
Matthew Krueger (10051 KP) rated Freddy's Dead: The Final Nightmare (1991) in Movies
Jul 3, 2020
The deaths are cool like Carlo's death: Hearing magnified, head exploded by sound of bladed glove scratching chalkboard. Its a funny death, thats sounds odd but it is. Spencer's death: Knocked down stairs into bottomless pit. Again its a funny death. John's death: Fell from sky, impaled on bed spikes. Again its funny. Even Freddy's death: Pinned to wall/crate with various weapons, bladed glove in stomach, blown up by pipe bomb. Its funny, Freddy's death shouldn't be funny, it should be iconic. This isnt iconic. Also for some pair of reason the last ten minutes of the movie is 3D. IDK why, but it was.
The plot: Murderous ghoul Freddy Krueger (Robert Englund) has slaughtered every last child in his hometown. He ventures on to a new location, scouting fresh young victims to hack up with his finger blades. He arrives in a small town in which his long-lost daughter, Maggie (Lisa Zane), works as a therapist for troubled youths. He attempts to recruit her for his dastardly pursuits, but she has other ideas. Father and daughter meet for a bloody showdown that will determine Freddy's fate once and for all.
Also for some pair of reason Roseanne Barr, Tom Arnold, and Alice Cooper all appear in this film.
Freddy's Dead is a wired movie, but at least it was a intresting movie.

Sarah (7799 KP) rated Richard Jewell (2019) in Movies
Nov 7, 2020
This is yet another true story I know nothing about, so for me I found this to be quite an interesting watch to discover what happened. To be honest I was almost in disbelief at times to see how Richard was treated by law enforcement and whilst I know some artistic license is always used, it’s still crazy what they did to him! The story is fascinating, although I do think the film drags this out a bit at a run time of well over 2 hours.
That said, there are some good performances in this namely from Paul Walter Hauser (who was great in I, Tonya too), Sam Rockwell and Kathy Bates. The relationship between Richard and Rockwell’s character Watson is particularly heartwarming and provides a lot of the funnier aspects of the film and actually proves to be the best thing about this. Sadly there are some who have fared less well - Jon Hamm and Olivia Wilde’s seem like your typical cliched FBI and reported characters respectively, and while they both put in good performances, the characters let them down.
What confused me the most about this film was the tone. It felt like it should be a rather tense suspense filled drama (similar to say Patriots Day) but instead it felt too happy or lighthearted to be serious, which considering the subject matter is rather odd. And I think this impacted on how much I liked this. It also didn’t help that they completely gloss over who the real bomber actually was right at the end, and this felt rather abrupt and frustrating considering the length of time the film spends showing them investigating Richard! Overall this is an enjoyable interesting film but falls short of being anything spectacular.

Moby recommended It Takes a Nation of Millions to Hold Us Back by Public Enemy in Music (curated)

Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.

Bubble Shooter - Totally Addictive!
Games and Entertainment
App
Best Bubble Shooter game for iPhone. At the top of the appstore lists throughout the world. What...

Mists of the Serengeti
Book Watch
From New York Times and USA Today bestselling author, Leylah Attar, comes a compelling, emotionally...
Romance fiction

12 Crass Songs by Jeffrey Lewis
Album
One of the premier exponents of 'antifolk' an urban folk subgenre popular in the cafes, clubs and...

Angry Birds Match
Games
App
The pigs are trying their hardest to ruin the Hatchlings’ party, but nothing can stop these little...

Angry Birds POP!
Games
App
Join Stella, Red, Chuck, Bomb, and the rest of the Angry Birds in an extra addictive bubbleshooter...