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LeftSideCut (3776 KP) rated A Creepshow Animated Special (2020) in Movies
Nov 15, 2020
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
ClareR (6037 KP) rated The Devil and the Dark Water in Books
Feb 7, 2021
I listened to The Devil and the Dark Water on Audible, read so well by Julian Rhind-Tutt. HIs voice suited this story so well, and it transported me on to the ‘Saardem’, which had left Batavia, en route to Amsterdam. The sights, the smells, the business, the people, the chaos, were all so well described. And then a leper appears on top of some packing crates, loudly issues a warning that the ship will end in ruin - and bursts in to flames. Sarah Wessel, the Governors wife and a healer, tries to help him but he dies - and this is where it starts to get really strange. It transpires that the leper had no tongue. So how did he speak?
Once the boat has begun its journey, the really menacing things start to happen. A demon called Old Tom makes his presence felt, along with his threats, and the Three Unholy Miracles he promises seemingly come to pass.
On board is the infamous detective Samuel Pipps - except he is imprisoned and on his way to be executed in Amsterdam. His Bodyguard, Arent Hayes, has been employed to ensure his safety (by Pipps) and he asks his advice when he can. But it seems that Pipps’ invaluable detecting skills will go largely untapped. It’s up to Arent.
I loved the menace that runs through this book. Now, I don’t believe in Demons, but even I was wondering when it would appear! And there was NO way that I was EVER going to guess the ending (I would be interested to hear whether anyone else did!).
It’s a great book: full of adventures of the High Seas, with ruthless sailors, soldiers and passengers!
Once the boat has begun its journey, the really menacing things start to happen. A demon called Old Tom makes his presence felt, along with his threats, and the Three Unholy Miracles he promises seemingly come to pass.
On board is the infamous detective Samuel Pipps - except he is imprisoned and on his way to be executed in Amsterdam. His Bodyguard, Arent Hayes, has been employed to ensure his safety (by Pipps) and he asks his advice when he can. But it seems that Pipps’ invaluable detecting skills will go largely untapped. It’s up to Arent.
I loved the menace that runs through this book. Now, I don’t believe in Demons, but even I was wondering when it would appear! And there was NO way that I was EVER going to guess the ending (I would be interested to hear whether anyone else did!).
It’s a great book: full of adventures of the High Seas, with ruthless sailors, soldiers and passengers!
Matthew Krueger (10051 KP) rated Roll Player in Tabletop Games
Apr 1, 2021
Build Your Own Hero
Roll Player- is a excellent board game, i love the theme, the gameplay, the replayablity, everything about i love.
In Roll Player, you will compete to create the greatest fantasy adventurer who has ever lived, preparing your character to embark on an epic quest. Roll and draft dice to build up your character’s attributes. Purchase weapons and armor to outfit your hero. Train to gain skills and discover your hero’s traits to prepare them for their journey. Earn Reputation Stars by constructing the perfect character.
The player with the greatest Reputation wins the game and will surely triumph over whatever nefarious plot lies ahead!
Gameplay:
In Roll Player, a game round is divided into 4 phases. The Roll Phase, the Dice Phase, the Market Phase and the Cleanup Phase.
ROLL PHASE - The Start Player draws dice out of a bag, rolls them, and places them in numerical order on Initiative cards in the center of the table.
DICE PHASE - Players take turns selecting an Initiative card, placing their die on their Character Sheet and taking Attribute Actions associated with the Attribute the die was placed in.
MARKET PHASE - Players purchase cards from the market that represent Traits, Skills, Weapons, and Armor.
CLEAN UP PHASE - Return remaining dice to the bag. Return Initiative cards to the center of the table. Refresh 1 Skill card. Pass the Dice Bag to the player on the left.
The game ends at the completion of the round in which all players have filled all Attribute Rows on their Character Sheets.
Players then calculate their Final Scores to determine the winner!
Its a fun, entertaining, excellent game and i highly recordmend buying it.
In Roll Player, you will compete to create the greatest fantasy adventurer who has ever lived, preparing your character to embark on an epic quest. Roll and draft dice to build up your character’s attributes. Purchase weapons and armor to outfit your hero. Train to gain skills and discover your hero’s traits to prepare them for their journey. Earn Reputation Stars by constructing the perfect character.
The player with the greatest Reputation wins the game and will surely triumph over whatever nefarious plot lies ahead!
Gameplay:
In Roll Player, a game round is divided into 4 phases. The Roll Phase, the Dice Phase, the Market Phase and the Cleanup Phase.
ROLL PHASE - The Start Player draws dice out of a bag, rolls them, and places them in numerical order on Initiative cards in the center of the table.
DICE PHASE - Players take turns selecting an Initiative card, placing their die on their Character Sheet and taking Attribute Actions associated with the Attribute the die was placed in.
MARKET PHASE - Players purchase cards from the market that represent Traits, Skills, Weapons, and Armor.
CLEAN UP PHASE - Return remaining dice to the bag. Return Initiative cards to the center of the table. Refresh 1 Skill card. Pass the Dice Bag to the player on the left.
The game ends at the completion of the round in which all players have filled all Attribute Rows on their Character Sheets.
Players then calculate their Final Scores to determine the winner!
Its a fun, entertaining, excellent game and i highly recordmend buying it.
Jason Williamson recommended From the Double Gone Chapel by Two Lone Swordsmen in Music (curated)
Martin Carr recommended track Love Action (I Believe in Love) by The Human League in Very Best Of by The Human League in Music (curated)
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
LoganCrews (2861 KP) rated Palo Alto (2014) in Movies
Sep 20, 2020
Flooringly seismic, as someone who was around this exact age in this exact time period - this is the perfect representation of high school in 2012/2013 to a T. I'm always put off by how high school kids in movies from around this time never talk right, and even when its ever so close there's still just that slight amount of "out-of-touch adult writes how they think teens speak" jargon which completely takes me out of it. Not here, the way people talk to each other here is scarily dead-on to how me and my shithead friends used to talk to each other to the comma. The fact that there's no clear-cut good or bad guys, just varying degrees of shitty; those tiny but thick iPod touches that had the messaging apps with the grey background and green messages; weird fake meme-sounding music abound parties with lethal amounts of alcohol... trades in the (still tantalizing in its own way) metaphorical cringe that these movies usually have and finally depicts high schoolers from this time as the snaky, rash, social-status obsessed psychopaths that we were - the type who would sooner ask for mouthwash after they vomited up hours worth of alcohol rather than water. The déjà vu I felt during this was unreal, and beyond that it's the movie equivalent to an opiate - not to mention daring, economical, accurate, and cautiously brisk with tremendous performances across the board (Nat Wolff holy *shit*). What happens when you stick a bunch of emotionally unstable sociopaths who don't like each other (or are at least fooled into thinking they do) into a 5-days-a-week institution and leave them to their own devices in the early 2010s. I fucking *lived* this movie - which may even be the best one directed by a Coppola.
LeftSideCut (3776 KP) rated Horror Noire: A History of Black Horror (2019) in Movies
Sep 21, 2020
I found Horror Noire, a documentary that focuses on the role and impact of black creators and actors within horror cinema, to be an incredibly insightful watch.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Leanne Crabtree (480 KP) rated Rules of Redemption (The Firebird Chronicles, #1) in Books
Jan 12, 2021
This starts with Kira trying to get to one of her enemies destroyed ships so she can salvage parts and other things from it, making her way through a field of broken ship parts to get there. She finally makes it on board and salvages several parts but not without incident, heading back to her ship to find out something is now broken and they need to head to a station to buy the part. While there she comes to the rescue of some children and draws the attention of the Tuann, a race of beings who claim she is one of them. She is coerced into going with them to one of their planets by the leader of the group, Graydon, and lots of things come to light - including an intense attraction.
I actually got quite into this, more than i expected to considering sci-fi is not really my type of thing. Loads of stuff kept happening and kept me entertained. Secrets came to light, a romance was blooming, people thought dead were coming back out of the woodwork...
It was really well thought out and written and we learnt things about Kira in dribs and drabs that kept us guessing about her and what happened in her past until we learnt even more. It was great. The ending had me intrigued enough to go and buy book 2 straight away.
I'll admit that the above is mostly down to the romance that was slowly brewing between Kira and Graydon and the little fact that he's not letting her leave - which I find quite funny, because Kira was ready for killing him about it, and because I am excited to see what happens there romantically.
I actually got quite into this, more than i expected to considering sci-fi is not really my type of thing. Loads of stuff kept happening and kept me entertained. Secrets came to light, a romance was blooming, people thought dead were coming back out of the woodwork...
It was really well thought out and written and we learnt things about Kira in dribs and drabs that kept us guessing about her and what happened in her past until we learnt even more. It was great. The ending had me intrigued enough to go and buy book 2 straight away.
I'll admit that the above is mostly down to the romance that was slowly brewing between Kira and Graydon and the little fact that he's not letting her leave - which I find quite funny, because Kira was ready for killing him about it, and because I am excited to see what happens there romantically.