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Queer in Translation
B.J. Epstein and Robert Gillett
Book
As the field of translation studies has developed, translators and translation scholars have become...
Darren (1599 KP) rated Joker (2019) in Movies
Oct 4, 2019
Thoughts on Joker
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
5 Minute Movie Guy (379 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Sep 16, 2019
In the early 1980s, author Alvin Schwartz created a book of short horror stories titled Scary Stories to Tell in the Dark that would go on to terrorize a whole generation of curious young readers. Combined with its morbid and ghastly illustrations by artist Stephen Gammell, the book would serve as an introduction to horror for many. Over the next ten years, Schwartz wrote two more books in the Scary Stories series, and now, nearly forty years later, it has finally been adapted into a major motion picture. Produced by Academy Award-winning director Guillermo Del Toro and directed by André Øvredal, the Scary Stories to Tell in the Dark film constructs a new narrative around several of the iconic short stories from the book series, and brings them to life to haunt the movie’s teenage characters.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
Gareth von Kallenbach (980 KP) rated Captain America: The Winter Soldier (2014) in Movies
Jun 19, 2019
For Captain Steve Rogers (Chris Evans), the two years following his exploits in “The Avengers” has not been easy. He is still coming to grips with being a man out of time, as the world around him is a much more dangerous and complicated place than the one he grew up in.
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
Emma @ The Movies (1786 KP) rated Juliet, Naked (2018) in Movies
Sep 25, 2019
If there's one thing you can guarantee it's that Nick Hornby can write a good book that turns into a good movie. While they never usually hit my favourites list they're always consistent.
This year has seen the romcom take a step back to something more traditional, and I'm loving it. So many have been more about the comedy, but while this one is funny it's very much focused on the relationships.
The movie opens with Duncan's video that sets up part of the background really well and goes a long way to explaining his life's obsession. What follows is a really well implemented flow with the voice overs mixed in.
I went off and read some comments people had been writing about some of my thoughts on Juliet, Naked. It made me remember that a film like this is only ever as good as your own personal experience. It depicts mild obsession in such a realistic way. Watching Chris O'Dowd reactions to Annie and then later Tucker was really on point, and as his behaviour starts to really cause the split between him and Annie her reaction too was just right. In fact I felt the three of them were brilliant on screen throughout.
As a focus for the film, Annie is a wonderful character. Rose Byrne really brings an honesty out of her. You can feel her exacerbation with Duncan's behaviour, her nervousness around Tucker as well as her joy and sadness. That accompanied with the way Tucker changes around her is really beautiful to watch.
Overall there wasn't much to grumble about in this film... but... there's always a but! I didn't feel that the supporting cast were quite as essential. Annie's sister was a little over the top for me, and the diversion around Duncan's affair didn't really match up to the calibre of the rest of the film either.
What you should do
It's definitely one to watch, and remember to watching into the credits!
Movie thing you wish you could take home
I actually wouldn't mind taking home my own Tucker Crowe.
This year has seen the romcom take a step back to something more traditional, and I'm loving it. So many have been more about the comedy, but while this one is funny it's very much focused on the relationships.
The movie opens with Duncan's video that sets up part of the background really well and goes a long way to explaining his life's obsession. What follows is a really well implemented flow with the voice overs mixed in.
I went off and read some comments people had been writing about some of my thoughts on Juliet, Naked. It made me remember that a film like this is only ever as good as your own personal experience. It depicts mild obsession in such a realistic way. Watching Chris O'Dowd reactions to Annie and then later Tucker was really on point, and as his behaviour starts to really cause the split between him and Annie her reaction too was just right. In fact I felt the three of them were brilliant on screen throughout.
As a focus for the film, Annie is a wonderful character. Rose Byrne really brings an honesty out of her. You can feel her exacerbation with Duncan's behaviour, her nervousness around Tucker as well as her joy and sadness. That accompanied with the way Tucker changes around her is really beautiful to watch.
Overall there wasn't much to grumble about in this film... but... there's always a but! I didn't feel that the supporting cast were quite as essential. Annie's sister was a little over the top for me, and the diversion around Duncan's affair didn't really match up to the calibre of the rest of the film either.
What you should do
It's definitely one to watch, and remember to watching into the credits!
Movie thing you wish you could take home
I actually wouldn't mind taking home my own Tucker Crowe.
CA
Critical Approaches to the Films of Robert Rodriguez
Frederick Luis Aldama and Alvaro Rodriguez
Book
Frederick Aldama's The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of...
Darren (1599 KP) rated Jarhead 3: The Siege (2016) in Movies
Jul 2, 2019
Story: Jarhead 3: The Siege starts as new recruit Evan Albright (Weber) who has just gotten a role working in the US Embassy in the Middle East, welcomed by Hansen (Ainsley) and under the orders from Gunny Raines (Adkins) with the job to protect the Ambassador Cahill (Hogan). With Evan going through the lesson of how to operate in the embassy we are ready to begin.
Evan notices somebody outside the normal outside the embassy, which soon sees him learning the lessons of the protocol. The marines find the embassy under siege and must use all their training to keep the Ambassador alive against countless enemies.
Thoughts on Jarhead 3: The Siege
Characters – Evan is the newest marine bought into the embassy, he does fill in the gaps for the protocol that must be followed by the team, learn to work with the rest of the unit and is the first to suspect something is going on around the embassy and ends up being the one leading the fight back. Gunny Raines is the leader of the marines, you play by his rules or face the consequences. Major Lincoln is the one leading the rescue attempt, bringing the back-up required to hopefully help the stranded marines, spends most of the film in a helicopter racing to the scene. Olivia Winston is the computer operative at the embassy, she like Evan has bigger dreams when it comes to rising up through the military rankings.
Performances – Charlie Weber does take the leading role here where we follow his character entering the world, he works as a soldier never setting the world alight, which can be same for the whole cast sees Scott Adkins, Sasha Jackson and Dennis Haysbert.
Story – The story here follows a newly recruit marine in an US embassy that must deal with a siege from the locals on the building meaning he will join the marines to show off their skills to defend the embassy. This is one of the simplest stories you will ever see, we follow Evan as he and we learn the lay of the land, the siege is everything you would expect too, following the usual ideas of needing to have safety and out live the numbers that are trying to kill you. It does feel like the story is safe rather than challenging.
Action/War – The action plays into the war side of the film, we get plenty of military manoeuvres to see bullets flying around.
Settings – The settings in the film show us the embassy and how the marines operate within it, we see how this makes the positions difficult to defend.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It is too by the books.
Final Thoughts – This is an easy to follow military action film, it doesn’t do anything wrong, only it just seems to be by the book and overly safe.
Overall: Safe Military Film.
Evan notices somebody outside the normal outside the embassy, which soon sees him learning the lessons of the protocol. The marines find the embassy under siege and must use all their training to keep the Ambassador alive against countless enemies.
Thoughts on Jarhead 3: The Siege
Characters – Evan is the newest marine bought into the embassy, he does fill in the gaps for the protocol that must be followed by the team, learn to work with the rest of the unit and is the first to suspect something is going on around the embassy and ends up being the one leading the fight back. Gunny Raines is the leader of the marines, you play by his rules or face the consequences. Major Lincoln is the one leading the rescue attempt, bringing the back-up required to hopefully help the stranded marines, spends most of the film in a helicopter racing to the scene. Olivia Winston is the computer operative at the embassy, she like Evan has bigger dreams when it comes to rising up through the military rankings.
Performances – Charlie Weber does take the leading role here where we follow his character entering the world, he works as a soldier never setting the world alight, which can be same for the whole cast sees Scott Adkins, Sasha Jackson and Dennis Haysbert.
Story – The story here follows a newly recruit marine in an US embassy that must deal with a siege from the locals on the building meaning he will join the marines to show off their skills to defend the embassy. This is one of the simplest stories you will ever see, we follow Evan as he and we learn the lay of the land, the siege is everything you would expect too, following the usual ideas of needing to have safety and out live the numbers that are trying to kill you. It does feel like the story is safe rather than challenging.
Action/War – The action plays into the war side of the film, we get plenty of military manoeuvres to see bullets flying around.
Settings – The settings in the film show us the embassy and how the marines operate within it, we see how this makes the positions difficult to defend.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It is too by the books.
Final Thoughts – This is an easy to follow military action film, it doesn’t do anything wrong, only it just seems to be by the book and overly safe.
Overall: Safe Military Film.
Chris Sawin (602 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 11, 2019 (Updated Aug 11, 2019)
The monsters. (1 more)
Special effects - blend of CG and practical.
The Pale Lady. (2 more)
Basic rinse and repeat horror formula.
No emotional attachment to characters.
Fishing for Turds
Scary Stories to Tell in the Dark is probably considered the introduction to horror fiction for anyone who was in middle school in the mid to late 1990s. I distinctly remember checking out at least one of the books before I was a teenager, but the story that has stuck with me multiple decades later has and always will be, “The Red Spot.” The thing about the Scary Stories books is that they were just these random collections of creepy tales meant to make the reader anxious, uneasy, or even frightened, so the fact that somebody attempted to make a coherent film out of a jumbled mix of stories from all three books is kind of incredible.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
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