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Billie Wichkan (118 KP) rated Black Wings in Books
Mar 15, 2019
Hooked like I didnt think I would be!
I first need to thank the author and publishers for the opportunity to read this in exchange for an honest review.
"Briella Blake has always been wicked smart. When she's invited to attend a special school for gifted students, she finally has the chance to focus on a project that begins to consume her - the ability to recreate and save copies of a person's entire set of memories. Her friendship with a raven that's as smart as she is leads to conflict with her mother Marian, who is no longer able to deny that there's something wrong with her child."
This is a real page turner!
I do not want to give too much away so I am really unable to elaborate; but this is a wonderful book.
Well-constructed and written book, touched on subjects of motherhood that are often called taboo or women are made to feel they cant talk about or feel.
When I first started reading the book
I had my suspicions about Briella - I tried to like her but I really couldn't. She just had something about her and I turned every page thinking to myself how creepy she made me feel and wondering who she would kill first.
This is a real page turner, made all the more unsettling by the presence of the enigmatic creepy Briella. I'd definitely recommend this to anyone who likes suspenseful thrillers and would also suggest fans of horror give this one a go as well. I feel like this could make a good creepy film if done right!
I first need to thank the author and publishers for the opportunity to read this in exchange for an honest review.
"Briella Blake has always been wicked smart. When she's invited to attend a special school for gifted students, she finally has the chance to focus on a project that begins to consume her - the ability to recreate and save copies of a person's entire set of memories. Her friendship with a raven that's as smart as she is leads to conflict with her mother Marian, who is no longer able to deny that there's something wrong with her child."
This is a real page turner!
I do not want to give too much away so I am really unable to elaborate; but this is a wonderful book.
Well-constructed and written book, touched on subjects of motherhood that are often called taboo or women are made to feel they cant talk about or feel.
When I first started reading the book
I had my suspicions about Briella - I tried to like her but I really couldn't. She just had something about her and I turned every page thinking to myself how creepy she made me feel and wondering who she would kill first.
This is a real page turner, made all the more unsettling by the presence of the enigmatic creepy Briella. I'd definitely recommend this to anyone who likes suspenseful thrillers and would also suggest fans of horror give this one a go as well. I feel like this could make a good creepy film if done right!
BookblogbyCari (345 KP) rated The Last Straw in Books
Apr 7, 2019
When I read the synopsis for this book, I thought “Aah, here’s a story with some oomph!” The book starts with the line “Perry Mason unzipped his pants…” and I thought “I didn’t think it was that sort of a book!” There were no erotic scenes though, but there was violence and drama aplenty!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!
Ross (3284 KP) rated The Trouble With Peace in Books
Sep 28, 2020
Superb dialogue, plotting and war
I received an advance copy of this book from netgalley and the publishers in exchange for an honest review.
This is the second book in Abercrombie's second proper trilogy in the world of The First Law. I will admit to having issues with the first book, A Little Hatred, but they were mainly a result of the book building on from the previous trilogy (and the standalone books) but being a significant amount of time later. I had felt the characters had been left as "so-and-so's son/daughter" with minimal introduction otherwise.
Those issues are now long-forgotten, as in this book all characters receive enough attention to embed themselves and find their voices (no longer are Vick and Savine the same in my head, likewise Leo and Orso, although I have to admit that Clover and Broad still cross over in my mind).
The plot follows some gentle political and social manipulations, both in the capital Adua, and also in the North. Things quickly develop into a much stronger and very possible uprising against the throne, and more importantly against the corrupt financier and magician controlling the throne.
There are some truly superb action sequences in this book, where the action flows seamlessly from one character's PoV to another, almost as if watching a film, where the camera follows an arrow and watches the intended target until they stab at someone, who the camera then follows. This allows the action to unfold across both sides of the conflict and give the story from multiple angles. One of these scenes was one of the best told battle scenes I think I have ever read.
The plot is strong, the characters similarly, and the dialogue and narration is Abercrombie at his best. The crossing, double-crossing and triple-crossing is a joy to read. It is rare in a "grimdark" book to see one of the nastiest characters getting their comeuppance but at the end this is delivered in a fairly shocking manner.
This may just be Abercrombie's best book yet, in my humble opinion.
This is the second book in Abercrombie's second proper trilogy in the world of The First Law. I will admit to having issues with the first book, A Little Hatred, but they were mainly a result of the book building on from the previous trilogy (and the standalone books) but being a significant amount of time later. I had felt the characters had been left as "so-and-so's son/daughter" with minimal introduction otherwise.
Those issues are now long-forgotten, as in this book all characters receive enough attention to embed themselves and find their voices (no longer are Vick and Savine the same in my head, likewise Leo and Orso, although I have to admit that Clover and Broad still cross over in my mind).
The plot follows some gentle political and social manipulations, both in the capital Adua, and also in the North. Things quickly develop into a much stronger and very possible uprising against the throne, and more importantly against the corrupt financier and magician controlling the throne.
There are some truly superb action sequences in this book, where the action flows seamlessly from one character's PoV to another, almost as if watching a film, where the camera follows an arrow and watches the intended target until they stab at someone, who the camera then follows. This allows the action to unfold across both sides of the conflict and give the story from multiple angles. One of these scenes was one of the best told battle scenes I think I have ever read.
The plot is strong, the characters similarly, and the dialogue and narration is Abercrombie at his best. The crossing, double-crossing and triple-crossing is a joy to read. It is rare in a "grimdark" book to see one of the nastiest characters getting their comeuppance but at the end this is delivered in a fairly shocking manner.
This may just be Abercrombie's best book yet, in my humble opinion.
LeftSideCut (3776 KP) rated Captain America: Civil War (2016) in Movies
Dec 24, 2020
To it's credit, Civil War was incredible at it's time of release, but a recent re watch left me feeling a little emptier than I remember, and I think it's down to further films in the MCU. The main issue is that whilst it's a third Captain America movie, it is also Avengers 2.5, and as such, loses something from both sides of the coin. The complicated relationship between Bucky and Cap was one of the driving forces that made The Winter Soldier one of the best MCU films to date, but here, that side is distracted from by the big headline brawl. The Civil War side of things is set up pretty well, but the pay off doesn't quite pack the punch it needs to due to the overall focus on the aformentioned Bucky/Cap story.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
Silent as the Grave
5.0
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Retired Detective Molly Murphy Sullivan goes undercover in the next book in the New York Times...
Matthew Krueger (10051 KP) rated Creepshow (1982) in Movies
Sep 27, 2019
Scary Stories To Tell In The Dark
Creepshow- is a very great movie, with its five short stories that are really horrorfyed and terrorfyed. Each one of them are scary.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
Hazel (1853 KP) rated It's About Love in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
BookInspector (124 KP) rated Tell Me a Secret in Books
Sep 24, 2020
The protagonist in this story is Holly, a woman in her forties, who got promoted in her job on a TV show. I really like that the author utilizes her knowledge of the film industry throughout her books. I really like reading about “behind the scenes” of film making. This story was a little different than the previous books I read, first of all, there is no man involved in this story, and secondly, it is told from a single (Holly’s) perspective. Even though a single perspective was sufficient to get into the novel, I always liked that Jane Fallon incorporated rivals thoughts as well.
I liked the way the author chose her characters, they were different, interesting and in a way, mysterious. I really liked that the reader can get to know them better throughout the book. Holly was a sweet character, sharing her life story as well as the present events, but she lacked the “revenge” spirit. There were so many juicy discoveries, but Holly didn’t use them, and that was a shame. I loved the twists and turns in this novel, the pages just fly by while reading this book. One thing that truly surprises me is the number of alcoholic drinks the characters consume. How can they even function after downing bottles of wine? The topic discussed in this book is “being a single mother when you get pregnant at a very young age”. Holly’s story is inspirational and I liked that the author outlined the difficulties it can bring.
As I mentioned before, Jane Fallon is a master of what she does, and she definitely knows how to keep a reader “glued” to her book. The language used is easy to understand and the decent chapter length made this novel a very enjoyable read. The ending rounded up the novel very nicely and left me satisfied with an outcome. So, to conclude, Jane Fallon always provides intriguing stories with clever and believable characters, and the plot is filled with office rivalry as well as unexpected discoveries. I really enjoyed this book, and I will definitely recommend it to everybody. Enjoy!
I liked the way the author chose her characters, they were different, interesting and in a way, mysterious. I really liked that the reader can get to know them better throughout the book. Holly was a sweet character, sharing her life story as well as the present events, but she lacked the “revenge” spirit. There were so many juicy discoveries, but Holly didn’t use them, and that was a shame. I loved the twists and turns in this novel, the pages just fly by while reading this book. One thing that truly surprises me is the number of alcoholic drinks the characters consume. How can they even function after downing bottles of wine? The topic discussed in this book is “being a single mother when you get pregnant at a very young age”. Holly’s story is inspirational and I liked that the author outlined the difficulties it can bring.
As I mentioned before, Jane Fallon is a master of what she does, and she definitely knows how to keep a reader “glued” to her book. The language used is easy to understand and the decent chapter length made this novel a very enjoyable read. The ending rounded up the novel very nicely and left me satisfied with an outcome. So, to conclude, Jane Fallon always provides intriguing stories with clever and believable characters, and the plot is filled with office rivalry as well as unexpected discoveries. I really enjoyed this book, and I will definitely recommend it to everybody. Enjoy!
TN
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