk about what happened with his mother. He finds solace in his friendships with an ancient tortoise called Enkidu, and Silvia Zanetti, the wife and mother of his grandfathers enemies, Frank and Roper (the latter sounds like he should be locked up, to be honest).
I absolutely loved this book. Mayken and Gil are both such tragic characters who only need someone to care for them. It’s a magical story, made more so by the imaginations of the two children. It’s a shame that the real world has to encroach on them.
Highly recommended.