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Movie Metropolis (309 KP) rated Life Of Pi (2012) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Ang Lee has directed some very artistic and emotionally charged films in his career and his new movie, Life of Pi is certainly no exception. But can his take on Yann Martel’s 2001 novel of the same name live up to his usual high standards?
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/
Don't Look Now
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Don't Look Now, released in 1973, confirmed director Nicolas Roeg as one of the most stylish and...
Lenard (726 KP) rated Where'd You Go, Bernadette (2019) in Movies
Sep 2, 2019
Contains spoilers, click to show
Judging by the size of the auditorium and the number of people who went to my screening, this film did not have a successful marketing campaign. Maybe people do not care about Antarctica or artists or perhaps the people who read the book are not habitual moviegoers (that is very likely). More probably Annapurna is struggling and couldn't market the movie. The film is tough to pigeonhole into a blurb. Bernadette Fox was a visionary architect who suffered a major setback when her dream project was bought and destroyed by a financial giant, a metaphor for the way the moneyed crush the dreams of artists and creators. For the past few years, she has turned into an anxiety-ridden wife and mother. When she gets swindled by a Russian identity thief ring, she decides to take that trip to Antarctica the family has been planning but she was anxious about. Basically, a case of when her imost recent dentity gets taken, Bernadette is given an opportunity to reinvent herself as the person she was always meant to be. Directed by master experimental filmmaker Richard Linklater, the film is a tale of turning your worst into your best. He makes a great back and forth between husband and wife as each tells a story from different viewpoints at a dining table. Cate Blanchett has a blast playing an anti-social artistic. It is too bad that there could not be more scenes between Kristen Wiig and Cate Blanchett as they bond over their ineffectual parenting.
LeftSideCut (3776 KP) rated The Fanatic (2019) in Movies
Sep 16, 2020 (Updated Sep 16, 2020)
Man what even is this film.
John Travolta's first line is "I can't talk too long, I gotta poo." At one point, he's dressed head to toe as Jason Voorhees for pretty much no reason. It's directed by Fred Durst. Devon Sawa's character listens to Limp Bizkit in his car and fucking loves it whilst saying the following: "You okay with some music? You like a little Limp Bizkit? Like a little Bizkit? Yeah? Nice and loud? I used to listen to this back in the day, this is hot. Oh my god, that is nice, that is nice! All right, here we go baby."
Not sure if this film is a blessing or a curse really. Is this Travolta's best performance ever or his absolute worst? I honestly can't tell! Shit is wild. One thing is for sure, Durst tries to make it "arty" by including an in your face voiceover narration now and again, and add in animated sketching sements when he feels like it because why the fuck not.
And it has a really nonsensical ending to the point of severe frustration.
I'm actually really thankful to everyone involved for providing us with a movie that is surely destined to become one big meme.
That ridiculous Limp Bizkit advertisement though, that's worth a star in my book.
John Travolta's first line is "I can't talk too long, I gotta poo." At one point, he's dressed head to toe as Jason Voorhees for pretty much no reason. It's directed by Fred Durst. Devon Sawa's character listens to Limp Bizkit in his car and fucking loves it whilst saying the following: "You okay with some music? You like a little Limp Bizkit? Like a little Bizkit? Yeah? Nice and loud? I used to listen to this back in the day, this is hot. Oh my god, that is nice, that is nice! All right, here we go baby."
Not sure if this film is a blessing or a curse really. Is this Travolta's best performance ever or his absolute worst? I honestly can't tell! Shit is wild. One thing is for sure, Durst tries to make it "arty" by including an in your face voiceover narration now and again, and add in animated sketching sements when he feels like it because why the fuck not.
And it has a really nonsensical ending to the point of severe frustration.
I'm actually really thankful to everyone involved for providing us with a movie that is surely destined to become one big meme.
That ridiculous Limp Bizkit advertisement though, that's worth a star in my book.
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MissCagey (2652 KP) rated Tumbledown (2016) in Movies
Jan 12, 2018
Good have been so much better!
Contains spoilers, click to show
Two years after her folk singer husband’s death husband widow is still grieving for him. A writer tries to get in touch with her to research her late husband for his book. In the end they collaborate.
I found the female character quite unlikeable, zero chemistry between the two leads and a story that really goes nowhere. A possible subplot of whether the singer had actually committed suicide is not explored and I think it would’ve made a much better film if they’d gone down that route rather than the cliche of the two leads falling in love. Disappointing.
I found the female character quite unlikeable, zero chemistry between the two leads and a story that really goes nowhere. A possible subplot of whether the singer had actually committed suicide is not explored and I think it would’ve made a much better film if they’d gone down that route rather than the cliche of the two leads falling in love. Disappointing.
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Kamouraska
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A classic of Canadian literature by the great Quebecoise writer, Kamouraska is based on a real...