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Gareth von Kallenbach (980 KP) rated Death on the Nile (2022) in Movies
Feb 7, 2022
Originally set to release in December of 2019; the long-delayed cinematic retelling of Agatha Christie’s “Death on the Nile” has finally arrived in cinemas. The last cinematic version of the classic book arrived in 1978 and this time; Director and star Kenneth Branagh beings his version of Master Detective Hercule Poirot to Egypt after a chance encounter with his friend Bouc (Tom Bateman) while on vacation; Poirot attends the wedding of wealthy socialite Linette Ridgeway (Gal Gadot) and notices that she has married a man named Simon Doyle (Armie Hammer).
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
Suswatibasu (1703 KP) rated Fight Club (1999) in Movies
Jul 25, 2017
I am Jack's liver...a mind-blowing look at a consumer-led society and mental health
This is a horror movie in the sense that it feels like a modern-day psycho. David Fincher's savage film is visionary and disturbing. It reveals angry and diffidently witty ideas about contemporary manhood. It builds a huge, phantasmagorical structure around the search for lost masculine authority, and attempts to psycho-analyse an entire society in the process. Fabulous twist at the end. An excellent adaptation of Chuck Palahniuk's book.
MissCagey (2652 KP) rated The Book Thief (2013) in Movies
May 6, 2018
Oh my goodness, the acting performances in this film are simply amazing, especially Sophie Nelisse who plays Liesel. I was simply blown away by her, utterly mesmerising. I have read the book but that was many years ago and so only have a very vague recollection of what happened. The movie is not rushed so may be deemed slow by some watchers but I thought it was perfect. It allows you to absorb everything. Heart-warming and a seemingly truthful tale of life during wartime.
The Rocky Horror Treasury: A Tribute to the Ultimate Cult Classic
Sal Piro and Larry Viezel
Book
Including behind-the-scenes stories, pull-out-items, photos, and sounds, this interactive book is a...
LeftSideCut (3776 KP) rated Captain America: Civil War (2016) in Movies
Dec 24, 2020
To it's credit, Civil War was incredible at it's time of release, but a recent re watch left me feeling a little emptier than I remember, and I think it's down to further films in the MCU. The main issue is that whilst it's a third Captain America movie, it is also Avengers 2.5, and as such, loses something from both sides of the coin. The complicated relationship between Bucky and Cap was one of the driving forces that made The Winter Soldier one of the best MCU films to date, but here, that side is distracted from by the big headline brawl. The Civil War side of things is set up pretty well, but the pay off doesn't quite pack the punch it needs to due to the overall focus on the aformentioned Bucky/Cap story.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
BookblogbyCari (345 KP) rated The Last Straw in Books
Apr 7, 2019
When I read the synopsis for this book, I thought “Aah, here’s a story with some oomph!” The book starts with the line “Perry Mason unzipped his pants…” and I thought “I didn’t think it was that sort of a book!” There were no erotic scenes though, but there was violence and drama aplenty!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!
Ross (3284 KP) rated The Trouble With Peace in Books
Sep 28, 2020
Superb dialogue, plotting and war
I received an advance copy of this book from netgalley and the publishers in exchange for an honest review.
This is the second book in Abercrombie's second proper trilogy in the world of The First Law. I will admit to having issues with the first book, A Little Hatred, but they were mainly a result of the book building on from the previous trilogy (and the standalone books) but being a significant amount of time later. I had felt the characters had been left as "so-and-so's son/daughter" with minimal introduction otherwise.
Those issues are now long-forgotten, as in this book all characters receive enough attention to embed themselves and find their voices (no longer are Vick and Savine the same in my head, likewise Leo and Orso, although I have to admit that Clover and Broad still cross over in my mind).
The plot follows some gentle political and social manipulations, both in the capital Adua, and also in the North. Things quickly develop into a much stronger and very possible uprising against the throne, and more importantly against the corrupt financier and magician controlling the throne.
There are some truly superb action sequences in this book, where the action flows seamlessly from one character's PoV to another, almost as if watching a film, where the camera follows an arrow and watches the intended target until they stab at someone, who the camera then follows. This allows the action to unfold across both sides of the conflict and give the story from multiple angles. One of these scenes was one of the best told battle scenes I think I have ever read.
The plot is strong, the characters similarly, and the dialogue and narration is Abercrombie at his best. The crossing, double-crossing and triple-crossing is a joy to read. It is rare in a "grimdark" book to see one of the nastiest characters getting their comeuppance but at the end this is delivered in a fairly shocking manner.
This may just be Abercrombie's best book yet, in my humble opinion.
This is the second book in Abercrombie's second proper trilogy in the world of The First Law. I will admit to having issues with the first book, A Little Hatred, but they were mainly a result of the book building on from the previous trilogy (and the standalone books) but being a significant amount of time later. I had felt the characters had been left as "so-and-so's son/daughter" with minimal introduction otherwise.
Those issues are now long-forgotten, as in this book all characters receive enough attention to embed themselves and find their voices (no longer are Vick and Savine the same in my head, likewise Leo and Orso, although I have to admit that Clover and Broad still cross over in my mind).
The plot follows some gentle political and social manipulations, both in the capital Adua, and also in the North. Things quickly develop into a much stronger and very possible uprising against the throne, and more importantly against the corrupt financier and magician controlling the throne.
There are some truly superb action sequences in this book, where the action flows seamlessly from one character's PoV to another, almost as if watching a film, where the camera follows an arrow and watches the intended target until they stab at someone, who the camera then follows. This allows the action to unfold across both sides of the conflict and give the story from multiple angles. One of these scenes was one of the best told battle scenes I think I have ever read.
The plot is strong, the characters similarly, and the dialogue and narration is Abercrombie at his best. The crossing, double-crossing and triple-crossing is a joy to read. It is rare in a "grimdark" book to see one of the nastiest characters getting their comeuppance but at the end this is delivered in a fairly shocking manner.
This may just be Abercrombie's best book yet, in my humble opinion.
Matthew Krueger (10051 KP) rated Creepshow (1982) in Movies
Sep 27, 2019
Scary Stories To Tell In The Dark
Creepshow- is a very great movie, with its five short stories that are really horrorfyed and terrorfyed. Each one of them are scary.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
Billie Wichkan (118 KP) rated Black Wings in Books
Mar 15, 2019
Hooked like I didnt think I would be!
I first need to thank the author and publishers for the opportunity to read this in exchange for an honest review.
"Briella Blake has always been wicked smart. When she's invited to attend a special school for gifted students, she finally has the chance to focus on a project that begins to consume her - the ability to recreate and save copies of a person's entire set of memories. Her friendship with a raven that's as smart as she is leads to conflict with her mother Marian, who is no longer able to deny that there's something wrong with her child."
This is a real page turner!
I do not want to give too much away so I am really unable to elaborate; but this is a wonderful book.
Well-constructed and written book, touched on subjects of motherhood that are often called taboo or women are made to feel they cant talk about or feel.
When I first started reading the book
I had my suspicions about Briella - I tried to like her but I really couldn't. She just had something about her and I turned every page thinking to myself how creepy she made me feel and wondering who she would kill first.
This is a real page turner, made all the more unsettling by the presence of the enigmatic creepy Briella. I'd definitely recommend this to anyone who likes suspenseful thrillers and would also suggest fans of horror give this one a go as well. I feel like this could make a good creepy film if done right!
I first need to thank the author and publishers for the opportunity to read this in exchange for an honest review.
"Briella Blake has always been wicked smart. When she's invited to attend a special school for gifted students, she finally has the chance to focus on a project that begins to consume her - the ability to recreate and save copies of a person's entire set of memories. Her friendship with a raven that's as smart as she is leads to conflict with her mother Marian, who is no longer able to deny that there's something wrong with her child."
This is a real page turner!
I do not want to give too much away so I am really unable to elaborate; but this is a wonderful book.
Well-constructed and written book, touched on subjects of motherhood that are often called taboo or women are made to feel they cant talk about or feel.
When I first started reading the book
I had my suspicions about Briella - I tried to like her but I really couldn't. She just had something about her and I turned every page thinking to myself how creepy she made me feel and wondering who she would kill first.
This is a real page turner, made all the more unsettling by the presence of the enigmatic creepy Briella. I'd definitely recommend this to anyone who likes suspenseful thrillers and would also suggest fans of horror give this one a go as well. I feel like this could make a good creepy film if done right!
Silent as the Grave
5.0
Rate It
Book
Retired Detective Molly Murphy Sullivan goes undercover in the next book in the New York Times...