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StorybookConfectionary (1 KP) rated Call Me by Your Name (2017) in Movies
Mar 9, 2018
The pace is supposed to feel languid like the summer vacation they are having. (11 more)
The characters are developed early on, like Oliver's knowledge of etymology that would be a cliché of the "protagonist as genius" had it not been a simply test.
Elio's name comes from 'helios' or sun and fits his personality in the sense that he is generous with his time, brilliant by definition of his current state of youth in mind and body, and he is restless in love.
The peach scene is heartbreaking.
The fireplace is a cinematographic style we don't see a lot as an Ameeican audience, where the camera stays in one place and we look through Elios for a long time. It should feel discomforting.
Elios' girl approaches him first even though she recognizes he used her and even when she said she was most afraid of getting hurt. She tells him she's sorry to see him sad, that she loves him, and then extends her hand for a reconciliation.
Elios takes her hand only when she promises her friendship is forever. So while romance is fleeting and he has the courage to proceed, he cannot give up the commitment of duration as prerequisite in a friendship.
The flies throughout the movie feel natural to the countryside but can also signify the attraction to: the sweetness of fruit, the rotting of fruit, and the indiscriminatory chances that warmth gives to living things.
These flies deserve an additional block for their amount of screentime, a motif of desire that obstructs the viewer's sight and buzzes us into a haze. We are, unbeknownst to ourselves, directed towards empathy for the characters.
Romance should be prolonged. Teased until it hits a climax and cannot be resisted anymore. Elio and everyone else hits a note of ecstasy once Oliver gives into the beauty of a body.
It's amazing how this story is founded on and driven by the conversations between Greek philosophy and Roman conquests. The Greeks thought sculpture could answer their question about knowledge/beauty.
Romance, because it ends, remains so good, nostalgic, and desirable.
Summer love
Kristy H (1252 KP) rated Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8) in Books
Feb 13, 2018
Book 8 in Alan Bradley's wondrous series picks up with Flavia returning home from Canada--no longer in boarding school--and back home among her sisters, family servants, and faithful bike, Gladys. Unfortunately, upon returning home, she is met with the news that her father is gravely ill with pneumonia. Only Flavia's pesky cousin, Undine is around to greet her. Out and about in town, Flavia runs an errand and--in true Flavia fashion-- stumbles across the body of a dead man. He appears to be the local woodcarver, and Flavia finds him hanging upside down in his home. From there, Flavia's downtrodden spirits lift immediately, as there is nothing like a dead body to return her to her true self. She sets out to solve the case before her pal, Inspector Hewitt, can, but this case will offer plenty of twists and turns, even for our young sleuth.
This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.
These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.
I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.
This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.
These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.
I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.
Debbiereadsbook (1444 KP) rated Dead In The Garden (Grasmere Cottage Mystery #1) in Books
Oct 11, 2018
No idea where this is going but loved it!
Valor and Bishan have a good life in Grasmere. They run a successful business and Bishan has his music. So why is there a dead body in their garden, and why do the police think Bish did it?
A step away from Ms Donovan's usual fair, but thoroughly enjoyable one!
After the discovery of the body in the garden, Valor takes it upon himself to try to figure out who is out to get him and Bish, especially after Bish is arrested. Valor speaks with old Harrow school pals and teachers, trying to channel is inner tv detective, just like his favourite shows. Bish struggles away from home, he likes things just so, and the police cell makes him itchy.
I have just one one niggle here, and that it's only Valor who has a voice. I really wanted to hear from Bishan at key points along the way, and I wanted to hear how his mind would process everything. I love that Ms Donovan writes with Autistic characters playing front and centre. Bishan does, though, have the majority voice in book two, Dead in the Pond, so really looking forward to that!
For a murder/mystery, its not overly graphic, just enough to get the point across. There IS romance here, but not a great deal, since Valor and Bishan spend much of the book apart.
I loved the support network Bish and Valor have. Bish's family especially, but Valor's family?? Not so much! I STILL think they might have something to do with it all!
I really have no idea where this is going, nor do I really mind which way it goes, I just wanna read them! I want to see if I can put the clues together fast enough to watch it all play out the way I think it will, or if I'm too slow and don't get the whodunnit til it's all revealed!
So, ONLY because Bishan doesn't get a say here...
4 stars
**same worded review will appear elsewhere**
A step away from Ms Donovan's usual fair, but thoroughly enjoyable one!
After the discovery of the body in the garden, Valor takes it upon himself to try to figure out who is out to get him and Bish, especially after Bish is arrested. Valor speaks with old Harrow school pals and teachers, trying to channel is inner tv detective, just like his favourite shows. Bish struggles away from home, he likes things just so, and the police cell makes him itchy.
I have just one one niggle here, and that it's only Valor who has a voice. I really wanted to hear from Bishan at key points along the way, and I wanted to hear how his mind would process everything. I love that Ms Donovan writes with Autistic characters playing front and centre. Bishan does, though, have the majority voice in book two, Dead in the Pond, so really looking forward to that!
For a murder/mystery, its not overly graphic, just enough to get the point across. There IS romance here, but not a great deal, since Valor and Bishan spend much of the book apart.
I loved the support network Bish and Valor have. Bish's family especially, but Valor's family?? Not so much! I STILL think they might have something to do with it all!
I really have no idea where this is going, nor do I really mind which way it goes, I just wanna read them! I want to see if I can put the clues together fast enough to watch it all play out the way I think it will, or if I'm too slow and don't get the whodunnit til it's all revealed!
So, ONLY because Bishan doesn't get a say here...
4 stars
**same worded review will appear elsewhere**
Mark @ Carstairs Considers (2352 KP) rated The Deep End in Books
Aug 14, 2019
I’m glad I Jumped into this Series
Ellison Russell is devoted to her teenage daughter, Grace, and her art. She and her husband are still living together, but that is only because they have decided to wait to get divorced until Grace is out of the house. Part of Ellison’s routine is a swim at dawn in the country club’s pool. On this particular June morning in 1974, she swims into a dead body in the pool. Worse yet, when the police arrive and pull the body out of the pool, she recognizes the victim as Madeline Harper, her husband’s mistress. Ellison knows that she makes a pretty compelling suspect in the woman’s murder, as does her husband. She knows she is innocent and she believes that her husband may be an adulterer, but he isn’t a killer. However, the fact that he’s suddenly left town for parts unknown doesn’t make him appear innocent. Can Ellison figure out what really happened to Madeline?
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.
ClareR (5879 KP) rated Frankissstein in Books
Aug 6, 2019
A novel with a lot to think about!
I feel a sense of satisfaction having finished this book. I loved it, and I can really see why it has made the Booker Prize longlist (2019).
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.
In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.
Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.
It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!
Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.
In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.
Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.
It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!
Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)
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