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Kristy H (1252 KP) rated Lies She Told in Books
Feb 13, 2018
Liza is a struggling writer given an ultimatum by her editor: write a thriller for me in a month. It's been ages since Liza was on the bestseller list (truly, only her first novel was a real success). Meanwhile, she's a mess of fertility drugs and hormones, as she and her lawyer husband, David, are trying to start a family--and getting nowhere. Even worse, David's best friend and business partner, Nick, has been missing for over a month. David is increasingly frantic and distracted, and the police have no leads. So Liza pours her heart and soul into the story of Beth, a new mom who suspects her own lawyer husband of cheating on her. Beth catches him the act and makes a split-second decision that will change their lives forever. As Liza continues to write, the lines between fact and fiction become increasingly blurred.
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Story: 71 starts as we see Gary Hook (O’Connell) going through his training with his regiment before they get deployed to Belfast to deal with the riot situation. In Ireland the regiment receive their instructions and onto the Catholic side of the war. When the riots get out of hand Gary finds himself on the wrong side of the barrier alone and unarmed in the Irish territory.
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
Darren (1599 KP) rated American Assassin (2017) in Movies
Jun 20, 2019
Story: American Assassin starts as normal American Mitch Rapp (O’Brien) sees his fiancée gunned down by terrorists and himself left for dead, 18 months later he has trained himself to eliminate the men responsible but little does he know that CIA agent Irene Kennedy (Lathan) has been watching his action.
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
Gareth von Kallenbach (980 KP) rated The Cave (2005) in Movies
Aug 14, 2019
Ever since the classic days of horror, one constant in film has been the time honored formula of a group of people trapped, and being stalked by sinister forces bent on their destruction.
Through countless monster films of the 40’s, 50’s, and 70’s this pattern has been a constant, ranging from Dracula to It: the Terror from Beyond Space which served as the inspiration for the genre classic “Alien”.
The breakout success of “Alien” vaulted the so called creature features from the status of matinee standard to mainstream release, which has seen varied success over the years on the big screen, but has been a fixture of cable and the home video market.
It is said that to all things there is a season, and this summer was no exception as the latest film in the genre, The Cave has surfaced at theaters after much delay due to constantly changing release dates.
The film tells of a group of explores headed by Jack (Cole Hauser), who venture to Romania to explore what is believed to be the largest underwater cave ever discovered.
In no time the team has established a base camp and ventures into the depths and finds themselves in a massive underwater cavern approximately two miles in after they had begun to explore.
A freak incident occurs trapping the group inside the unexplored cavern, which forces them to seek a new way out, as their supplies will run out in twelve days. This matter combined with the depth of their location makes a rescue difficult process, so despite reservations the team ventures even deeper into the unexplored cave.
Along the way, signs of human remains are found, which sets the group further on edge. A chance encounter with a cave dwelling creature leaves Jack injured and causes the team to look at his brother Tyler (Eddie Cibrian), to take charge, as there are those that start to believe Jack is no longer fit to lead the team. As the film unfolds a series of accidents and encounters with the bizarre creatures leaves the team diminished and in disarray, and in a bizarre twist, Jack has begun to deteriorate leaving people to wonder just how extensive the damage from his attack is.
What surprised me is that with an interesting premise and good supporting actors such as Morris Chestnut, and Piper Perabo just how dull and unsympathetic the characters were. We are told very little about them leaving their characters so paper thin, even by action film standards that it is very hard to have any sympathy for them, and care about their outcome.
What is an even bigger surprise is that the film for the most part is utterly devoid of any thrills, chills, or tension as it plods along failing to gain any modicum of suspense.
The so called finale was so by the numbers that it was in no way worth having to sit through 90+ minutes of uninspired acting, average effects, and groan inducing dialogue (“They can fly to”) that generated laughs during what is supposed to be a moment of intensity.
The creatures have some potential but we see so precious little of them, and based on certain elements of the plot, there is a lot more that needed to be said that was not.
The ending does leave the door open for a sequel but as this film is likely to be on my “Worst of the Year” list, lets hope they decide to delay this a few years which is what they should have continued to do with this bomb.
Through countless monster films of the 40’s, 50’s, and 70’s this pattern has been a constant, ranging from Dracula to It: the Terror from Beyond Space which served as the inspiration for the genre classic “Alien”.
The breakout success of “Alien” vaulted the so called creature features from the status of matinee standard to mainstream release, which has seen varied success over the years on the big screen, but has been a fixture of cable and the home video market.
It is said that to all things there is a season, and this summer was no exception as the latest film in the genre, The Cave has surfaced at theaters after much delay due to constantly changing release dates.
The film tells of a group of explores headed by Jack (Cole Hauser), who venture to Romania to explore what is believed to be the largest underwater cave ever discovered.
In no time the team has established a base camp and ventures into the depths and finds themselves in a massive underwater cavern approximately two miles in after they had begun to explore.
A freak incident occurs trapping the group inside the unexplored cavern, which forces them to seek a new way out, as their supplies will run out in twelve days. This matter combined with the depth of their location makes a rescue difficult process, so despite reservations the team ventures even deeper into the unexplored cave.
Along the way, signs of human remains are found, which sets the group further on edge. A chance encounter with a cave dwelling creature leaves Jack injured and causes the team to look at his brother Tyler (Eddie Cibrian), to take charge, as there are those that start to believe Jack is no longer fit to lead the team. As the film unfolds a series of accidents and encounters with the bizarre creatures leaves the team diminished and in disarray, and in a bizarre twist, Jack has begun to deteriorate leaving people to wonder just how extensive the damage from his attack is.
What surprised me is that with an interesting premise and good supporting actors such as Morris Chestnut, and Piper Perabo just how dull and unsympathetic the characters were. We are told very little about them leaving their characters so paper thin, even by action film standards that it is very hard to have any sympathy for them, and care about their outcome.
What is an even bigger surprise is that the film for the most part is utterly devoid of any thrills, chills, or tension as it plods along failing to gain any modicum of suspense.
The so called finale was so by the numbers that it was in no way worth having to sit through 90+ minutes of uninspired acting, average effects, and groan inducing dialogue (“They can fly to”) that generated laughs during what is supposed to be a moment of intensity.
The creatures have some potential but we see so precious little of them, and based on certain elements of the plot, there is a lot more that needed to be said that was not.
The ending does leave the door open for a sequel but as this film is likely to be on my “Worst of the Year” list, lets hope they decide to delay this a few years which is what they should have continued to do with this bomb.
Bob Mann (459 KP) rated Zack Snyder's Justice League (2021) in Movies
Apr 5, 2021
At over 4 hours it's still bloated and sprawling (1 more)
4:3 ratio is a needless gimmick
Does Lipstick on the Pig work?
In Zack Snyder’s much-discussed director’s cut of “Justice League”, Superman (Henry Cavill) is dead (post the events of “Batman v Superman: Dawn of Justice“) and a grieving Lois Lane (Amy Adams) can’t move on. Even Martha Kent (Diane Lane) has had the family farm repossessed. But the world is in deadly danger due to the work of Steppenwolf and his army of parademons. They are trying to reunite three ‘Mother Boxes’, previously hidden on earth. If joined and synchronized they will form ‘The Unity’, creating a gateway for Steppenwolf’s boss – Darkseid – to arrive and control the universe by invoking the “anti-life equation” (basically lockdown 3!).
Only the Justice League’s combined talents might be enough to stop them – but Batman (Ben Affleck) is having trouble in getting Wonder Woman (Gal Gadot), Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) to work together. And even then, they reckon they might be a man short!
Positives:
- Well - it's so much better than the original 2017 version of "Justice League", but then that's not saying much! (I realise that I never did a review for that movie, which I saw on a transatlantic flight - - I put the whole incoherent mess down to my jetlag. But no.... it really was an incoherent mess!).
In the Snyder cut, we gain a much broader introduction to all of the main characters, especially to Barry Allen (the Flash) - in a very entertaining pet shop interview scene - and Victor Stone (Cyborg). And Steppenwolf gets more air time to flesh out his character.
- The story I find very similar to the Marvel equivalent: with Darkseid = Thanos; boxes = stones; Avengers = Justice League! But the story is at least now coherent and flows well. Its action set pieces, especially the ultimate defeat of Steppenwolf (nice decap!), are exciting.
- Some of the distracting scenes (the trapped family in the Russian ruins is a key example) have been excised from this version, making for a significant improvement.
Negatives:
- I'm with Mark Kermode in being a little bit mystified by all of the rave 5* reviews for this one. By anyone's imagination, a run time of 242 minutes is over-indulgent.
- Although the epilogue scene, featuring Jared Leto's Joker and a Batman f-bomb, is entertaining, it actually adds nothing to the exposition and could have been dropped to reduce the bladder-testing run time.
- That 4:3 screen ratio! JUST WHY SNYDER, WHY? There's one scene in particular, where all six members of the Justice League line up in the sunset to dramatic swelling music. The screen ratio forces Snyder to film it at a 60 degree angle to get them all in! "Galaxy Quest" intelligently used three different screen ratios, to great visual effect. So I could perhaps understand it if the 'flashback' scenes had been 4:3 and the rest in 16:9. But as it is, the usage is gimmicky, making (imho) no sense for a big fantasy spectacle like this.
- The Junkie XL (as Thomas Holkenborg) soundtrack I'm afraid did nothing for me.
Summary thoughts:
It's a film, for sure. Is it a watchable film now... hmm, yes just about. And it has scenes which indeed are highly entertaining. But if you follow my One Mann's Movies blog you should know by now my view on movies that extend beyond 90 minutes... they need to justify that delta running time. And by outstaying this target by another 90 minutes... and then by ANOTHER 62 minutes borders on taking the <proverbial>. It's not Shakespeare!
(For the full graphical review, check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/04/zack-snyders-justice-league-does-lipstick-on-the-pig-work/).
Only the Justice League’s combined talents might be enough to stop them – but Batman (Ben Affleck) is having trouble in getting Wonder Woman (Gal Gadot), Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) to work together. And even then, they reckon they might be a man short!
Positives:
- Well - it's so much better than the original 2017 version of "Justice League", but then that's not saying much! (I realise that I never did a review for that movie, which I saw on a transatlantic flight - - I put the whole incoherent mess down to my jetlag. But no.... it really was an incoherent mess!).
In the Snyder cut, we gain a much broader introduction to all of the main characters, especially to Barry Allen (the Flash) - in a very entertaining pet shop interview scene - and Victor Stone (Cyborg). And Steppenwolf gets more air time to flesh out his character.
- The story I find very similar to the Marvel equivalent: with Darkseid = Thanos; boxes = stones; Avengers = Justice League! But the story is at least now coherent and flows well. Its action set pieces, especially the ultimate defeat of Steppenwolf (nice decap!), are exciting.
- Some of the distracting scenes (the trapped family in the Russian ruins is a key example) have been excised from this version, making for a significant improvement.
Negatives:
- I'm with Mark Kermode in being a little bit mystified by all of the rave 5* reviews for this one. By anyone's imagination, a run time of 242 minutes is over-indulgent.
- Although the epilogue scene, featuring Jared Leto's Joker and a Batman f-bomb, is entertaining, it actually adds nothing to the exposition and could have been dropped to reduce the bladder-testing run time.
- That 4:3 screen ratio! JUST WHY SNYDER, WHY? There's one scene in particular, where all six members of the Justice League line up in the sunset to dramatic swelling music. The screen ratio forces Snyder to film it at a 60 degree angle to get them all in! "Galaxy Quest" intelligently used three different screen ratios, to great visual effect. So I could perhaps understand it if the 'flashback' scenes had been 4:3 and the rest in 16:9. But as it is, the usage is gimmicky, making (imho) no sense for a big fantasy spectacle like this.
- The Junkie XL (as Thomas Holkenborg) soundtrack I'm afraid did nothing for me.
Summary thoughts:
It's a film, for sure. Is it a watchable film now... hmm, yes just about. And it has scenes which indeed are highly entertaining. But if you follow my One Mann's Movies blog you should know by now my view on movies that extend beyond 90 minutes... they need to justify that delta running time. And by outstaying this target by another 90 minutes... and then by ANOTHER 62 minutes borders on taking the <proverbial>. It's not Shakespeare!
(For the full graphical review, check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/04/zack-snyders-justice-league-does-lipstick-on-the-pig-work/).
Worms 2: Armageddon
Games and Entertainment
8.0
Rate It
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#1 Turn-Based Game in 135 countries - #1 Strategy Game in 100+ countries #1 Game overall 35+...
Heather Cranmer (2721 KP) rated Delirium in Books
Jun 7, 2018
Review from my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
I really, really, really wanted to like this book. In fact, I wanted to love it, but it just didn't happen. I just couldn't get into it at all no matter how hard I tried. It's gotten some rave reviews so maybe there's just something wrong with me.
Lena is a seventeen year old girl who doesn't challenge anything about her government. She's too scared of the consequences. In a few months, on her 18th birthday, she'll be cured of the disease, the disease of love. She's looking forward to the day she can be cured of love. In fact, she's counting down the days. However, everything changes when she meets the gorgeous Alex, an invalid (another name for someone who is uncured after their 18th birthday). Now she doesn't want to be cured as Alex has opened her eyes to this disease called love. Lena is wondering if love was ever really a disease at all. Lena is putting herself at risk to be with Alex. Will she have her happy ever after or will she be cured?
The world building isn't bad. The story takes place in Portland. The author does a great job of trying to make the reader believe in a world where love is banned. It is quite believable.
I don't think the cover suits the book at all. Lauren Oliver has a habit of just putting faces on the covers of her books. However, I think this is the easy way out. Putting a photo of a face on a book doesn't really tell us anything about the book. I wish Ms. Oliver would consider changing her covers to make them relevant to the actual story.
The title, however, definitely suits the book. Love is seen as a type of delirium. It's banned, and the government wants everyone to believe how love will make you delirious. It's a great title for the book.
I found the pacing to be too slow for my liking. Don't get me wrong, it's written quite nicely, but it's just too slow. I had to force myself to read the book most of the time. I just couldn't get into it, and I found myself not really caring about the characters. There is one good bit, and it's only about two or three chapters towards the middle of the book.
The dialogue is easy to understand and is written beautifully. There are a few swear words however. (Lena drops the f-bomb a couple of times and the s word is used a couple of times as well). The good thing is this book isn't littered with swear words which is nice.
I just couldn't relate to any of the characters. Lena drove me crazy!! She was too much of a goody goody and too scared throughout the book. It especially annoyed me when she couldn't tell the difference if she was crying or sweating. I've never had a problem telling the difference!! And Alex, nothing really annoyed me about him, but I just couldn't feel him if you know what I mean. I basically found that I couldn't give a toss about what happened to Lena and Alex. I did like Hana as she was more of a free spirit and willing to take risks. I liked how full of life she was. She was the only character I kind of cared about, but she wasn't a main character, nor was she mentioned as much as I would've liked her to be.
Throughout most of the book I just felt really bored with the book which made me kind of sad because I really wanted to enjoy this book after reading some reviews about how great this book was. It was a challenge for me to get through the book, save for two or three chapters. This book just didn't really do anything for me, and I won't be reading the rest of the series as I don't really care what happens.
I wouldn't recommend this book to anyone. It's just too boring and is lacking something.
Overall, I'd rate Delirium by Lauren Oliver a 2.5 out of a 5.
I really, really, really wanted to like this book. In fact, I wanted to love it, but it just didn't happen. I just couldn't get into it at all no matter how hard I tried. It's gotten some rave reviews so maybe there's just something wrong with me.
Lena is a seventeen year old girl who doesn't challenge anything about her government. She's too scared of the consequences. In a few months, on her 18th birthday, she'll be cured of the disease, the disease of love. She's looking forward to the day she can be cured of love. In fact, she's counting down the days. However, everything changes when she meets the gorgeous Alex, an invalid (another name for someone who is uncured after their 18th birthday). Now she doesn't want to be cured as Alex has opened her eyes to this disease called love. Lena is wondering if love was ever really a disease at all. Lena is putting herself at risk to be with Alex. Will she have her happy ever after or will she be cured?
The world building isn't bad. The story takes place in Portland. The author does a great job of trying to make the reader believe in a world where love is banned. It is quite believable.
I don't think the cover suits the book at all. Lauren Oliver has a habit of just putting faces on the covers of her books. However, I think this is the easy way out. Putting a photo of a face on a book doesn't really tell us anything about the book. I wish Ms. Oliver would consider changing her covers to make them relevant to the actual story.
The title, however, definitely suits the book. Love is seen as a type of delirium. It's banned, and the government wants everyone to believe how love will make you delirious. It's a great title for the book.
I found the pacing to be too slow for my liking. Don't get me wrong, it's written quite nicely, but it's just too slow. I had to force myself to read the book most of the time. I just couldn't get into it, and I found myself not really caring about the characters. There is one good bit, and it's only about two or three chapters towards the middle of the book.
The dialogue is easy to understand and is written beautifully. There are a few swear words however. (Lena drops the f-bomb a couple of times and the s word is used a couple of times as well). The good thing is this book isn't littered with swear words which is nice.
I just couldn't relate to any of the characters. Lena drove me crazy!! She was too much of a goody goody and too scared throughout the book. It especially annoyed me when she couldn't tell the difference if she was crying or sweating. I've never had a problem telling the difference!! And Alex, nothing really annoyed me about him, but I just couldn't feel him if you know what I mean. I basically found that I couldn't give a toss about what happened to Lena and Alex. I did like Hana as she was more of a free spirit and willing to take risks. I liked how full of life she was. She was the only character I kind of cared about, but she wasn't a main character, nor was she mentioned as much as I would've liked her to be.
Throughout most of the book I just felt really bored with the book which made me kind of sad because I really wanted to enjoy this book after reading some reviews about how great this book was. It was a challenge for me to get through the book, save for two or three chapters. This book just didn't really do anything for me, and I won't be reading the rest of the series as I don't really care what happens.
I wouldn't recommend this book to anyone. It's just too boring and is lacking something.
Overall, I'd rate Delirium by Lauren Oliver a 2.5 out of a 5.
Lucy Buglass (45 KP) rated Greta (2019) in Movies
Jun 20, 2019
Trust No One
It felt like I’d been waiting an eternity for Greta, and the suspense was killing me. I’d seen plenty of feedback from those who attended TIFF, and the trailer had played before so many films I’d seen in the cinema. The concept had intrigued me from day one, as I find myself very drawn to thrillers such as this one. Being stalked is a very real, very genuine fear, and it’s that sense of realism that makes it so terrifying.
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
Heather Cranmer (2721 KP) rated Hello Again in Books
Dec 26, 2018 (Updated Dec 26, 2018)
Held my Interest (1 more)
Interesting Premise
Not enough character backstory (2 more)
Pacing all over the place
Not very paranormal
Not Very Paranormal
I love the premise of Hello Again by Stan Schatt. I'm very much into ghosts, so I knew I had to read this book. When it came up for review, I knew I had to read it. Unfortunately, this book was just okay, nothing special.
The plot for Hello Again sounded interesting enough. I loved the idea of a guy getting texts from his dead girlfriend. However, there just wasn't enough of the paranormal aspect for me which was disappointing. Personally, I wouldn't really label Hello Again as a paranormal read at all. It was fun to read about though. I kept trying to figure out who was sending the texts from Amber's phone after she died especially since they were coming from her apartment. I also found it interesting to read about Bill's cafe and how he was struggling to get the money to renew the lease. Anyway, the story did take awhile to get going before he meets his girlfriend, Amber Love, at a speed dating event. Amber is very mysterious and doesn't reveal too much of herself to Ben. I found their relationship to be a bit forced and stagnant myself. They hadn't even been on very many dates before she is blown up by a car bomb. What I found weird was that Ben never even googled Amber's name when he found out she had given him a false last name. If it were me, this day in age, I would have been googling her as soon as I had free time. I also felt like we need more information about how Ben found out about Amber's funeral. I will say that by the time this book ended, all of my questions were answered. There are no cliff hangers, and I felt like what was supposed to be the plot twist was too predictable.
I never really connected to any of the characters in Hello Again, and as much as I tried, I never really found myself caring for any of them. I would have liked a bit more backstory into Ben and Amber. I would have liked it if Ben and Amber's relationship had a chance to flourish instead of them just going on about 3 or 4 dates. I would have even liked more backstory for Josh, the psychic. It was hard to connect to these characters when I didn't know much about them. Oh, one of the characters is described as looking like a terrorist and of Middle Eastern descent. I found this to be stereotypical and thought that some readers may find this offensive.
The pacing for Hello Again starts out slow. About halfway through, the pacing does pick up, but I feel it does go too fast in many places which left scratching my head wondering what had happened. Sometimes, I had to go back to see if I missed anything which I didn't. The pacing just didn't flow very well in the second half. However, this book did hold my attention until the very end though, but I wasn't in a rush to finish it. Luckily, it's a short read.
Trigger warnings for Hello Again include some profanity, a couple of sex scenes although they aren't graphic, violence, murder, and alcoholic drinking.
All in all, Hello Again was an okay albeit disappointing read for me. I had been expecting more of a paranormal read which this really wasn't. I could never connect to the characters which left me feeling empty. However, I did find that this book held my attention on the plus side. Because it held my attention and was a short read, I would recommend Hello Again by Stan Schatt for those aged 18+ who are looking for a short read.
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(A special thank you to Xpresso Book Tours for providing me with an eBook of Hello Again in exchange for an honest and unbiased review.)
The plot for Hello Again sounded interesting enough. I loved the idea of a guy getting texts from his dead girlfriend. However, there just wasn't enough of the paranormal aspect for me which was disappointing. Personally, I wouldn't really label Hello Again as a paranormal read at all. It was fun to read about though. I kept trying to figure out who was sending the texts from Amber's phone after she died especially since they were coming from her apartment. I also found it interesting to read about Bill's cafe and how he was struggling to get the money to renew the lease. Anyway, the story did take awhile to get going before he meets his girlfriend, Amber Love, at a speed dating event. Amber is very mysterious and doesn't reveal too much of herself to Ben. I found their relationship to be a bit forced and stagnant myself. They hadn't even been on very many dates before she is blown up by a car bomb. What I found weird was that Ben never even googled Amber's name when he found out she had given him a false last name. If it were me, this day in age, I would have been googling her as soon as I had free time. I also felt like we need more information about how Ben found out about Amber's funeral. I will say that by the time this book ended, all of my questions were answered. There are no cliff hangers, and I felt like what was supposed to be the plot twist was too predictable.
I never really connected to any of the characters in Hello Again, and as much as I tried, I never really found myself caring for any of them. I would have liked a bit more backstory into Ben and Amber. I would have liked it if Ben and Amber's relationship had a chance to flourish instead of them just going on about 3 or 4 dates. I would have even liked more backstory for Josh, the psychic. It was hard to connect to these characters when I didn't know much about them. Oh, one of the characters is described as looking like a terrorist and of Middle Eastern descent. I found this to be stereotypical and thought that some readers may find this offensive.
The pacing for Hello Again starts out slow. About halfway through, the pacing does pick up, but I feel it does go too fast in many places which left scratching my head wondering what had happened. Sometimes, I had to go back to see if I missed anything which I didn't. The pacing just didn't flow very well in the second half. However, this book did hold my attention until the very end though, but I wasn't in a rush to finish it. Luckily, it's a short read.
Trigger warnings for Hello Again include some profanity, a couple of sex scenes although they aren't graphic, violence, murder, and alcoholic drinking.
All in all, Hello Again was an okay albeit disappointing read for me. I had been expecting more of a paranormal read which this really wasn't. I could never connect to the characters which left me feeling empty. However, I did find that this book held my attention on the plus side. Because it held my attention and was a short read, I would recommend Hello Again by Stan Schatt for those aged 18+ who are looking for a short read.
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(A special thank you to Xpresso Book Tours for providing me with an eBook of Hello Again in exchange for an honest and unbiased review.)
Emma @ The Movies (1786 KP) rated Greta (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I sat down to write up my notes for the weekend's films and I had already forgotten this one. I quite enjoyed it and yet it hasn't really stuck with me at all.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.